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30 pages 1 hour read

Fyodor Dostoevsky

The Dream of a Ridiculous Man

Fiction | Short Story | Adult | Published in 1877

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Character Analysis

The Narrator

The narrator is the main character of the story. He does not reveal his name—he only refers to himself as “the ridiculous man” (225). Physical attributes are not provided, either. He is poor and lives in a small room in a shared apartment, and he studied sciences at university. The narrator also mentions that he has a brother who “died five years ago” (232). The overall context and themes of the story suggest that providing minimal background information allows Fyodor Dostoevsky to focus attention on the narrator’s psychology.

The narrator explicitly states that other people see him as ridiculous, himself included. He is depressive, cynical, and rude. However, after his dream, he is happy, kind, and loves life. In both stages of his life, however, he is ridiculous albeit for different reasons. By means of indirect characterization, it is communicated to the reader that what makes him ridiculous is not only the particular actions he takes, but also the fact that he is different from others. The other people do not see the psychological torment behind the narrator’s behavior, but it is evident to the reader.

The psychological identity of the narrator sways on the extremes of the emotional scale, caused by his need to find some kind of a final truth to life. This makes him a social outcast, which also implies that in his opinion, the modern society lacks in authenticity, leaning solemnly on scientific progress instead of a more spiritual quest for truth.

In the larger context of Dostoevskyan main characters, the narrator is quite typical: He is a dynamic character, searching for a truth or a solution to life; he suffers from existential torment and is almost arrogant in his indifference to others, until external circumstances make him reconsider his beliefs. The character arc of the narrator follows this course of development.

The Girl

The girl that stops the narrator on the street to ask for help is eight years old and wears “a kerchief on her head” and “a wretched little dress all soaked with rain” (228). What particularly draws the narrator’s attention are “her wet broken shoes” (228). With indirect characterization, the broken shoes in particular suggest that the girl is poor. As the only direct description of her life and situation is that she is “in terror” (228) because—the narrator speculates—her mother might be dying, her role in the story is mostly symbolic: The narrator’s indifferent reaction to her despair emphasizes his unkind attitude toward everything. At the same time, her appearance is the turning point of the story, leading to the narrator’s changing his views.

The little girl’s arrival in his life is prefigured by the little star in the sky that he sees only moments before she approaches him. The star gives the narrator the idea to shoot himself that night; he writes that he doesn’t know why.

Dostoevsky was greatly affected by society’s sometimes sadistic treatment of children, and the girl is similar to other suffering children in Dostoevsky’s work. It is a significant motif in his writings: In The Brothers Karamazov, for example, Ivan doubts his faith in God for this reason. Ivan tells several stories about children who were tortured, sexually abused, forced to eat excrement, and kept worse than pigs on a farm, and then he asks Alyosha to fathom the hearts of such creatures who can’t even understand what’s being done to them. The girl in “The Dream of the Ridiculous Man” suffers from some unspecified yet terrible torment, and the man’s disregard for her frenzied suffering causes him to experience shame when he goes home that night and to acknowledge that he does feel compassion; these emotions seem to precipitate his dream and his “conversion.”

The Tenants

When the narrator arrives home after meeting his friends and encountering the little girl, he describes the other tenants with whom he shares the apartment: There is an old captain and a mother with three children in addition to the landlady. The captain has visitors “of doubtful reputation” (229) that he drinks, fights, and plays cards with. This behavior scares the landlady, who is “in abject terror of the captain,” (229) as well as the mother and the three children, who “lay trembling and crossing themselves all night” (229) with the youngest child even getting “a sort of fit from fright” (229). The narrator himself is unfazed, avoiding the captain but not paying much attention to the noise he makes.

These characters can also be considered largely symbolic. Again, the narrator is indifferent to his surroundings. The captain also symbolizes the problems with modern society and humanity: The narrator knows that the captain sometimes begs for work on the street, but that “they won’t take him into the service” (229). Dostoevsky suggests that the captain drinks and lives a rough life because of poverty and despair. In a way, the captain is in a situation similar to the narrator’s: He lives in misery, and unable to find a solution, resorts to desperate actions like drinking and fighting and harming others.

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