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The year is 1976. Seventy-six-year-old Herod Small War is having trouble at home. His once demure wife Alberta is now displaying altered behavior, which Herod views as culturally inappropriate and hypersexualized. Her forward behavior in the bedroom makes Herod so uncomfortable that he sleeps in the pantry attached to the house.
One morning, Archie arrives to seek Herod’s help in interpreting a dream. Herod is a Yuwipi, a spiritual healer who is able to lead a ceremony that will decipher Archie’s dream. During the ritual, Herod sees himself, Archie, Frank, and Harley, all of whom are young and appear as traditional Dakota men in the summer of 1877 (the Dakota are one of the tribes in the Sioux confederacy). A band of white men appear and chase the Sioux warriors until they seem trapped in a valley. The group faces certain doom until the earth splits to reveal a medicine (or magic) hole. Herod and his companions travel through this hole under the earth and successfully evade their pursuers. As the ceremony comes to an end, the final message from the spirits is, “You will find the medicine hole” (87).
Herod, Archie, Frank, and Harley set out on horseback to search for the medicine hole. Along the way, Herod sees the former home of the late Clara Miller, a white woman Herod once worked for and had a brief affair with. This liaison ended when Archie discover Herod was being unfaithful to Alberta, which shocked Archie thoroughly.
The group searches for the medicine hole but must stop when a storm hits. The men seek shelter at the abandoned Miller house, where Herod reflects on his relationships with Clara and Alberta. During his affair, Alberta frequently spurned his sexual advances, claiming it was not culturally appropriate to be intimate while their daughter was still so young. This rejection hurt Herod, and he realizes this pain is still present. He struggles to accept Alberta’s current state of sexual liberation because he has not healed from the distance that was once between them.
While the others sleep, Herod awakes to see the Clara Miller’s ghost. He asks her repeatedly where the medicine hole is and if he will ever find it. The spirit points him to a vision of four young warriors on horseback. One spirit warrior says to Herod, “You are the medicine hole” (96).
Harley’s grandmother, Margaret Many Wounds, is dying. Her daughters and five-year-old Harley are caring for her in her home. The two sisters are foils in many ways. Harley’s mother Lydia has been mute since the death of Calvin and Duane. Lydia lives on the reservation and shares her mother’s traditional ways. Evelyn “Evie” Many Wounds, Lydia’s fraternal twin, left the reservation but returned when she learned of Margaret’s impending death. She carries resentment toward her mother that has been brewing since her childhood.
As Margaret prepares to die, she sees hazy figures throughout the room. She tells these figures the story of the men she loved. Her first husband was an Indigenous man who died after two years of marriage. Her second love was a Japanese doctor who fathered her two daughters. Margaret never told him about his children, and she never told her daughters about their father. Evie overhears this story and is devastated by her mother’s secrecy. Rather than dwell on the events unfolding in her own life, Evie focuses on broader, global events. The first moon walk is about to occur, and Evie insists they watch on TV.
As the moon landing occurs, Margaret tells young Harley about a beautiful beaded dress her grandmother owned, which is currently housed in a museum. She has Harley promise that one day he will reclaim the dress. Margaret then tells Harley, “I will show you the moon” (116). Unbeknownst to Lydia and Evie, Harley and Margaret take a spiritual voyage to the moon.
When Margaret dies, her soul slips away through a river and appears in the spirit world wearing her grandmother’s dress. She sees her first love waiting for her on the other side. Before joining him “beyond the edge of the universe” (122), she goes to the moon and dances a traditional Sioux powwow dance.
As Evie and Lydia prepare Margaret’s remains, Evie opens her mother’s locket. Inside, she sees a picture of her real father. As the sisters continue the burial preparations, Harley watches the astronauts on the moon. He sees not only the two astronauts but also the spirit of his grandmother dancing on the moon.
In 1963, 17-year-old Crystal Thunder dates Martin Lundstrom, a classmate of Swedish descent. This causes a reaction in the community, as most people are not used to seeing mixed-race couples, but Crystal is most concerned about what her mother, Anna Thunder, will think.
Anna has always had her secrets. She even remained reticent about Crystal’s father until Crystal learned his name from a tribal elder. Anna tells her daughter that her father, Clive Broken Rope, physically assaulted her while she was pregnant with Crystal. Anna swore Clive would regret this. He died a week before Crystal was born, but Anna does not elaborate on his cause of death.
Crystal becomes pregnant with Martin’s child, and the couple decide to get married. Crystal goes to tells her mother, but Anna intuitively knows that her daughter is carrying a baby girl. Anna agrees not to interfere with Crystal’s plans for marriage, but she has one caveat: “A soul for a soul” (135). Crystal must remain with Anna throughout the pregnancy and stay away from Martin. When Crystal goes into labor, Anna delivers the baby. The new grandmother immediately takes the child away from her daughter.
After delivery, Crystal awakes wrapped in blankets in the back of Martin’s car. For the first time in her life, she feels she has ownership of her own soul. Martin asks where the baby is. Crystal tells him it died.
Crystal and Martin marry and move to Chicago. Martin’s mother Isabel moves in as well. At first there is some domestic tension between the women, with Isabel finding indirect ways to critique Crystal’s housekeeping. However, their attempts to bond result in Isabel passing on a treasured family heirloom to Crystal. It is a gift from mother to daughter. Meanwhile, Crystal does not yet know her own daughter is named Charlene. She only sees the child in her dreams, where it is clear the girl belongs to Anna.
The role of elders in the community is strongly emphasized in these chapters. Herod, Margaret, and Anna play particularly influential roles through their connections with Sioux history and magical ability. However, they differ from each other in how they use that ability.
Herod is a Yuwipi, a spiritual healer. He is someone whom others in the community seek when they need help, as Archie does when he needs a dream interpreted. Herod includes Frank and Harley in the dream ritual and in the search for the medicine hole. He acts as a mentor, using mysticism to connect the younger generation with their ancestors. He also helps combat the intergenerational trauma of colonization, keeping the ancestors alive through ritual communication and by encouraging the younger generation to engage in traditional spirituality.
It is Herod’s connection to the spirit world that makes him the medicine hole. However, he comes to this realization only after confronting his past with Clara Miller and his marital conflict with Alberta. This indicates that his need to heal his own trauma before he can gain the wisdom needed to effectively heal other members of the community.
Margaret Many Wounds uses magic in a morally neutral fashion. She communes with spirits, but not as Herod does. While Herod connects the living with the dead, Margaret recounts her life story to the shadowy figures around her to process her life before her passing. However, she still impacts her grandson’s spiritual development. Their shared journey to the moon is one that Harley will always remember, and it foreshadows a spiritual vision he will later experience.
As the antagonist of the story, Anna is Herod’s foil. She is incapable of using magic to heal others. Rather, she actively engages in the ritualistic control of other people to benefit herself and (at times) her immediate family. Anna takes Crystal’s baby with the intent of teaching the child her magical ways. However, she does not do this to preserve the Sioux spiritual practice. Anna is interested only in creating an extension of herself. Through Charlene, Anna hopes to attain a form of immortality.
While Anna makes Charlene the focus of her attentions, Crystal forms a relationship with a new mother figure who has her own lessons to impart. Isabel’s lessons contrast with the “bad medicine” that Anna teaches (132), as she introduces Crystal to a sense of normalcy that Crystal has always longed for. However, as Crystal warms to Martin and Isabel’s way of life, she becomes severed from her daughter and from her Sioux culture and community.