47 pages • 1 hour read
Dan GemeinhartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The shuttle driver regards Mark coldly, “Like having an extra kid on a bus was the worst thing that could happen to a person” (109). Noting a severe storm descending, the driver reluctantly agrees to drive him back to Elbe on the shuttle’s return trip. Mark doesn’t wait in the café bunkhouse, as the driver suggested, but instead resolves to continue on foot. Mark expresses gratitude to his faithful companion: “I held on to [Beau] like I was drowning. His mismatched eyes looked somehow brighter in the darkness. He was with me. He was always with me” (111). Mark and Beau approach a bridge and, soaked and shivering from the rain, decide to rest beneath it. The most convenient location under the bridge looks rocky and uncomfortable, but Mark notices a small sandy island in the middle of the river but still under the bridge’s protection. An ostensibly sturdy log connects the river shore to the sandy island, so Mark carefully treks across the slippery, somewhat flat surface. Beau reluctantly follows. Mark nearly crosses successfully, but he missteps and is engulfed in the river’s stormy currents.
Jessie is moments away from dialing the hotline number, reasoning that if she gives an anonymous tip, nobody would know that she kept the secret for so long and Mark wouldn’t suspect her disloyalty. After dialing the first few numbers, she recalls a third-grade memory. Mark was hospitalized, and while his parents left to grab food, he tearfully took Jessie’s hand. Mark wants to be strong for his parents, and he asked Jessie whether she will let him be vulnerable. She agrees to “hold [his] secret” (118), opening a safe space for Mark’s emotions. Later, when Jessie’s parents divorced, she could go to Mark without shame and mourn the loss of her family’s happiness. Mark says to her, “Count on me, Jess. […] And I’ll count on you. We’re the ones we can always count on. Right?” (119). The memory bolsters Jess’s determination to keep Mark’s secret, and she hangs up the telephone.
Submerged in icy water, Mark attempts to guide himself toward the sandy island, but the currents are stronger and the water colder than he expected. Beau jumps in the water after him, eventually catching his jaws around Mark’s collar. Mark grabs hold of a log and kicks toward the shore. He climbs to land alive, but he shivers violently “like a car wreck” (24). He digs in his backpack—still strapped to his back—for materials he intended to save for the mountain: matches, old newspapers, and Vaseline-coated cotton balls. He lights a fire, then strips to his underwear to let his wet clothes dry, leaning into the fire as much as he dares. He stays awake until his clothes dry completely, throws a few more large logs on the fire, and catches some sleep before morning. A few hours later, Mark writes a haiku about that dark night and the company of friend and fire. Mark and Beau carefully make their way across the log and walk alongside the highway again. After a while, a cigar-smoking truck driver rolls down his window and invites Mark inside.
Jessie’s mom encourages her to go back to school, but Jessie is wary of her classmates’ reactions to her. She doesn’t know whether she can keep Mark’s secret under so many eyes, and she doesn’t want to return without her best friend beside her. Even worse, she realizes that life without Mark may be the new normal: “This is how it might always be now. Every day. With him gone. Forever” (136). Jess refuses to go to school, and her mom concedes.
Mark’s brief interaction with the bus driver highlights the idea that no one can know the depth of a stranger’s life. Mark tasted this realization when he discovered himself enjoying a conversation with a random six-year-old girl, and now he sits on the receiving end of a stranger’s thoughtless hostility. In response to the driver’s anger, Mark sarcastically muses that surely this situation is the “worst thing that could happen to a person” (109). Mark repeatedly rejects kindness that flows from pity, but when faced with unjust coldness, he can’t help but brood that if only he knew his situation, the driver wouldn’t find his own small dilemma so upsetting. Mark doesn’t necessarily want personal preferential treatment, but here he betrays a budding desire for the driver’s sympathy.
Abandoned by the shuttle, Mark clings to Beau “like [he is] drowning” (111). The author’s word choice creates covert foreshadowing, meaning that readers don’t understand the full implications of this detail until the foreshadowed event occurs. In this initial sense, Mark drowns figuratively in fear, disappointment, and pain. He holds Beau like a lifeline amid intense waves of emotion. However, Mark soon finds himself drowning literally, his life physically endangered. Once again, Beau becomes his lifeline, fastening to his collar until Mark climbs safely to shore. This literary element reiterates Beau’s steadfast loyalty in both physical and mental-emotional capacities.
While Jessie decides whether to return to school, she contemplates, “Everyone would act weird. They all knew he was her best friend. Her teacher would treat her different. The kids would all whisper. She’d be completely alone” (135). Her concerns are reminiscent of Mark’s reality. After being hospitalized and returning to school, Mark would have known that other students pegged him as the one with cancer, and consequently, they would treat him differently. Mark’s whole journey aims to discard this identity that he didn’t create—and never wanted—for himself. Jessie now finds herself in a similar situation, and this realization strengthens her resolve to keep Mark’s secret. She understands Mark’s heart behind his decision to leave, even if she doesn’t know the right thing to do yet.
By Dan Gemeinhart
Action & Adventure
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Animals in Literature
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Family
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Friendship
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Hate & Anger
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Juvenile Literature
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Realistic Fiction (Middle Grade)
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The Best of "Best Book" Lists
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Truth & Lies
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