53 pages • 1 hour read
Pam Muñoz Ryan, Illustr. Peter SisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Neftalí can’t stop daydreaming, a pastime his father thinks is for “weaklings” and “fools.” Father values physical strength and financial security. He wants Neftalí to pursue a practical career, like one in business or medicine. Despite Father’s plans, Neftalí becomes a prolific and celebrated poet and writer. The story of The Dreamer demonstrates the influences of Neftalí’s childhood on the life and career of Pablo Neruda, the name by which he’s now known. It shows that Neftalí’s daydreaming is not an idle and foolish pastime, but a pursuit of his passions which fuels resilience and determination, helping him overcome obstacles so he can follow his calling as an artist and achieve his dreams.
Neftalí often feels invisible. His shyness makes it difficult to connect with others, though he longs for a friend. Other people don’t seem to share his interests, or to understand them. Neftalí lives in a constant state of anxiety stemming from his father’s authoritarian nature. It’s impossible for Neftalí to avoid displeasing Father for long, which he knows will result in insults and humiliation from his father. When he daydreams, however, the painful things in his life recede: He forgets about his shyness, his loneliness, even Father’s disapproval.
Neftalí’s imagination and daydreams allow him to find inspiration in everyday objects. The illustration on Pages 16-17 depicts an egg in a nest. A staircase emerging from the egg leads to another world. Its caption asks, “To which mystical land does an unfinished staircase lead?” (16). It portrays one example of Neftalí finding inspiration in the mundane—in this case, an unfinished staircase in his home.
Daydreaming also brings magic into Neftalí’s otherwise small world. Muñoz Ryan employs magical realism in scenes created by Neftalí’s rich imagination, like when he rides a rhinoceros beetle that has grown to the size of a pony. The magic of these daydreams allows Neftalí to change his reality so it doesn’t destroy him. The caption of another illustration, in which Neftalí floats away in a hot air balloon carried by a giant book, asks “From what are the walls of a sanctuary built? And those of a prison?” (193). It suggests he’s metaphorically imprisoned by his shyness and his father’s sternness, but reading and daydreaming create a sanctuary to which he can escape.
Neftalí’s essay about following dreams and staying determined does not overtly connect daydreaming to following one’s dreams. In his case, though, daydreaming nurtures his artistic spirit, which enables him to follow his dream of becoming a poet. Nurturing his artistic spirit also helps Neftalí build resilience, the ability to heal and flourish in the wake of hardships. An illustration of a new sprout growing from the stump of a hewn tree symbolizes this resilience. Another illustration suggests that merely having dreams to follow makes Neftalí more resilient, more able to overcome the damage his father does to his sense of self. Its caption reads, “Which is sharper? The hatchet that cuts down dreams? Or the scythe that clears a path for another?” (92-93). Daydreaming and determination are Neftalí’s scythes, which cut away his father’s insults and clear a path to pursue his dreams.
The book’s conclusion says of Neftalí, “Poetry had laid down its path, and he had no choice but to follow” (343). The passion for poetry was always a part of him, but obstacles in his childhood stood in the way of achieving that dream. His father makes every effort to steer him down another path. Father’s verbal and emotional abuse threaten to crush Neftalí’s imaginative spirit. Daydreaming averts this by bringing magic into his life and nurturing his resilience, enabling him to pursue his dreams and become a renowned artist.
As Neftalí moves through childhood and into adulthood, he must develop a sense of who he is and where he fits in the world. In other words, he must define his identity. Doing so means deciding how much influence others have over what interests he pursues, what traits he nurtures, and how he sees himself. He’s fascinated by nature, inspired by those he loves and admires, and diminished by harsh words from his father. His character arc shows that while identity can be influenced by outside forces—both those that inspire and those that traumatize—identity is ultimately self-defined.
Elements of nature hold endless fascination for Neftalí and are central features throughout The Dreamer. He finds rhythm in the beat of raindrops, wisdom in a pine tree, and a dance in the sea’s waves. He imagines every object is imbued with the traits and stories of the living things they’ve touched. A part of Neftalí might be carried away by the wind, for example, and the fierce strength arising in him might have come from contact with the mighty ocean. Neftalí’s identity is shaped by his fascination with nature and his interactions with the natural world.
