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42 pages 1 hour read

Doris Lessing

The Grass is Singing

Fiction | Novel | Adult | Published in 1950

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Chapter 6-7Chapter Summaries & Analyses

Chapter 6 Summary

While on a monthly trip to the store for provisions, Mary picks up a brochure on beekeeping as she remembers Dick telling her how bee swarms pass over the farm. While leaving the store, a farmer jokes with Dick, whom he calls Jonah, about his luck with farming. Though Dick assures the man things are going well, Mary notes the sarcasm in the man’s tone, and her vision of Dick as a competent farmer begins to decline as she considers how other farmers view him and his bad luck. Dick’s facial expression is one of defeat, and one that infuriates Mary. After the encounter, Dick is tense, and when he hits a passing bicycle, he goes into a rage. Mary is embarrassed from the attention, and the couple heads back home.

Mary is unable to shake the derision in the farmer’s voice as he spoke to “Jonah” earlier. She had always believed that, though she did not like Dick as a husband, he was a competent farmer. It seems now that even that view was incorrect. Mary wonders about the veracity of this claim, however. Interestingly, her fears seem to be realized when Dick suddenly becomes interested in making money off bees, which he had previously shrugged off. Dick throws himself into the preparations for keeping bees with all his usual intensity. Mary notes how he handles her cautious statements about beekeeping with optimism and his usual whistling, its childlike nature unnerving her.

Though she cautions him against the endeavor, Dick throws his all into beekeeping, spending money they do not really have and placing all his energy into the project. Mary watches in horror as the project ends in failure. He then gets stung and abandons the project. Mary is glad Dick’s infatuation is over and likens it to “a temporary madness” (96). Yet, this madness returns when Dick later decides to make money pig farming. Mary again tries to dissuade him, but Dick is intent on farming with pigs. He spends even more money for the pig barns, but the place where he houses them is hot and the piglets die. Mary attempts to joke it off, but her anger and fear about Dick’s incompetence are fresh in her mind. His next project involves turkeys, but even this attempt ends in failure.

Though Mary has been attempting to stay quiet about her disapproval over Dick’s seemingly random projects and the loss of money, she finally loses her temper when Dick brings up the prospect of farming rabbits. Mary knows the endeavor will be a pipe dream like all the others. They argue. Dick finally responds in a strange way by saying that Mary is the boss. With this sarcastic pronouncement, Mary sees that Dick is deeply hurt, and that the comment was leveled more at their failed marriage and its dynamics than anything else. Dick then has another idea, to build a kaffir store for the natives in the area. Mary takes an instant dislike to the store as it reminds her of her poor childhood. In an almost ironic way, Mary has done so much to leave her past and now she will be forced with one on her own property. To make matters worse, Dick wants her to run the store. He also spends even more money to buy bicycles. Mary despises the store—and the natives—so much that the natives do not buy much of anything. The Turners mostly break even with the store, but are unable to make a profit.

Life on the farm proves too much for Mary. She begins looking at jobs and sees that her old company in the city is hiring a secretary. Mary packs her belongings, leaves a note for Dick and departs for the city. She asks Charlie for a ride and deflects when he asks about Dick. The reader then learns that Charlie has been speculating on how to buy the Turners farm from them. Charlie drives her to the station and she makes it to the city, but Mary soon realizes that she is out of touch with the progressive nature of the city. She tries to clean herself up and goes to the interview, only to find that her old employer does not want scandal on is hands by hiring a married woman. She also finds resistance when she tries to stay at the girls’ residence club and they refuse her because she is married. Defeated, she returns to her hotel room and realizes that she does not even have enough money to pay for the room. She looks in the mirror and sees what everyone in town has seen, that she has indeed changed.

Dick arrives to the hotel, having been tipped off by her note and Charlie. He asks her not to leave him, though she responds with her usual silent anger. With this exchange, it seems to both that things have gone back to normal, and Mary realizes that she will never be able to return to her old life. While on the farm, she had been hoping for Dick to turn a profit so that they might return to the city and live like “normal” people. Mary returns to the farm, broken. She no longer even has her dreams or the hope for change to sustain her. Due to her plight, the narrative suggests that Mary, like her mother, might have died young due to this lifeless existence of hers. Dick falling ill, however, changes everything.

