42 pages • 1 hour read
Kristin HarmelA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On a July night in Berlin, 1922, an old woman watches a house, waiting for the lights to go out. She is there to kidnap a child—a girl turning two the next day, whose life she has been following since her conception. Jerusza is 82 years old, the last in a long line of women who dwell in the natural world’s rhythms and know things that should be impossible to know.
Jerusza knows that this child was conceived the night her father heard a speech by a young Adolf Hitler. She also knows that although the Great War ended years before, new thunderclouds are looming on the horizon. She slips into the house and finds the child, Inge, awake as if waiting for her. The girl has an unusual, dove-shaped birthmark on her wrist and mismatched eyes—one forest green, the other twilight blue. Jerusza gathers the girl to her breast and carries her away into the forest.
In the years between 1922 and 1931, Jerusza teaches the child to survive in the forest, how to heal, and how to kill to defend herself. She gives the girl the Hebrew name Yona, “dove,” because of her dove-shaped birthmark, which has grown more visible with time.
In 1931, Jerusza takes Yona with her into a village to steal some things they need.
Through a farmhouse window, Yona sees a family celebrating Hanukkah and asks Jerusza about it. Although Jerusza makes a wooden menorah every year, she dismisses Yona’s interest. However, to help the girl learn all she can about the world, Jerusza introduces her to books of all kinds including the Bible, Torah, and Quran, and teaches her all the languages she knows. Because of Yona’s many questions, Jerusza begins to question the voice in her head that told her to steal Yona away, but she fears the consequences if she fails to heed it.
Two years later, Yona has her first encounter with someone from the outside world: a boy named Marcin, who lives on the edge of the forest. Yona tells him she is from Berlin, which echoes her memories of early life with her parents. Jerusza is angry that Yona spoke to him and tried to conceal their meeting from her, telling the girl that it’s dangerous. Yona sees him again a few days later, and he tells her about events in the outside world. Warning Yona about the dangers of speaking to Marcin, Jerusza moves them deeper into the forest.
When Yona is 20, bombs fall over Poland, and they can hear explosions and gunshots beyond the forest. To avoid Russian deserters, they retreat into the swamp, walking neck-deep in water to an island of safety. Yona questions Jerusza about her past and her identity, but the older woman refuses to answer.
The year is 1942. Jerusza is 102 years old, and on a day she foresaw many years before, she dies. On her deathbed, she tells Yona the truth about her birth and kidnapping, saying Yona’s parents were bad people, and she must not return to them. Yona asks if Jerusza loves her, and the old woman says scornfully that love is for fools. After Jerusza’s death, Yona performs the Jewish rituals for the dead, sitting shiva for seven days before moving on. Unsure of what to do now that she is alone, Jerusza wanders the forest for two months, seeing no one and trying to make sense of what Jerusza said.
One day, she encounters a little girl in a forest clearing. The girl collapses, burning with fever, so Yona carries her to safety. As she tends to the girl’s injuries, Yona finds a yellow star stitched to the child’s threadbare dress. When the child starts to recover, she tells Yona that her name is Chana and that she and her family are fleeing the Germans, who want to kill all Jews.
As Chana recovers, the girl tells Yona about events in the villages beyond the forest and the Nazi persecution of Jewish people. Yona helps Chana find her parents, who are hiding in a lean-to in the forest. Chana’s father, Isaac, is wounded, and her mother, Esta, asks Yona to help him. As Yona tends to his wounds, Isaac tells her more details about the Germans’ arrival and his family’s escape from certain death.
Yona stays with the family for two weeks, but one morning, she wakes up with a sense of foreboding and tells them they need to move. Isaac agrees, saying Yona knows the forest and how to keep them safe. However, Esta refuses to trust Yona since she isn’t one of them. Yona warns her that without help, it can be hard to survive in the forest, but Esta insists on leaving. A few days later, Yona hears three gunshots and finds the family’s bodies in a clearing. Two German soldiers walk away with Isaac’s shoes, laughing.
The first five chapters set the stage for the book’s main narrative, which chronicles Yona’s experiences during World War II. The book follows aspects of the hero’s journey narrative archetype, in which the protagonist goes on an adventure and learns about themselves and the world. Traditionally, heroes’ journeys begin with a call to adventure and meeting a mentor, both of which occur when Jerusza kidnaps Yona, born Inge Juttner, in 1922. Chapters 1 and 2 also establish the connection between Yona’s father, Siegfried Juttner, and the Nazi regime, offering a hint of his character as a cruel individual who has wholeheartedly embraced Nazi ideology and his eventual role as the book’s antagonist.
Beginning Yona’s journey with her abduction situates one of the book’s central questions about morality. The narrative does not consider the kidnapping “wrong,” creating a distinction between what is legal and what is right. Actions like these are consistently juxtaposed with Nazi ideology and brutality, particularly through Juttner’s character. His actions are always legal under the regime, but they are not moral. With this, the book posits that one is obligated to follow their moral compass and do what they think is right in the face of oppressive violence.
These chapters also introduce the magical elements that drive the story forward. As Jerusza watches the house in Berlin, her history unfolds, revealing her ability to hear the messages of the forest and know things that she shouldn’t. Yona’s magical birthmark is present in the first chapter, foreshadowing abilities that show up later like her premonitions about danger in the forest. These magical elements characterize Jerusza and Yona as intuitive and compassionate, foils for the coming Nazi brutality. The detailed picture of Yona’s early years in the forest and the many things Jerusza teaches her, including how to kill, add nuance to their characters and situate Yona as a heroine who can face the horrors to come.
As Yona grows to adulthood, her complicated relationship with Jerusza becomes more fraught, as Jerusza begins to doubt the visions she received and becomes angry when Yona speaks to a boy in the forest. The things Yona learns about the world from the boy introduce the theme of Nature’s Sanctuary Versus Society’s Cruelty.
On her deathbed, Jerusza tells Yona about her kidnapping but refuses to say she loves her, creating a contrast between Jerusza and Yona. Eventually, Yona will surpass her mentor by learning about the value of love. Although Yona has learned some things about herself, she still struggles with understanding who she is and why Jerusza chose her for this life, introducing the theme of Identity, Destiny, and Choice. In the hero’s journey, the mentor’s death represents a new stage in the hero’s quest as they must rely on everything they’ve been taught to succeed. Jerusza’s death sets Yona on a challenging path to find who she is and save others.
In Chapters 4 and 5, war is raging, and Yona is on her own. Her encounter with Chana introduces a turning point that leads Yona to the destiny Jerusza foresaw. In the hero’s journey, this is referred to as “crossing the threshold.” When she helps Chana and her family, her peace in the forest is shattered as she learns about the events in the outside world. She is unable to save them, a defining moment for her character that motivates her to help later groups survive.
By Kristin Harmel
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