Many people in Neftalí’s life inspire him with their admirable qualities. He wants to be kind like Mamadre, healthy and strong like Rodolfo, and cheerful like Laurita. Mamadre’s love and support reinforce his strengths: “I may not appear big and strong on the outside, but I am perfectly capable on the inside…just like you” (13), she tells him. Such words help him recognize his self-worth. Neftalí sees courage and conviction in Orlando and recognizes those qualities as traits he wants to embody. Augusto the librarian also influences Neftalí’s identity when he calls him “a conscientious reader” (184), reinforcing Neftalí’s compassion.
In contrast, Neftalí’s father disapproves of Neftalí’s interests and proclivities. He sees his son as “weak,” “idiotic,” and destined for failure. He harps on Neftalí to stop daydreaming, writing, and exploring nature. He diminishes Neftalí’s worth in front of the family, his coworkers, and anyone else around. In the initial state of his character arc, Neftalí tries to reconcile his father’s insults with his own view of himself. This internalization of his father’s hurtful words threatens to leave a permanent mark on Neftalí’s developing identity, or perhaps alter it beyond recognition. In time, Neftalí learns to accept those traits his father disapproves of and begins to reject his father’s hurtful assessments of him. At the beach in Puerto Saavedra, he asks himself, “Wasn’t he fine just the way he was?” (175) and wonders why Father is so cruel.
Despite Father’s insistence that his son is weak, Neftalí’s actions throughout the narrative portray his inner strength. He overcomes obstacles that might overwhelm a weaker spirit, like a lack of love and affection from a parent. He chooses to nurture the character traits he values and to make the most of his inherent talents. He rejects the constant message from his father that he’s “unworthy” and will be a “failure.” He daydreams on purpose and reads everything he can get his hands on. He even adopts a pseudonym so he can continue writing without judgment or harassment, giving life to the identity he chooses.
An illustration in the story’s conclusion is captioned, “Does a metamorphosis begin from the outside in? Or from the inside out?” (337), signifying the self-defined nature of identity. Neftalí will metamorphose into Pablo Neruda, his chosen identity, by nourishing his inner strength rather than letting his father define and diminish him.
Neftalí’s fascination with words becomes apparent early in the narrative. Chapter 1 reveals he loves the rhythm of certain words he reads, like “locomotive.” He writes them on scraps of paper and stores them in a drawer in his bedroom. Such depictions of Neftalí surrounding himself with written words become a motif in the story (See: Symbols & Motifs). In the forest, he writes words in the dirt and speaks them to the trees. At the beach, he writes them on bleached driftwood and in the sand. He imagines words arranging themselves into a city above his head. This motif contributes to a larger theme about the power of words, which culminates in a message that words have the power to harm, if allowed, but they also have the power to strengthen, connect, elevate truth, inspire, and make the world better.
Father’s insults demonstrate the power of words to diminish someone. A scene describing Neftalí defiantly writing words in the sand at the beach is followed by an illustration showing the words to be all the negative things his father has called him—”dim-witted,” “fanatic,” “worthless,” and more. The mood of the scene makes it apparent the words have hurt Neftalí. When the tide comes in, however, the words are washed away, symbolizing the healing process. It also symbolizes Neftalí’s rejection of these words and their power to harm him permanently.
Later, the words “humanity, solidarity, generosity, peace, justice,” and “love” are personified, forming a protective “city of promise” around Neftalí (300). The word “fear” gnaws at the city’s foundation until it topples and collapses. The scene’s symbolic use of words as actual objects, not just representations of abstract concepts, demonstrates the influence of language on how people perceive the world and themselves.
Neftalí discovers many ways in which words have the power to make the world better. Words of affection from Mamadre give Neftalí strength. Words of admiration written to Blanca give Neftalí a way to connect to her when he’s too shy to say them aloud. Uncle Orlando’s words speak out against injustice in his newspaper articles. Even though it leads to the developers threatening his livelihood and his life, he tells Neftalí they’ll never silence his pen. His conviction helps Neftalí realize the great potential written words hold, and he’s inspired to make the same vow.
When he’s older, Neftalí says of the writers published in Claridad, “These people are writing about fairness and justice. They are my heroes, Laurita. They write words that stir people’s thoughts. They write about changing what is wrong in the world” (317-18). Through their examples, Neftalí realizes how inspiring words can be, even to a stranger and to people anywhere in the world. Words can spread truth when those in power try to silence it. In the narrative’s conclusion, images show a book becoming a bird and taking flight. Muñoz Ryan describes how Neftalí, under the pseudonym “Pablo Neruda,” harnesses the power of words, letting them take flight to inspire people all around the world.
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