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47 pages 1 hour read

Dorothy Hoobler, Thomas Hoobler

The Ghost In The Tokaido Inn

Fiction | Novel | YA | Published in 1999

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Character Analysis

Seikei

Konoike Seikei is the novel’s protagonist. Though he is young, he has a well-developed sense of honor, inspired by the bushido, or samurai code of conduct. His devotion to this code ultimately impresses both Tomomi and Judge Ooka, two samurai who grow to champion his dedication, sense of duty, and natural aptitude.

As a member of the merchant class, Seikei cannot become a samurai, despite his preference and talent: “At school, he had won a prize for writing a haiku. But his father had not been pleased” (4) because poetry is not an advantageous skill for merchants. Seikei continues to dream of becoming a samurai and longs to “devote [his] life to poetry” (23), but he never disobeys or disrespects his father or any other authority. Seikei is observant and insightful, qualities that make him especially useful when he joins Ooka’s investigation of the theft. Though he is somewhat naïve—the story about the jikininki haunts him so much that he assumes the being he sees at the inn is this creature rather than a costumed person—he is very brave. When he believes other guests are in danger of being eaten by a monster, he pursues it rather than hiding in fear. He is so frightened that he cannot speak, but this makes his choice to protect others even more courageous.

Seikei is willing not only to risk his physical safety for others, but is also willing to risk his reputation to behave with honor and integrity. Though he does not enjoy a samurai’s rank and position of respect, he holds himself accountable to the samurai code, demonstrating that virtue often goes unrewarded. When he speaks out to defend Michiko against the charge of theft, his father insults his intelligence and calls him “very nervous,” suggesting a weakness in Seikei’s mind and character. Truly, however, Seikei feels “he could not have remained silent” (44) when he might prevent an innocent person from suffering. As Seikei tells Ooka, “It is honorable to speak the truth without regard for the consequences” (54). He routinely faces his fears, and even when he does not understand Ooka’s behavior or instructions, Seikei reminds himself that “There must be no relaxation of the duty of a warrior to respect his lord” (108).

Seikei’s humility, courage, and integrity endure throughout the text and eventually lead to his adoption by the sagacious and venerable judge, suggesting that these qualities deserve to be rewarded. Seikei becomes wiser and more empathetic as his bond with Tomomi develops as well: By the narrative’s end, he understands why Tomomi has behaved the way he did while seeking his revenge, thereby developing a more sophisticated understanding of samurai honor and bravery.

Judge Ooka

Judge Ooka is a character based on the real historical figure, Ōoka Tadasuke (See: Background). Like his namesake and inspiration, the judge is wise, merciful, and just. Unlike Seikei’s father, who has embraced his social status as a wealthy merchant, Ooka’s opinions of others are not determined by their rank, or by his. Unlike Lord Hakuseki or even other samurai judges, Ooka does not employ violence or torture prisoners to get confessions. He knows that “show[ing] [a prisoner] the instruments of torture” (60) is enough to compel them to speak the truth if they are willing and able to do so. Thus, he orders his men to leave the innkeeper in a room with these weapons, and this is enough for the innkeeper to commit death by seppuku—a choice that prompts Ooka’s realization that the innkeeper is protecting someone powerful.

Not only does Ooka avoid unnecessary force, he also wisely obtains information that develops his understanding and helps the investigation. Even the shogun admits that he won’t ban torture altogether because “Other judges are not so clever as [Ooka], and cannot do without it” (211). It is also Judge Ooka who explains why Tomomi does not commit death by seppuku but, rather, compels the shogun to order his execution: This is because Kirishitans do not die by suicide. Unlike the shogun, Ooka does not judge Tomomi for his unorthodox religion or his choice to die by another samurai’s hand, demonstrating his objectivity and empathy.

