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Katherine PatersonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One key character trait of Gilly’s is that she fears rejection. As a child in the foster care system, Gilly Hopkins has learned to cope with the fear of being abandoned by developing a shield around herself that prevents her from being hurt. Gilly pretends that she does not need anyone and that she is completely independent. Whenever others offer assistance, she always insists that she does not need their help. When Maime Trotter tries to comfort Gilly, Gilly slams the door on her face and shouts for Maime Trotter to “get her fat self outta here!” (30). When Agnes Stokes wants to be friends, Gilly tells Agnes that she does not want help (43) and constantly teases Agnes. Gilly attacks those who offer love and friendship as a way of preventing herself from being hurt.
The author provides a flashback to a memory of the Dixons, a foster family that Gilly previously lived with, and uses tone and imagery to portray Gilly’s attachment to this family and subsequent pain when they moved away without taking her. She states that her foster mother tricked her with “all that rocking and love talk. I called her Mama and crawled up on her lap when I had to cry. My God!” (71). Gilly feels like she was “put out like the rest of the trash they left behind” (71). Gilly’s feelings of shame and rejection are captured in this simile. The disappointments Gilly has experienced led her to adopt a cold and mean personality to protect herself from becoming attached to others.
Gilly’s search for belonging is deeply connected to her wish for her biological mother to return and take care for her. Gilly frequently wishes that she was longer in the foster care system, fantasizing about being a princess that will be rescued by her mother. She admits to herself that what she really desires is to “to stop being a ‘foster child’” and “to be real without any quotation marks” (124). When Gilly sees Courtney at the airport (the first time since she was three) Gilly realizes that Courtney has no interest in raising her. Gilly learns that her biological mother is not able to give her the love and support she is seeking. This painful experience helps Gilly acknowledge the love she feels for the people in Thompson Park who have provided her with love. It also allows her to move on from the pain and to accept her grandmother’s love.
Maime Trotter, William Ernest, Mr. Randolph, and Miss Harris do not let Gilly push them away, even when she attempts to hurt them in various ways. When Gilly steals money from Mr. Randolph and Maime Trotter so she can run away to San Francisco, Maime Trotter does not reject Gilly; instead, she holds on to Gilly even tighter. The social worker Miss Ellis advises Maime Trotter to give up Gilly, and Maime Trotter “bellows” like “like …an old cow deprived of its calf” (93). The simile shows the strength of Maime Trotter’s love for Gilly. Gilly realizes that her attachment to her biological mother has caused her to take other people for granted, such as Maime Trotter. Gilly realizes that the belonging she has been searching for her entire life was in Thompson Park. The emotional growth that she experiences allows her to embrace her new life in Virginia with her grandmother. She finally achieves a sense of peace and permanence again in her new home.
Initially, Gilly’s negative judgments of the people she meets in Thompson Park are largely based on her discriminatory views of those who are different from herself, and she is especially cruel in her views of Black people. She also harshly judges those who are impoverished, even though she herself has grown up in poverty. One key aspect of Gilly’s character arc is the positive shift in how she interacts with and views other people. Instead of looking down on others for their race or social status, she begins to value and love others.
When Gilly first meets Miss Harris and Mr. Randolph, Gilly’s racist attitudes are expressed via internal dialogue. Gilly shrinks back from her new teacher when she first meets her, thinking to herself: “on top of everything else, the teacher was black” (21). No one notices Gilly’s reaction except Miss Harris, whose eyes show “a flash of brightness” (21) for a moment. The descriptive language that the author uses expresses that Miss Harris is hurt by Gilly’s reaction to her, but her reaction is subtle, which also indicates Miss Harris’s ability to remain calm despite others’ mistreatment of her.
Miss Harris treats Gilly with kindness and fairness, but Gilly is frustrated because she is being treated the same as everyone else: no other teacher “melted her into the mass” (55) the way that Miss Harris does. Gilly’s internal dialogue shows that she views her classmates as inferior to herself because they are Black, and she is white. She has a negative thought about a Black classmate’s hair and views her classmates as less intelligent even though they are ahead of her in their classwork when she enters the school.
Gilly’s cruelty toward those who she discriminates is rooted in her deep insecurities about growing up in the foster care system. Gilly’s cruelest action is the poster that she creates to taunt Miss Harris and get a harsh reaction from her. Miss Harris’ reaction to Gilly’s poster shows that Miss Harris has experienced racist discrimination in her life. Miss Harris laments that she has learned to hide her anger about these injustices to get along in life; she tells Gilly that she and Gilly are both angry at the world, but that she has learned to hide her anger, whereas Gilly’s anger is still “on the surface” (59). She hopes that Gilly will find a way to use her anger constructively instead of expressing it by attacking others.