Chapter 7 Summary

When colder weather hits, Mary feels almost healed and returned to her energetic self. Even Dick notices her change in spirit. He asks her to accompany him on the lands and she eventually agrees, but takes no part in helping him run the farm. Moreover, she knows that the minute she suggests something, he will become defensive. The two even begin to get along well, signaling that they might be repairing their damaged marriage. Dick soon gets ill with malaria, however, and the narrative notes that their lives might have played out differently had he not gotten sick.

Dick has never been sick before, and so approaches his sickness like a child. He is fearful, sullen, and depressed, and acts out in tantrums, all of which Mary finds frustratingly immature. Mary does not like asking favors of Mrs. Slatter, but she sends a note and Charlie brings a doctor. The physician notes the impoverished conditions of the Turner house and tells Mary that she herself is ill and needs a vacation to the coast. Mary takes offense to the doctor’s tone-deaf comments. How is she to take a vacation with no money? And how are they to fix the house and cut back the bush from the house without money? She also takes offense later when the doctor, seemingly understanding just how poor they were, tells Mary to pay him when she can.

Mary looks after Dick as he fights malaria, increasingly annoyed by his depression. One day he mentions the land and the workers, and Mary realizes that he wants her to look after the farm work. She does not want to involve herself with farm or the natives, whom she despises, but eventually decides to look after the farm. She makes several excuses on the day she decides to drive out and see the workers, then finds courage by bringing the sjambok with her. When she arrives on the land, she finds that the workers have indeed shirked their jobs. As the boss is sick, they have all gone to their homes on the compound. Enraged at this “cheekiness,” Mary drives to the compound with the intent of forcing the workers back to their jobs.

The native compound disgusts Mary, and she wears her disgust plainly on her face. She finds the head worker and realizes that he, like most of the others, is drunk. They have  given themselves a vacation of sorts due to Dick being sick. Their behavior reinforces Mary’s hatred, and she tells the native to make sure all the men are assembled and ready for work within ten minutes’ time. She sees the look of anger on the native’s face, and the comical looks of the native women who are watching the scene. Mary is furious when only a handful of workers stumble back to work, and she makes a mental note to dock the pay of the workers who do not return. She spends the rest of the day watching the natives work, taking delight in having something to do. She is relentless, however, and drives them harder than Dick does, angering them even further.

Though initially reluctant to get involved with the workers, Mary takes delight in bossing the natives around. She finds herself to be more efficient of a leader than Dick ever was. She then looks at the running of the farm in detail, and in horror, looks at Dick’s books to find that he truly is incompetent with how the place is run. Mary looks over the books and immediately realizes how to fix things to make a profit, and decides to discuss the matter with Dick once he fully recovers.

The relationship between Mary and the natives sours even further when they come to collect their earnings and, as promised, Mary docks money from the workers who did not show up for work previously. Mary tells the workers to quit if they want to, as she will not back down. She also says they should be ashamed for how they are treating her, though she hopes Dick does not hear the commotion, fearing that he will be even angrier when he realizes how cross she has made the natives. Some in fact quit, while others protest but then leave.

The day before Dick returns, Mary watches some of the natives as they haul material. One of the natives stops for longer than allowed, and when Mary tells him to return to work, he says exasperatingly that he wants water in English, which is considered rude. The other workers laugh lightheartedly, but Mary takes it as a severe insult and strikes at the worker with the sjambok, drawing blood. She is immediately fearful that the native will attack her, but he does nothing and soon returns to work. Though farmers are not supposed to hit their workers, Mary views the scene as a victory but does not tell Dick about the altercation.

Dick returns to work after beating malaria. Mary is soon angry that she is not included in the running of the farm as she has been doing quite well she thinks without him. Mary eventually talks to Dick about the running of the farm and shows him how they are losing money. Though he seems angered, he allows her to demonstrate and finally asks her what they should do. His simple smile and acquiescence angers Mary as she feels that her victory over him is for the good of them both. Though Dick is mostly annoyed, he also feels shame at Mary having to point things out. Interestingly, though, he also feels love for Mary, despite everything. He loves how strong and smart she is, despite his parallel dislike of her telling him how to run things. Mary finally suggests that they grow tobacco, like many other farmers, to turn a profit and make up for their losses. Dick realizes that her intent is to make a profit from tobacco, a crop he strongly dislikes, and then leave for the city, which he also dislikes. He calls her “boss,” annoying Mary, who ends the conversation by storming off. Dick later informs Mary that he is working to construct the barns necessary for growing tobacco. This quiet defeat and acknowledgment gives new life to Mary. She places her hope this time in tobacco, while Dick silently wonders what would happen if he fails once again.

