39 pages • 1 hour read
Ray BradburyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When Tom wonders why they can’t summon Pipkin with a whistle as they did the gargoyles, Moundshroud laughs and replies that Pipkin is already there. Looking up to the parapet, the boys see Pipkin, frozen in stone as an angel-devil creature jutting out from the side of the cathedral.
Pipkin has difficulty speaking through his stone mouth at first, but when rain starts to fall it enables him to speak freely. He explains that he was in the mummy’s tomb and the scared dog that the boys witnessed earlier and that now he has been transformed into a stone ornament; part of him is also in a hospital back home. Scared, Pipkin begins to cry tears of raindrops. Suddenly lightning strikes Pipkin, causing his face to tumble to the ground and disintegrate. As the wind carries the stone dust away, Moundshroud explains that it is being carried to Mexico, their last stop on the night’s journey.
The boys reassemble the kite and set sail. As they do, they hear the far-off sound of people in Ireland begging for food. Even farther still, they hear coffin makers in Mexico tapping out a new coffin, which they realize is meant for Pipkin.
Hovering above Mexico, the boys observe that the cemeteries are full of candlelight and visitors this night. It is El Dia de los Muertos, the Day of the Dead throughout Latin America.
In a lake surrounding an island, they see a canoe with a shrouded figure standing in it—Moundshroud. Accompanied by guitar and flute music, candles on the cemetery island slowly light up. All the town’s inhabitants are in the cemetery, lighting candles and placing flowers for their departed loved ones. A vendor sells the boys candy skulls with their names written on them. The boys observe that Mexican boys with similar names to their own also look like them.
The boys race into the town plaza and see myriad shop decorations made of bones, celebrating the transience of life and fame. They hear a song about these themes being sung from the hill, and Tom reflects that the Mexican Halloween customs show a respect for the dead that is lacking back home.
Suddenly, the boys are dismayed to see a sugar skull candy with Pipkin’s name on it.
A woman comes down the street bearing scoops of burning charcoals. Then a man comes by bearing a small coffin on his head and heading for the church. When the boys ask about Pipkin, Moundshroud says there is one more thing they must do to save their friend. He instructs them to strike the piñatas hanging from a nearby tree. When they do, the objects inside the piñatas float away in the air, carrying the boys with them.
The boys find themselves in an abandoned graveyard. Moundshroud opens a trapdoor and tells the boys to go down into the catacomb. Although the boys are reluctant to go, Tom volunteers to go first. As they descend, the darkness swallows them, and they feel “so alone they want to cry” (125). Finally, they reach a long hall at the bottom of the cave.
Standing against the wall is a long line of mummies, waiting silently for decades because their families couldn’t pay for proper graves. At the far end of the hall, they find Pipkin, crouched down in a corner and crying. He tells the boys he is afraid to attempt to escape from the hall because of the menacing mummies.
Moundshroud tells the boys they can save Pipkin with the sugar candy upon which his name is written, which he hands to them. However, the boys must make a sacrifice: one year from each of their lives. All the boys agree to the deal. The boys divide the candy up among themselves and eat, and as they do so they feel the year they have given up flying away.
Suddenly Pipkin comes charging out through the hall, upstairs, and out of the catacomb. The boys and Moundshroud follow him, and as they do the wind sucks them into the sky. They fly north until they reach their hometown.
Alighting on the Haunted House, Moundshroud lifts the glass pane of the skylight, and the boys enter the house and slide down the stairway banister. On each floor, they see reflected the various scenes of their journey: the prehistoric era, ancient Egypt, the Greeks and Romans, the Druids, witches in the Dark Ages, the beggars of Ireland, the gargoyles of Notre Dame, and the skull candies of Mexico. On each level, the people mourn their dead and face the harshness of winter before being cheered by the return of the summer sun. Moundshroud summarizes: All these eras of history and cultural practices point to the need to find ways to deal with the realities of darkness, night, and death, as well as to make sense of the cycles of life.
The boys desperately ask Moundshroud whether they have saved Pipkin. Moundshroud directs their glance toward the hospital in the distance and tells them to check at Pipkin’s house. As the boys leave the Haunted House, they gratefully declare to Moundshroud that they have had both trick and treat tonight.