Moreover, when the shogun claims that there aren’t many “true samurai” left, the judge bravely suggests that “Takezaki Genji was a true samurai” (210). Though Ooka speaks boldly to the shogun, complimenting someone who disobeyed the shogun’s laws, he also speaks respectfully, striking a balance between truth-telling and respect for authority similar to the one Seikei manages when he tells Ooka the truth to defend Michiko. By adopting Seikei at the novel’s end, Ooka also shows his commitment to honoring people of merit regardless of their social origins, thereby giving Seikei the chance to become a true samurai.

Lord Hakuseki

Lord Hakuseki is samurai lord, or daimyo. He is the primary representative of Seikei’s real antagonist: The inflexible hierarchies of Edo society. Though very minor characters like Bunzo or Seikei’s father also reflect Edo society’s views of the caste system, Hakuseki proves that lineage does not confer honor or integrity and that the undeserving are often elevated to positions of power when society rewards birthright rather than merit. Just as Seikei proves that lower social status does not make a person base or weak, Hakuseki demonstrates that high rank does not automatically confer dignity or strength.

Hakuseki is vicious, vindictive, proud, and somewhat unintelligent. When Seikei observes Hakuseki’s interaction with an apparent beggar on the Tokaido Road, he sees the daimyo’s “harsh eyes and a mouth that was scowling cruelly” (7) even before Hakuseki attempts to trample the man under his horse’s powerful hooves. Hakuseki’s disregard for others’ lives is proven again and again, first with the beggar (who is really Tomomi), then with Seikei’s father, and then finally when his conduct toward Tomomi’s family is revealed. Egotistical and self-important, he is shocked when the woman he loves chooses to marry another daimyo, a Kirishitan, and takes his revenge when he kills her husband, steals her ruby, and disgraces her son. Then he lies to the shogun, saying that every member of the family is dead.

Even the shogun, who upholds the social rules that guarantee his own power, calls Hakuseki a “dishonorable man” who “didn’t even have the courage to commit seppuku properly” (208). Hakuseki is repeatedly tricked by Tomomi when the actor dresses as a geisha, and insulted by Michiko, the paper merchant’s daughter, who suggests that he is “clumsy and crude” (17) like his writing, without his realizing it. If Hakuseki weren’t so set on impressing the shogun and enhancing his social standing, the confrontation between Tomomi and himself might never have happened, which reveals how his foolish impulsivity seals his fate. 

Tomo Tomomi/Takezaki Genji

Tomomi is a samurai whom Seikei meets when Tomomi is living as an actor. When Tomomi resolves to exact revenge on Hakuseki and restore the Takezaki family’s honor, he takes the name “Tomo Tomomi,” which means “friend” (tomo) in Japanese, while his individual name means “friend” (tomo) and “wisdom” (mi). His wise plan is to disguise himself as a friend, someone who will help Hakuseki to impress the shogun. Notably, the name “Tomomi” can be used for girls or boys, and Tomomi dresses as a geisha to steal the ruby back, hide himself, and deceive Hakuseki. Like the 47 ronin, Tomomi employs deception to avert suspicion and regain his honor after his lord and father were dishonorably killed by another samurai.

Tomomi is primarily concerned with the restoration of his and his family’s honor, though he is also one of the few individuals in the play to recognize Seikei’s worthiness, placing him on a level with Judge Ooka. On one hand, he yearns to avenge his parents’ deaths, and his desperation to assure their spirits of this during the bon festival demonstrates his filial piety and obedience to their authority. On the other hand, he understands Seikei—who, like Tomomi, acts honorably without enjoying others’ respect—teaching the boy how to swordfight and even asking him to perform the role of his young self in Tomomi’s new play. However, Tomomi is also concerned with his religious identity as a Kirishitan and will not commit death by seppuku because it conflicts with his Kirishitan values.

The way for Tomomi to retain both his honor and his religious identity as a Kirishitan is to respectfully submit to beheading by the shogun’s samurai after he dishonors Hakuseki. Like Seikei, he willingly risks disrespect in pursuit of honor. Although the shogun neither understands nor likes his choice because it could “erode” traditional cultural values, Ooka empathizes with it, praising Tomomi as a true samurai.

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