Chapter 6-7 Analysis

Dick Turner’s inadequacy as a farmer is hinted at by a passing farmer and, for perhaps the first time, Mary is forced to wonder if there is some logic to Dick’s reputation (and nickname) as “Jonah,” a biblical man who had constant bad luck. Mary’s fears are soon realized when she watches Dick go from beekeeping, to farming pigs. to turkeys, and all of them ending in failure. Despite it all, Dick carries himself with a childlike gumption, angering Mary who once thought of him as a competent farmer. Her image is now completely shattered. Dick is neither an ideal husband not a good farmer. When Mary confronts him, he simply says that she is the boss, a move on his part that indicates how disjointed their marriage is. His hurt and resentment over her critique of his farming is matched by her resentment over being married to a man who cannot provide for her and acts like a child. In one scene, she sees Dick as both a man and a temperamental child as he whistles while ignoring her accusations.

Another blow to Mary’s sense of purpose comes when Dick decides to put a kaffir store on the property and have Mary run it. In previous chapters, Mary’s contempt for the institution of the store in South Africa has been repeatedly noted. Mary likens the store to her childhood, a past she has constantly been trying to run away from. The store reminds her of her drunken father, whom she despises, her bickering, dramatic mother, whom she is afraid of turning into, and the natives that she detests. Mary’s deep-seated resentment of the store causes her to drive customers away with her rudeness and overt racism, and the Turners barely manage to break even with the store. The store effectively shows just how different Mary and Dick are in their desire to further themselves, and how adamant Mary is about leaving her past behind. Though Dick does not know about her past, she refuses to explain it to him and refuses to work at the store even if it means they might turn a profit.

Mary’s dreams are shattered with the farm’s failures and she attempts to run away. Interestingly, though she does not want to repeat her past as far as the store and her childhood poverty are concerned, she is more than willing to repeat her past as an independent single woman in the city. She leaves Dick and convinces Charlie to drive her to the station. She then walks to the city for a job interview. Mary’s attempt to leave Dick shows just how far she has come in her desperation on the farm. It also shows how disillusioned she is with life in general. She soon comes face-to-face with her disillusionment when she is turned away from the girls’ club she previously lived at. They cannot take married women. Likewise, when Mary sees her old employer, he tells her the job is already filled, though Mary realizes that he is lying. He finally admits, too, that he cannot hire a married woman. Mary leaves, finally realizing that not only has she changed in appearance for the worse, she is not able to recreate the past. Her life is tied to the farm now, not the city, a realization that will cause her to sink into a deep depression and affect the rest of the novel, and one highlighted by Dick’s arrival to take her back home and his willingness to forgive her.

Mary’s life on the farm is viewed in relation to the seasons. She is at her angriest in the hot months. Returning to the farm after the debacle in the city, the cool weather revitalizes her for a bit, so much so that she and Dick almost mend their marriage when she begins to accompany him around the property. Another stroke of bad luck hits. Dick succumbs to malaria, ending this bridge between the two, and Mary is forced to take on Dick’s role on the farm. She begins to despise him anew for his childish behavior with sickness. He has never been sick before, and so fears for his life as a child might. She also despises him after looking over his farm books and realizing that he is indeed incompetent when it comes to running the farm.

Mary’s inability to engage with the natives comes to the fore again as she pushes them to work harder than Dick ever had, angering them, and then angering them even further by docking some of their wages for not showing up to work. Mary looks at all these altercations as struggles for power, relishing her victory each time. A crucial point in the novel comes when Mary, in anger, strikes a native and injures him. She is immediately afraid of reprisal, but he simply goes back to work. Striking a worker is technically against the law, but Mary brushes it off. She chalks it up as another victory. The victory, however, is telling, as the reader eventually learns that this very same native is Moses, the house servant who eventually murders her.

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