52 pages • 1 hour read
Michael CrichtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Pierce and Agar are on a rooftop looking down on the Huddleston & Bradford Bank. At 8:29 am, Mr. Trent arrives in his carriage. As he steps out of his carriage, Teddy Burke knocks into him, apologizes, and moves on. Mr. Trent continues toward the bank and soon realizes that he might have been pickpocketed. He feels in his coat pocket for what Pierce presumes is the key and looks relieved when he finds it. Now Pierce knows that Mr. Trent personally holds the key.
Pierce continues to learn more about Mr. Trent and his family in order to get close to him. He is unable to find a way in until the evening of August 3, when he sees Mr. Trent getting into a carriage with one of his bulldogs.
Pierce goes to the stable of Jeremy Johnson & Son. He talks to Mr. Jeremy Johnson, Sr. about getting “a fully made dog” (47), or a dog prepared to fight. Johnson shows him several dogs, but Pierce is not satisfied with any of them. Finally, Johnson shows Pierce a large, fierce dog that Pierce agrees to buy for £40. Pierce puts £10 down for the dog and says he will be back to take the dog home.
On August 10, 1854, Captain Jimmy Shaw is running a canine rat-catching competition at the Queen’s Head public house. Mr. Trent wagers that his dog can kill 20 rats in four minutes. The dog only kills 17 rats, so Mr. Trent loses. Pierce approaches Mr. Trent and commiserates with his loss, then tells him that someone has offered him “a most excellently made dog” (59). Pierce claims that he cannot accept this offer himself because he travels so much for work. Mr. Trent says he would like to have another dog, so Pierce offers to inquire on Mr. Trent’s behalf and ask if the dog is still available. He also tells Mr. Trent that he is unmarried.
The narrative states that the number of well-off unmarried women in Victorian society is becoming a crisis. One such unmarried woman is Mr. Trent’s daughter, 29-year-old Miss Elizabeth Trent. Pierce goes to tea at the Trent residence and is introduced to Elizabeth. He appears fond of her. Pierce tells the family about his travels in the United States and describes how the buffalo hunters eat the buffalo’s small intestines raw. Mrs. Trent is taken aback by the story and excuses herself, and Mr. Trent follows, leaving Elizabeth and Pierce alone. The Trents hope that Elizabeth and Pierce will marry.
On August 28, 1854, the infamous axe murderess Emma Barnes is to be hanged in Newgate Square. Pierce rents a room in a rooming house that overlooks the square. The day before the hanging, Pierce and Agar meet Barlow, a “rampsman” (a mugger who works as Pierce’s getaway driver) and go to the room. Agar and Barlow’s lovers are also there with baskets containing first aid materials and a girl’s dress. The next morning, they all watch the hanging. At the exact moment of the hanging, when the guards and crowd are distracted, Clean Willy scales the spike-topped walls of the Newgate Prison, climbs over the roofs, and joins the crew at the rooming house. The women treat his wounds from the spikes and disguise him as a woman, and they all leave.
The escape of a convict from Newgate Prison goes relatively unremarked in the newspapers because there are more pressing issues, like the Crimean War and a cholera epidemic. A month later, the body of a man whom the police identify as the escaped convict is found in the Thames River in London.
Clean Willy spends time at Pierce’s house, recovering from his wounds. He is cared for by Pierce’s mysterious lover, Miss Miriam. After the fact, she is thought to have known all about Pierce’s plans for the heist, but now, she denies this to Clean Willy. Pierce is rarely home and often returns dressed in riding gear, even though he has told Willy that he does not like horses.
Later, Willy returns to Holy Land. His lover, Maggie, is with another man, and he ends up with a 12-year-old girl named Louise. She works as a laundry thief. They live off her earnings while staying in a crowded rooming house and waiting for Pierce’s instructions.
In Hyde Park, London, in an area called Ladies’ Mile or Rotten Row, wealthy men and women on horseback often spend time together. By late September 1854, Pierce and Elizabeth have begun to spend time together on Rotten Row. She is very smitten with him. One October afternoon, Pierce asks Elizabeth about her father. She tells him that before each gold shipment, Mr. Trent goes into the wine cellar, and this habit has led her mother to worry that the anxiety over the shipments is leading Mr. Trent to drink excessively. Pierce realizes that Mr. Trent keeps the fourth key in the wine cellar.
The second half of Part 1 focuses on Examining the Nuances of Victorian Society. To this end, Crichton uses the historical mode of narrative to provide the full context for the relevant events and then places the characters and their actions into that context. A prime example of this pattern can be found in Chapter 12, when the narrative describes the crisis surrounding the surplus of unmarried women in Victorian society, for Crichton notes that “well-born women had few alternatives to wifehood” (61). Into this historical discussion, Crichton then introduces Miss Elizabeth Trent, who is characterized as being “now twenty-nine and of ‘wholly marriageable condition’—meaning somewhat past her prime” (62). This multifaceted narrative approach is used to explain the motivations of these historically-bound figures who may otherwise appear strange or incomprehensible to modern readers. Similarly, the discussion of Rotten Row in Chapter 16 elucidates why Willy notices that Pierce smells like horses; Pierce has been on horseback on Rotten Row, “courting” Elizabeth Trent.
Throughout The Great Train Robbery, Crichton focuses extensively on the Misconceptions About the Nature of Crime in Victorian society, for many aspects of the heist rely on the fact that the Victorians saw crime as being endemic to the lower classes and a consequence of low character. They further believed that societal progress, which was in part embodied by technological advancements, would eventually lead to the eradication of crime. However, this mode of understanding was only possible through the deliberate oversight and obfuscation of the crimes perpetrated by the educated upper classes. Crichton stresses that examples of this intentional oversight can be found in the prevalence of sex work and dog sports. In the discussion of Rotten Row, which was commonly the territory of upper-class sex workers who were more commonly referred to as escorts, Crichton notes that “Victorians claimed to be scandalized by the intrusion of [sex workers] into respectable circles” (82). His skeptical tone suggests that for all their performative outrage, upper-class members of Victorian society accepted the presence of sex workers and were willing to ignore criminal activity that provided some form of benefit. Similarly, “ratting,” or the competitive extermination of rats by dogs, was likewise “technically illegal” but, because “reputable gentlemen felt [no] unease at participating in ratting sports” (57), these laws were not often enforced. By examining the prevalence of such double standards, Crichton suggests that Pierce and his gang were not substantially different from other respectable members of Victorian society; instead, they were simply cast as such because of their class backgrounds and the spectacular nature of their crime.
By Michael Crichton