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71 pages 2 hours read

Mario Vargas Llosa

The Feast of the Goat

Fiction | Novel | Adult | Published in 2000

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Themes

Power

Feast grapples with the consolidation and the corrupting nature of power, arguing that in dictatorships, power is an end in itself, despite the worldviews that inform those who seek it. Trujillo frequently references other Latin American strongmen who have different philosophies but wield power in similar ways. Fidel Castro’s politics are diametrically opposed to Trujillo’s, yet in practice, the two countries function similarly. Their leaders express the same concerns and take similar actions, suggesting that their stated views on governing are just a means to acquire and maintain power. Trujillo has a very “masculine” view of power and authority. He believes peace can only be attained through consolidation of power, and he defines “peace” as loyalty to his worldview, justifying any number of atrocities in its name.

Urania’s story explores power as a patriarchal construct, used both by Trujillo and her father. After losing power over her body when Trujillo rapes her, Urania spends the rest of her life trying to regain power through several means: through knowledge, in particular over the facts of the Era; through her career as a lawyer; and through cultivating a cool detachment and measured composure. The assassins also exercise power in the novel, in the only way they can: In a country that forbids dissent, they use force to exert their will over their government. 

Discipline

Trujillo believes power is sustained by virtue of discipline. The novel both questions and affirms discipline, rigor, and routine. Trujillo is famously disciplined and rigorous in his lifestyle, which, from his perspective, makes him more moral than others, thus liberating him from moral self-examination. Because he never varies from those routines, however, the assassins have no trouble predicting his actions. Trujillo values the military for its discipline, yet following his assassination, it is the military man, Pupo, who falls apart, while his intellectual counterpart Balaguer stays composed under pressure.

Urania, too, finds value in discipline, as her life consists of work, study, and exercise. The two biggest villains in her life, Agustín and Trujillo, exhibit similar discipline, demonstrating that rigidity can be both an unconscious response to trauma and a self-willed exertion of personal power. 

Strength Versus Intellect

Feast frequently pits physical strength against intellectual, often through character foils. Characters like Trujillo value the machismo of strongmen and military types. They judge men of thought inferior to men of action, believing that the ability to force people into submission vindicates their views. Men of thought like Balaguer are broadly dismissed, yet the novel demonstrates the value of intellect when strength gives way, most prominently in the contrast between Pupo and Balaguer following the assassination. Ultimately, Vargas Llosa weds the two together, reconciling the need for both. Urania nurtures her intellect and cultivates physical stamina. After relying on strength to carry out the assassination, Imbert’s rediscovery of intellectual passion sustains him through months of isolation. 

Sexual Violence against Women

Nothing facilitates Trujillo’s reign of terror like his proclivity for assaulting women at will. Men in government are expected to hand their wives over to His Excellency whenever he requests them; his son Ramfis exploits women sadistically, something Trujillo only opposes because of poor public perception. Agustín’s willingness to hand his 14-year-old daughter to Trujillo—an offering he hopes will restore him to Trujillo’s good graces—underscores the perception that women are the property of men and have no agency over their own sexuality.

The ever-present threat of violence against women, whether from perceived enemies or Trujillo himself, keeps the population submissive and prevents them from mobilizing against the dictatorship. Ironically, Trujillo uses the threat of sexual violence against women to justify ethnic cleansing of Haitians, claiming that because Haitians are raping women at random, and his only recourse is to kill them. Men like Agustín willingly give their daughters to Trujillo, whether out of fealty or terror, in an effort to keep themselves safe or promote their own interests. Such transactions destroy family relationships, and the effects on women like Urania last for years beyond the initial trauma.

The Role of Institutions in Society

Along with the nature of power, Vargas Llosa questions the value of societal institutions, viewing them as complex beasts that can be sources of strength as well as weakness. Trujillo’s fanaticism toward the military leads him to devalue the resilience of civilian institutions, like those in a democratic government, and his fanatical devotion to capitalism blinds him to logical solutions to the country’s economic problems. To solidify his rule, he turns his own family into an institution that no one can speak against.

Other characters also find comfort in institutions. Balaguer finds peaceful moral grounding in the institution of the Catholic Church—although his concessions to Ramfis and his work for Trujillo run contrary to this morality. The Catholic Church opposes Trujillo’s brutal dictatorship but is also willing to see it end by any means necessary, as seen when the nuncio gives Turk dispensation to assassinate Trujillo. Balaguer isn’t certain whether he believes in God, but he does believe in the church.

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