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62 pages 2 hours read

Sara Ahmed

The Cultural Politics of Emotion

Nonfiction | Book | Adult | Published in 2004

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Key Figures

Sara Ahmed (The Author)

Content Warning: This section of the guide contains references to sexual assault, homophobia, racism, and war.

Sara Ahmed is a feminist scholar and writer with a long and prestigious academic career. She has served as Director of the Institute for Women’s Studies at Lancaster University and Director of the Centre for Feminist Research at Goldsmiths College. She has held both the Rutgers University Laurie New Jersey Chair in Women’s Studies and the Cambridge University Diane Middlebrook and Carl Djerassi Professorship in Gender Studies. Scholars have praised her many publications for their consistently high quality, and several, such as The Cultural Politics of Emotion and The Promise of Happiness, are considered landmark texts in the fields of affect, queer, and feminist theory. Ahmed received the Kessler Award from the City University of New York in recognition of her contributions to LGBTQ+ studies. In 2016, however, Ahmed resigned her final academic post at Goldsmiths College, citing the institution’s entrenched culture of sexual harassment. She has elected not to return to academia, finding its structures incompatible with the work of feminism as she chooses to do it.

Since leaving Goldsmiths, Ahmed has steadily worked to connect with more general audiences. More recent books like Complaint! are aimed at readers both inside and outside of academia, and Ahmed has become popularly known as the creator of the figure of the “Feminist Killjoy.” This figure, which represents any person willing to speak up about the discomfort created by racism and sexism within the status quo instead of gamely “playing along,” shares a name with Ahmed’s blog, which has become another vehicle for connecting with wider audiences.

In its focus on the ways that different kinds of bodies are impacted differently by the circulation of emotions and the shaping of emotions via norms and collective narratives, The Cultural Politics of Emotion reflects both Ahmed’s professional interests and her personal experiences. Ahmed is a queer woman of Pakistani and British heritage. As such, she is eminently qualified to speak to the experiences of queerness, womanhood, and racial otherness. Based on these experiences, Ahmed assesses across her works, including The Cultural Politics of Emotion, the extent to which the world is systemically patriarchal, heteronormative, and biased toward whiteness.

Judith Butler

Judith Butler, an American gender studies scholar and philosopher whose work centers on ethics, feminism, politics, literature, and queer theory, is a highly regarded academic and author. They have taught at George Washington University, Wesleyan University, and Johns Hopkins University and have served as the Maxine Elliot Professor at the University of California, Berkeley, the Wun Tsun Tam Mellon Visiting Professor of the Humanities at Columbia University, and the Hannah Arendt Chair at the European Graduate School. They have also held the Spinoza Chair of Philosophy at the University of Amsterdam. Their publications include many journal articles and full-length scholarly works that are considered key texts in the development of third-wave feminism, queer theory, and political philosophy. One of Butler’s major contributions to queer and feminist theory is the idea that both gender and sex are socially constructed performances that do not reflect biological reality.

As Ahmed counts Butler among the scholars to whom she is “most indebted” (Location 317 of 6419), she refers repeatedly to Butler’s work throughout The Cultural Politics of Emotion. Ahmed often shows how Butler’s work develops and improves upon earlier work that Ahmed finds inaccurate or incomplete, as when she cites Butler’s critique of the idea that hate resides in signs themselves in “The Organisation of Hate.” Ahmed also relies on Butler’s work as foundational to her own—for instance, it is Butler’s idea that the repetition of norms creates the world’s boundaries and surfaces.

Frantz Fanon

Frantz Fanon, an Afro-Caribbean Marxist humanist philosopher, physician, and psychiatrist, is considered to be one of the most significant anti-colonial thinkers of the early 20th century. During Fanon’s teen years, the Vichy French took over the government of Martinique, his home island. Their oppression of Martinique’s people profoundly influenced Fanon, who enlisted with the Allies as soon as he was able to. Unfortunately, his experiences fighting with the Allied forces exposed him to further racism. When he left Martinique to study psychiatry in France, yet more racism awaited him. In response, he wrote his first full-length book, Black Skin, White Masks. In this text, Fanon analyzes the psychology of the oppressed, the ways in which language is used as a tool of oppression, and the ways in which oppression impacts identity. Ahmed quotes Black Skin, White Masks in her introduction to Chapter 3 and throughout her analysis of fear. Many of Fanon’s other ideas—the internalization of the white gaze and the circulation of stereotypes, for instance—contribute to the structure of Ahmed’s arguments throughout The Cultural Politics of Emotion.

Fanon’s writings, which include three full-length texts—A Dying Colonialism, The Wretched of the Earth, and Black Skin, White Masks—have heavily influenced the development of both critical and postcolonial theory. He is credited with inspiring many of the leaders of liberation movements around the world, among them Malcolm X, Bobby Seale, Stokely Carmichael, and Ernesto Che Guevara.

Audre Lorde

Audre Lorde was a queer Black American feminist scholar, philosopher, poet, and activist. Although Lorde is as highly regarded for her poetry as she is for her career as an academic and activist, it is her scholarship and her perspective as an intersectional feminist that are most relevant to a discussion of The Cultural Politics of Emotion. Lorde believed strongly that all forms of injustice must be resisted as a whole and that marginalized groups must find common cause and work together even while honoring and learning from their differences. She was also a strong advocate of education and of amplifying the voices of the marginalized, believing that increasing visibility is an important step on the road to justice. Accordingly, she worked with Cherríe Moraga and Barbara Smith to found the first U.S. publisher devoted to the work of women of color, Kitchen Table: Women of Color Press.

Ahmed provides a detailed analysis of an Audre Lorde anecdote in Chapter 2’s discussion of hate; Lorde’s own related ideas form a significant part of Ahmed’s discussion. Ahmed returns to this anecdote again in her discussion of shame in Chapter 5. That Lorde’s thinking is foundational to Ahmed’s own is clear throughout Ahmed’s discussions of queer feelings in Chapter 7 and her consideration of Black feminism and anger in Chapter 8.

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