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Jennifer RobsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Chapter 1, Ann comes home from work with a pot of white heather from Balmoral, a thank you from the queen for her work on the South African royal tour gowns. Her sister-in-law Milly turns up her nose at it, but Ann says, “Haven’t you seen heather in bloom? It’s ever so pretty. And this is white heather. For good luck, one of the girls said” (3). Heather is introduced as a symbol of good luck and beauty. Although this is the first occurrence, it won’t be the last for heather appears when there is a significant change in Ann’s life. Although Ann doesn’t realize it yet, this heather is given right before Milly moves to Canada, which is the catalyst for Ann becoming friends with Miriam.
After Jeremy steals Ann’s sketch and publishes Doris’s wedding dress as Princess Elizabeth’s, Ann tells Mr. Hartnell what happened. He assures her that he does not blame her, and he is curious about the good-luck motif she included in her sketch. Ann added a sprig of white heather to the design. Mr. Hartnell tells Ann to add an embroidered heather to the princess’s gown as Ann’s special contribution—a silver lining of good luck after the terrible things that Ann endured from Jeremy.
When Ann emigrated to Canada, she took the white heather the queen had given her across the Atlantic. Later, Heather reveals to Miriam that it grew in Ann’s garden in Canada, and Heather and her mother kept some. At the end of the novel, Ann’s heather lives on in her family, a symbol of beauty, good luck, and endurance.
The most obvious symbol of heather is, of course, Ann’s granddaughter being named Heather. Ann said Heather was “the light of her life” (363). Heather is the living embodiment of life, beauty, and good luck that Ann carried with her throughout her life and passed on. Heather is also a symbol of new beginnings, for whenever heather appeared in Ann’s life, it was for a new beginning. Ann’s last section ends with the sentence: “It was a beautiful day, the first day of spring, and soon the Balmoral heather would be in bloom.”
The samples of the embroidered flowers from Elizabeth’s wedding gown that Ann leaves to Heather prompt her to dig into Ann’s past. They unify the past and present in the narrative. They represent Ann’s past, which she loved but had to leave. When Ann debates what to do with the samples, she realizes that she can’t destroy them: “She had been happy when she had made them. She had been so full of hope. One day, far in the future, she would give the samples to her son or daughter, or even a beloved grandchild, and by then she would know what to say.” (351). The samples are a memento of Ann’s past that was full of hope and happiness, and she wants to pass that on. They do so for Heather; they bring her hope for the future and happiness with Daniel.
The samples also represent the hard work done by the women at the fashion house for Elizabeth and the other members of the royal family. All the embroidery is hand done; each flower is painstakingly made, so the women take great pride in their work. So much so that Ann will not betray the women working with her or the princesses for any sum of money.
Ann and Miriam work to fashion beautiful gowns for rich people, but they don’t have that same access to fashion. They cannot afford the dresses they make, and they do not shop at the stores where they are sold. The clothes people wear symbolize the class they belonged to, and the difference in their clothing symbolizes the class divide. For example, when Ann and Miriam go dancing, they can easily differentiate ordinary people like them from rich people merely by their clothes. At the table next to them,
The women wore gorgeously embellished cocktail dresses, one of which Ann was fairly certain had come from Hartnell, and jewels sparkled at their wrists, necks, and ears [...] The woman closest to her was young, only just out of her teens, and a had a mink-lined wrap around her shoulders in spite of the sweltering weather (108-09).
Ann and Miriam wear their best frocks, but they can’t compare to the people next to them, so much so that when Ann tries to help the girl with her mink wrap, the girl rudely turns away because she can tell Ann is from a lower class. Despite the Hartnell employees working in fashion, they don’t have the same access to it. The women who make the latest fashions are looked down upon by the people who wear them because they cannot afford them, demonstrating how The Consequences of Classism shape social interactions and relationships.