44 pages • 1 hour read
Steven RowleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Spurred by his book on handling grief, Patrick broaches the subject of Sara: “I was wondering if either of you were missing your mom tonight, because I know I was—missing her—and I thought we might talk about it” (93). Patrick and Sara were close friends before she ever met their father, and that truth triggers resentment in him—Maisie and Grant get all the sympathy, but few people remember or care what Sara meant to Patrick. He tells the kids about being roommates with Sara in New York shortly after graduation. She worked for a fashion magazine, and he pursued an acting career. This was the happiest time of Patrick’s life.
When Grant asks Patrick if he believes in heaven, Patrick dodges the question, responding instead that Sara is at peace. Patrick explains that adults don’t have the answers to everything—why there’s so much hate in the world, for example. Maisie asks why people die, and Patrick answers that it’s to teach the rest of us the value of life. His words make him realize that he hasn’t been living his best life—he’s been hiding from it. He suggests they throw a party “[t]o make ourselves feel better” (101).
That evening, Patrick chats with John over the fence, confiding that being a caretaker feels like a different version of his life. Still, Patrick has doubts about his approach. He worries he can’t reach them and therefore can’t help them navigate the grieving process. John suggests a child psychologist, and Patrick jokes that their conversation about Heaven might call for a priest. As Patrick remembers his partner, Joe, killed by a drunk driver, John asks why he stopped acting. Patrick replies, “It wasn’t fun anymore” (106) and realizes that because he now wants to help Greg with child support and any unpaid medical bills, he will have to go back to work soon. John, who turns out to be a former minister, offers to speak with the kids, but Patrick declines. He’s not sure if John’s straightforward approach is the right one.
Patrick visits his agent, Neal, and his accountant to create a detailed plan—helping with the kids’ college tuition, general living expenses, etc. Patrick and Neal argue, and Patrick finally acknowledges how much he dislikes Neal. He fires him and decides to hire Cassie instead. On his way out, he dictates a list of tasks to the stunned Cassie: reactivate his social media accounts, plan a big party, and find out where he can get a dog.
Patrick and the kids dine out with a new dog—Marlene Dietrich—curled up at their feet. Grant asks to watch YouTube, but Patrick says no, fearful of too much screen time at such a young age. He rants about the self-indulgence of social media, calling those who create it performers without purpose, but his argument falls on deaf ears. Finally, Patrick agrees to film them doing silly things for YouTube, hoping this will allow the kids to open up about their grief. After texting Greg, wondering why he hasn’t heard from his brother since he’s entered rehab, Patrick orders cotton candy, fashions it into mustaches for the kids, and he records the sweet moment.
The night of Patrick’s party, when Cassie shows up in a prim white dress and sensible shoes, Maisie finds her something more suitable from Patrick’s caftan closet. Patrick is impressed by Cassie’s party planning skills: She invited “All of his friends and few of his frenemies, but none of his enemies” (131). He mingles, relishing the feeling of community and aware of its fleeting nature. Patrick is keenly aware that his guests judge him for retreating to the desert at the height of his fame. Patrick toasts the crowd, citing the need for joyous occasions to ease them through difficult times. The guests break out in spontaneous Christmas carols—a nod to the Christmas tree the kids put out even though it’s July. In the midst of the fun evening, Patrick flirts with a young, up-and-coming TV star, Emory. At the party’s height, Clara bursts in uninvited. She is shocked and distressed by the goings-on.
Patrick’s character arc—going from a man cocooned in self-imposed isolation for four years to one reintegrated into his family, profession, and romantic life—undergoes a transition in these chapters. Although he has attempted to use Isolation as a Coping Mechanism, Patrick gains perspective on the flaws of this self-centered strategy. Becoming Maisie and Grant’s caregiver makes him think about their future needs—the financial aspect of which leads him to reconsider his stalled career. While he bemoans the shallowness and back-stabbing of Hollywood, Patrick misses the perks and financial rewards that come with professional success: being one of the few actors who can command an extravagant salary. Patrick admits that he’s been hiding, not living, after the death of Joe. As he nudges Grant and Maisie gently toward expressing their own sadness, he begins to express his own.
Maisie and Grant are too young to deal with their pain like grownups, so Patrick resorts to his original plan: let them have fun. But his idea of fun sometimes conflicts with theirs, as the novel introduces the theme of the Double-Edged Sword of Technology. Patrick plans a big, splashy industry party, which gives him the opportunity to introduce himself to some newcomers and reconnect with old friends. The party is also meant to lighten the mood for Maisie and Grant—Patrick allows them input, like putting out an artificial Christmas tree in the summer. However, what’s actually fun for the kids is social media—they want to watch and make funny videos for YouTube. Patrick finds this uncomfortable—although he’s made a career of being a screen star, the idea that non-professionals now enjoy creating content makes him wax moralistic about children and screen time. With this contrast, Rowley foreshadows a conflict between the fun of creative self-expression and the superficial rewards of stardom.
By Steven Rowley
American Literature
View Collection
Family
View Collection
Grief
View Collection
Laugh-out-Loud Books
View Collection
LGBTQ Literature
View Collection
Mortality & Death
View Collection
Popular Book Club Picks
View Collection
Pride Month Reads
View Collection
Realistic Fiction (High School)
View Collection
Romance
View Collection
Valentine's Day Reads: The Theme of Love
View Collection