logo

55 pages 1 hour read

Edward Gibbon

The Decline and Fall of the Roman Empire

Nonfiction | Book | Adult

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Literary Devices

Wit

One of the most famous elements of The Decline and Fall of the Roman Empire is Gibbon’s wit. Gibbon often uses humor in his narrative, especially when he wishes to offer sarcastic critique of leaders and events he deems worthy of censure or mockery.

Gibbon sometimes pokes fun at his contemporaries while exploring Roman history. Some examples include a joke made in one of the footnotes, where he writes that fellow historian Voltaire “unsupported by either fact or probability, has generously bestowed the Canary Islands on the Roman empire” (26). In another passage about Gordian I, Gibbon mentions his “Twenty-two acknowledged concubines” and library containing “sixty-two thousand volumes,” adding that these two facts attest to “the variety of his inclinations.“ In another footnote, Gibbon adds to the joke, saying about Gordian III, “By each of his concubines, the younger Gordian left three or four children. His literary productions, though less numerous, were by no means contemptible” (176).

Gibbon’s use of wit and satire were in keeping with the general literary culture of his time, as 18th-century England heavily favored both, as witnessed in the huge popularity of Alexander Pope’s satires and comic novels such as Tom Jones. In combining scholarly erudition with a colorful and witty literary style, Gibbon presents himself as a sophisticated “man of letters” well in tune with the tastes of the reading public of his time.

Irony

Along with humor and satire, Gibbon makes use of irony. As a literary device, irony is using a specific word or term in a way that actually implies the opposite meaning. For example, Gibbon says this about Julia Domna: “The grateful flattery of the learned has celebrated her virtues; but, if we may credit the scandal of ancient history, chastity was very far from being the most conspicuous virtue of the Empress Julia” (127, emphasis added). In coyly calling “chastity” not “the most conspicuous virtue,” Gibbon implies that “scandal” suggests Julia Domna was a promiscuous woman. Such ironic commentary and asides allow Gibbon to introduce a further note of levity and humor into his writing, granting him more opportunities to showcase his wit and learning simultaneously.

Aphorism

Historians of the Enlightenment moved away from the concept of history as a way to communicate what were seen as religious truths. However, by the Enlightenment, the idea of history as a vehicle for moral lessons still persisted. Gibbon is no different. Throughout The Decline and Fall of the Roman Empire, he often uses aphorisms—a statement that pithily expresses a general truth—that would apply to both the historical period Gibbon is describing and to the reader’s time.

One famous aphorism from Gibbon is “history is […] indeed, little more than the register of the crimes, follies, and misfortunes of mankind” (77). Other such examples include “Wit and valour are qualifications more easily ascertained than humanity or the love of justice” (77) and “Revenge is profitable, gratitude is expensive” (302). The use of these aphorisms helps bolster Gibbon’s self-presentation as a sophisticated Enlightenment “man of letters,” while also showcasing the 18th-century tendency to look toward history for exemplars of human behavior, both good and bad, and extracting from them a supposedly universal truth about human nature and society.

blurred text
blurred text
blurred text
blurred text