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54 pages 1 hour read

Jennifer Robson

The Gown

Fiction | Novel | Adult | Published in 2018

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Themes

The Consequences of Classism

One of the main themes of the novel is how the rigid class structure affects the characters, especially Ann, negatively. Class defines how Ann thinks of herself from the beginning: “She was an ordinary girl from Barking, the sort of girl who usually ended up working in a factory or shop for a few years before getting married and settling into life as a wife and mum” (4). Ann is always aware of her role in society. She is excited because she can touch the higher classes by making gowns for royalty, which are admired by other people. Yet she is merely an embroiderer, and it is her boss, Mr. Hartnell, who is admired and appreciated for the gowns. Ann can work as hard as she wants, but because of her class, she will never be wealthy or properly recognized for her work.

Another instance where the class structure in England is damaging to Ann is in her relationship with Jeremy. They first meet at a dance hall, and Ann is shocked to be singled out by him because they are from different classes. When Jeremy asks to see her again, Ann can only think of how deep the gulf between their classes is:

Perhaps he was the sort of man who honestly wouldn’t care that she was the daughter of a motor mechanic and lived in a council house in Essex. That she lived from pay packet to pay packet and spent her days making clothes for women like his sister. Perhaps he was simply a nice man who found her appealing and wanted to get to know her better (115).

Even while Ann is being wooed, she can’t help but think of how a relationship between their two classes is nearly impossible. Ann knows it matters even when she tries to convince herself it doesn’t because she lives fully aware of her class.

In the end, despite Jeremy’s repeated utterances that their class difference doesn’t matter, he is lying. He tells Ann his true feelings on the class divide in the end: “Saw you with Carmen that first night, didn’t I? She used to go out with a friend of mine. Until he found a decent girl to marry, that is” (269). Jeremy implies that people in his class go out with people like Ann for fun, but they never settle down with them. Jeremy is so desperate not to leave the upper class that he will do anything to maintain his social status, even stooping as low as sexual assault and theft. Class in the novel is ever present and negatively affects Ann through her role in society and her relationship with Jeremy.

The Role of Royalty

The topic of royalty comes up frequently in The Gown, a novel about the making of Queen Elizabeth’s wedding gown. There are two opinions on royalty in the novel. There are the royalists, like Ann, who adore the royal family and think they do important things for the country. Ann defends royalty from the beginning against the insinuations of Milly, saying, “They work [...] They do. Just think what it’ll be like for them on that tour. Day after day of the same boring conversations with strangers. Being stared at wherever they go. People being struck dumb at the sign of them” (8). While Ann argues that the royals work, her opposition, people like Miriam and Milly, think that the royals are spoiled and removed from trouble while the rest of the country works. In response to Ann’s starry-eyed view of royalty, Milly says, “Just look at how they live. All those clothes and jewels, and never having to lift a finger to do anything. I should be so lucky” (8). Milly sees the extravagance of royalty and doesn’t understand why they are worshipped while she lives paycheck to paycheck. In the end, the novel sides with Ann’s rose-colored glasses version of royalty because Ann convinces Miriam of its importance.

When Ann and Miriam are commissioned to make the samples for the wedding gown, Miriam reveals her unfavorable opinion of royalty: “These people who live in their palaces and eat off gold plates while the rest of you queue up for your rations?” (151). Miriam is accusing the royal family of being removed from society and their hardships. Ann is shocked by the accusations and says the royalty has ration books they use like the rest of the commoners, even for clothing; she says that Princess Elizabeth will have to come up with enough ration coupons for her gown. Miriam is skeptical and thinks a special arrangement will be made for the princess. Ann defends the crown saying that the royal family is kind, giving the example of the queen thanking the women at Hartnell and giving them gifts like the heather from Balmoral. Their argument revolves around whether royalty cares about the economic hardships after the war. Miriam concedes in the end, agreeing to be fond of them if Ann is. People like Ann welcome the royal wedding as a distraction from hardships, while others think that it takes attention away from real issues like the economy. In the end, Princess Elizabeth’s wedding is celebrated and does take attention away from the hardships people face. Ironically, Miriam in later life is awarded a damehood by Queen Elizabeth.

Family Legacy

The theme that ties Heather, Miriam, and Ann’s character journeys together is family legacy and the importance of carrying on that legacy in future generations. Heather thought she knew her grandmother before she died, but when she inherits the embroidery samples, she realizes how little she knew and now must decide what to do. Eventually, Heather decides that her grandmother would’ve wanted her to go looking for answers about the past. When Heather discovers her grandmother’s story, she wants to tell the world. She finally finds her purpose in telling stories she’s passionate about, and she starts with her grandmother’s. Miriam commends her and reiterates Heather’s purpose: “You were the one who saw the ray of light peeking through, and you were the one to open the door. It is past time that she, along with all of us who made the gown, be recognized for our work” (343). Heather has a choice about what to do with her grandmother’s legacy and decides to share it with the world. Ann’s life, which she left because of its painful memories, is brought to life once again.

Miriam also has a family legacy, and she can’t get past her guilt without telling her family’s story through her art. She kept dreaming of the embroideries, and when she doubted if she could be an artist, she told herself it was her job to tell their story so it wouldn’t be lost. The narrator says,

If she were to set aside her ideas now, if she were to turn her back on them, she would be abandoning her parents and grandfather and the millions who had been vilified, betrayed, tortured, murdered, erased. It was unthinkable. It was impossible (201-02).

Miriam has the desire to tell the story not only of her family but of her people. This legacy drives her to make her embroideries which are admired by many and keep her family’s legacy alive.

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