44 pages • 1 hour read
Fyodor DostoevskyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Golyadkin leads his double into his apartment, wondering how Petrushka will react to the sight of him. When they enter, however, Petrushka barely reacts. The double becomes nervous, suddenly fumbling and showing his nerves. When Golyadkin drops his hat, the double leaps to pick it up from the ground and place it back in Golyadkin’s hands. The men eat supper and then have a drink together. As they drink rum punch, the double reveals that they share a name: They are both called Yakov Petrovich Golyadkin. Their similarities are the reason why the double has come to ask for the favor of Golyadkin’s “friendship and protection” (182). The double tells Golyadkin his life’s story.
The double came to Saint Petersburg after receiving a large inheritance from his aunt. He struggled to find a job in the city, however, and lived a “life of drudgery and misery” (183). Many days, he only ate a crust of stale bread. He was lucky enough to receive help from a religious man, who helped the double to get his life back together. The double asks for writing implements and, when given a pen and paper, jots down a short verse akin to an adolescent yearbook entry. He hands the paper to Golyadkin to read. Golyadkin feels “overcome with deep emotion” (186). He hugs the double and declares that he understands the man like a brother. Golyadkin promises to help his double.
Golyadkin invites the double to stay the night, telling Petrushka to prepare a bed. Since they have no spare bed, however, the double sleeps on a set of pushed-together chairs. The double is pleased, as he is used to sleeping on the bare floor. Petrushka exits the room, and Golyadkin trails behind him, intrigued by his manservant’s strange behavior. Feeling drunk, Golyadkin rouses himself from his bed. He criticizes his inability to control himself and then worries that the double is part of an elaborate joke or scam at his expense.
Golyadkin wakes the next day. He is struck by the feeling that he has made “a complete fool of [himself]” (189). He sees that the chairs are empty. Petrushka enters the room, carrying a tea tray. Again, the servant avoids his master’s eye. Golyadkin asks about the double; Petrushka explains that his master left 90 minutes earlier, claiming that he needed to deal with some important matters. Golyadkin is perturbed, reminding Petrushka that it is he, Golyadkin, who is the master.
Golyadkin passes the double in a hallway at work, though the man seems not to notice him. When Golyadkin calls out to the double, the double claims to be very busy with a “special mission” (192) assigned to him by their superiors. He asks if Golyadkin slept well.
Antonovich accuses Golyadkin of being rude; Golyadkin mumbles about “people who wear masks” (193), accusing them of dishonesty. Filippovich summons Antonovich to his office. As Golyadkin collects his paperwork, he sees his double rush in through the office doors. The double seizes the paperwork from Golyadkin’s hand and heads into Filippovich’s office. When Golyadkin tries to follow him, Filippovich says he does not have time to deal with petty personal matters. Golyadkin waits in the main office until his double returns. Golyadkin stops the double, who looks over his shoulder and winks at the clerks. The double reaches up and squeezes Golyadkin’s cheek. The double calls Golyadkin “little sweetie-pie,” and then pinches his cheek patronizingly. Golyadkin realizes that the rest of the office prefers his double. Later, he accuses the double of playing some kind of “highly complicated game” (202).
Golyadkin feels like giving up. Instead, he returns home and speaks to Petrushka, telling the servant that he plans to dine at Filippovich’s home. When he reaches Filippovich’s house, however, the servant announces that he is not home. Golyadkin eats dinner alone at a restaurant. When he tries to pay, he is told that he must pay for more than his single fish pasty. Golyadkin spots his double across the room, “smiling, nodding, and winking” (208). Golyadkin believes that his double played another trick on him, so he reluctantly pays for the extra food and departs. Returning home, he writes a letter addressed to his double, criticizing the man’s determination to “insinuate [himself] into the circle of [Golyadkin’s] existence” (209). The letter is to be delivered via an old work colleague. He hands the letter to Petrushka to deliver to the double, then spends a few hours scuttling through the streets, second-guessing himself.
In the early hours of the morning, Golyadkin asks Petrushka whether the letter was delivered. The drunk servant confirms the delivery and claims that the double offered nothing in response, mumbling about how “good people live without deception and never come in twos” (216). Golyadkin finds a different letter, seemingly from his old colleague, Vakhrameyev. Vakhrameyev is highly critical of Golyadkin and his drunken servant. He calls Golyadkin a disgrace, refuting any friendship they once had, and advising him to fire Petruska, who is likely stealing from him. Golyadkin picks up his writing tools and quickly responds, insisting that he is innocent of all charges and insisting that he did nothing to offend a “certain person of the female sex” (220).