Rather than reprimanding Gilly as Gilly expects her to, Miss Harris advises Gilly to “makes friends” (59) with her anger, and even thanks her for the card as Miss Harris vented her anger, “curs[ing] creatively for twenty minutes” (59) in the teacher’s lounge. Miss Harris takes away from Gilly the power to control her emotions. Gilly is frightened by this vulnerability she feels because Miss Harris has seen through her actions. By the end of the novel, the dynamic between Miss Harris and Gilly has shifted. Gilly treats Miss Harris with the respect that she deserves, writing in a letter that she misses being in her class because her new teachers are not nearly as smart as Miss Harris.
Gilly is shocked when she sees Mr. Randolph for the first time because he is Black and visually impaired. Mr. Randolph needs to be escorted to Maime Trotter’s home for dinner every evening, and when Gilly helps Mr. Randolph walk, she grabs his elbow rather than his hand. Due to her racism, Gilly is not comfortable with touching a Black person. However, when Mr. Randolph almost falls, Gilly catches him, which shows that she is not irredeemable. When Mr. Randolph shows forgiveness toward Gilly for stealing money from him, Gilly touches his hand for the first time “as a kind of thank you” (98). This moment shows that Gilly is overcoming her racist views and seeing Black people as worthy of dignity and respect.
Gilly’s internal dialogue begins to change as she begins to understand herself better and begins to have a stronger sense of self-worth. As she begins to feel loved and accepted by Maime Trotter, William Ernest, and Mr. Randolph, she does not need to attack others to feel better about herself. When Mr. Randolph gives her his favorite poetry book the day before she leaves for Virginia, Maime Trotter says that Mr. Randolph “tore a piece off hisself” (126) and gave it to her. Gilly understands what a meaningful gift this is and notices that the book’s “wrinkled brown leather” (126) resembles Mr. Randolph’s skin. The symbolism of this comparison between the outside of the book and Mr. Randolph’s skin shows that Gilly now sees Mr. Randolph’s skin positively.
Maime Trotter is deeply religious, and Gilly clashes with her over her views. In one of their very first conversations, Gilly curses and Maime Trotter tells her “in this house we don’t take the Lord’s name in vain” (10). Gilly dislikes attending church every Sunday with Maime Trotter and William Ernest. Gilly’s cynical perspective on religion is shown in her descriptions of the Sunday school teacher and the preacher at church. She laughs at her Sunday school teacher for being embarrassed when a younger child asks her about adultery. The child asks the teacher, “if we don’t know what adultery is, how can we know if we are doing it or not?” (79). Gilly’s dislike for the preacher at church is shown through descriptions. Gilly judges him for his poor grammar and habit of stumbling “over words of more than one syllable whenever he read the Bible” (79). When Gilly criticizes him, she offends Maime Trotter, who says: “Who am I […] to pass judgment on the Lord’s anointed?” (80).
Gilly resents religious belief because it seems outdated to her. She thinks that the old church “didn’t fit in the modern world anymore than the people who went there” (78). However, Maime Trotter believes that her non-judgmental perspective is rooted in her religious beliefs, and she shows this through the love and acceptance she shows everyone she meets. When Gilly writes the letter to Courtney complaining about Maime Trotter, she describes her as a “religious fanatic” (76). Gilly tries to reassure herself about the mean things she wrote about Maime Trotter in the letter by convincing herself they are true. However, Maime Trotter never displays fanaticism; she is devoted, humble, and accepting of others.
When Mr. Randolph asks Gilly if she could read out loud for them after dinner, Gilly balks at the thought of reading the Bible out loud. Instead, Gilly reads “Intimations of Immortality” by William Wordsworth. This poem also has a spiritual theme, comparing “God” to “home” (38). Despite herself, Gilly is inspired by the beauty of the poem and its symbolism becomes greater throughout the story, as Gilly discovers what home really is.
At the end of the novel, Maime Trotter discusses spirituality when Gilly calls her from the airport. Gilly is emotionally devastated, feeling that her biological mother has rejected her. Maime Trotter tells Gilly that what gives her hope through life’s difficulties is her spiritual beliefs and wish to enter heaven. Gilly does not like Maime Trotter’s “preaching,” telling her not to try to make her into a “Christian” (148). Maime Trotter tells Gilly that she isn’t trying to change her at all, as she likes her the way she is. This dialogue shows Maime Trotter’s belief that her spirituality is expressed through acceptance of others, rather than intolerance.
By Katherine Paterson