The boys arrive at Pipkin’s front porch, and Tom goes in. A few minutes later he comes back out and announces that Pipkin is all right; he had to go to the hospital to have his appendix removed, but he is now doing “great.” The boys rejoice and then decorate Pipkin’s porch with lit pumpkins. The clock strikes midnight, and in the distance, the pumpkins on the Pumpkin Tree go dark while Moundshroud stands on the roof surveying the scene.
Alone on his veranda savoring the last moments of Halloween, Tom thinks of Moundshroud, asking him who he really is and whether they will meet again. He hears Moundshroud answer that Tom knows who he is and that many years from now he will “come for [Tom]” (143). Moundshroud reassures Tom that one day, the fear of night, darkness, and death itself will be destroyed. Tom goes inside his house, Mounshroud blows out the candle of his pumpkin on the Halloween Tree, and the town goes to sleep as the wind continues to blow more leaves toward the sky.
By presenting Pipkin as frozen into stone, Bradbury emphasizes his helplessness and raises the stakes as the narrative approaches its climax. The tension increases even more when the boys realize that Pipkin has been whisked away to Mexico and is awaiting burial. The final chapters thus become a race to save Pipkin from certain death. The last stage of the journey takes place in Mexico, where traditions surrounding the Day of the Dead are particularly prominent. Unlike the previous episodes, this one takes place in the narrative present, which not only gives readers (presumed to be American) insight into how Halloween is celebrated in another contemporary culture but also underscores the atmosphere of urgency. As the boys’ tour of history draws to a close, time may be running out for Pipkin as well.
Nevertheless, when the boys first arrive, Bradbury slows the pacing down, concentrating on colorful and detailed descriptions of the lights, cemetery, candies, decorations, etc. Moundshroud stresses that the Day of the Dead customs relate to honoring the memory of the dead, which is also a way of acknowledging mortality itself. Tom recognizes this and praises it as a refreshing change from back home, where the dead are frequently forgotten. This drives home themes of both The Difference but Connectedness of Cultural Traditions and The Need to Recognize Mortality. The Mexican Day of the Dead is presented as a culmination of all the previous traditions the story explores.
As is true throughout the book, Bradbury must balance Moundshroud’s “history lessons” with the central plot concern of rescuing Pipkin. Pipkin seems closest to death in Chapter 19, particularly when the mummies seem to bar the way to escape. The mechanism that Bradbury devises to rescue Pipkin is tied to self-sacrifice. By each giving up a year of their life, the boys show their love for Pipkin. Bradbury thus implies that love and friendship can conquer death, bringing the theme of The Power of Friendship to its conclusion. The boys perform this sacrifice by chewing a piece of candy with Pipkin’s name on it, symbolically making Pipkin a part of their inner being. The almost sacramental nature of this act links it to the rituals and religious origins of Halloween. However, Bradbury leaves the question of whether Pipkin has really been saved hanging to create further tension; it is not until the boys inquire about him at his home that they learn about his successful operation.
The story ends with the boys returning to their hometown, where the narrative began. More specifically, the book ends with Tom’s reflections about the night’s experiences, just as it began with him absorbing the sights and sounds of Halloween evening. This sense of coming full circle not only creates resolution but also harkens to the cyclical nature of many of the rituals and traditions the boys have explored, as well as the rhythms of nature itself. The chiming of midnight, with everyone turning in to go to sleep, gives additional closure to the story.
The final telepathic conversation between Tom and Moundshroud emphasizes the latter’s supernatural nature; he can hear Tom thinking from far away. More specifically, the conversation establishes that he is an agent of death. However, Moundshroud answers Tom’s questions about death in a comforting way, making it seem less threatening. The understanding that develops between Tom and Moundshroud implies that humans should be less afraid of death and instead treat it as a friend. This echoes the overall mood of the novel’s final scenes. The boys’ return to the town concludes the book on a note of comfort and security that coexists with the darkness and foreboding of Halloween. The final line of the book, which describes the wind sweeping up the leaves, underscores that death is a constant presence—but not necessarily a frightening one.
By Ray Bradbury