This section explores more of Petrushka’s character, who does not talk much throughout The Double but speaks to Tension and Anxiety in Duality, and Delusion and Conspiracy. Petrushka reveals his character through his refusal to treat his employer with the deference he demands, which furthers Golyadkin’s sense of shame and rejection. Golyadkin implores Petrushka to address him formally, but Petrushka barely addresses Golyadkin at all. After the introduction of the double, Petrushka’s silence becomes increasingly condemnatory. Golyadkin is infuriated by his servant’s quietness, though he must continue to depend on his insolent servant because there is no one else in his life who can help him. When Golyadkin sends Petrushka out with a letter, Petrushka returns drunk. In the few words Petrushka mutters while under the influence, the servant comes close to revealing his moral position concerning his employer’s actions. Petrushka alludes to an immorality on Golyadkin’s part and talks scathingly of deception and things that come in twos, seemingly condemning Golyadkin’s relationship with his double. The deliberate obfuscation of explicit facts creates an aura of uncertainty, as well as suggests that Petrushka recognizes the existence of the double, unlike Golyadkin’s colleagues and superiors, which further suggests that those of the higher classes that Golyadkin aspires to enter are somehow less attuned to his true state, let alone the cause of his fractured identities. Through Golyadkin, the atmosphere of the text grows increasingly uncertain and surreal; like Petrushka’s drunken ramblings, the text and form itself linger in the uncertainty of what is deliberate and what is random, as well as what is real and what is not. Both the content and form of the novel layer the theme of Tension and Anxiety in Duality, as the sense of unreliability extends to the narrator, who expresses bias toward Golyadkin.
For Golyadkin, the situation becomes increasingly worse. He has tried to help and befriend his double, overcoming his initial trepidation through the vague hope that he might have a peer who is sympathetic to his cause. Through their interactions, however, there is a clear difference between the public and the private version of the double. In private, the double knows exactly what to do and say to sway Golyadkin to his side, even referring to him as a brother. In public, such as in the office, he infuriates and insults Golyadkin, often through seemingly innocuous actions. This Tension and Anxiety in Duality between public and private presentation of character is especially maddening to Golyadkin, who is a private, withdrawn person who struggles to operate in public spaces and criticizes those who wear masks to hide their true selves. Golyadkin’s confusion fuels the speed at which he is replaced, however. Golyadkin is not an effective employee, as he is increasingly distracted by his own anxieties. At the same time, the double seems to quickly earn the trust and sympathy of everyone in the office. In just a few days, the double not only insults Golyadkin but—through the speed at which he integrates—reveals Golyadkin’s social inadequacies. His existence and his success further loosen Golyadkin’s grip on reality, as the double seems to exist merely to show Golyadkin what he has failed to become. The double is exactly what Golyadkin’s doctor hoped he could become, further blurring the reality of the text, and suggesting a split of the self when alienated from society.
Golyadkin writes to Vakhrameyev to seek information about the double. Even though it passes through the unreliable hands of the drunk Petrushka, the letter plays a significant role in the narrative. For once, this letter provides an outside, objective opinion of Golyadkin’s actions. While the narrator is sympathetic to Golyadkin, and many other characters are openly antagonistic, the letter is supposedly from a friend. Despite this friendship, the letter is scathing. Vakhrameyev writes of the deep insult that Golyadkin has caused, an insult which seems to have completely escaped the attention of Golyadkin himself. This letter functions as an illustration of how Golyadkin’s social interactions are increasingly damaging his social standing and his friendships, while also showing his unawareness of the destructiveness of his own behavior. The letter is a document of the thoroughness of Golyadkin’s social alienation, demonstrating how little he understands how far he has pushed people away from him. It further serves as a tool of foreshadowing, as Golyadkin’s removal from Saint Petersburg looms.
By Fyodor Dostoevsky
Class
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Class
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Community
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Equality
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Fate
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Fear
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Good & Evil
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Loyalty & Betrayal
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Order & Chaos
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Philosophy, Logic, & Ethics
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Pride & Shame
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Psychology
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