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52 pages 1 hour read

Robert Galbraith

The Cuckoo's Calling

Fiction | Novel | Adult | Published in 2013

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Character Analysis

Cormoran Strike

Strike is the detective and protagonist of The Cuckoo’s Calling. He is a veteran of the War in Afghanistan who retired after he lost his leg in an explosion. He is described as unattractive, with “the high, bulging forehead, broad nose and thick brows of a young Beethoven who had taken to boxing […] He looked older than his thirty-five years” (16-17). He has experienced a recent weight gain, tied to his change in mobility. He often uses his appearance to his advantage, intimidating people into giving him information or leaving him alone. Strike is the child of a “supergroupie” named Leda Strike and a famous rockstar named Jonny Rokeby, a fact which earns him attention and social status amongst the novel’s elite.

Strike has had a difficult life, a fact which is reinforced periodically as he experiences occasional flashbacks. These include details of his upbringing, punctuated by his mother’s different partners and a range of unsuitable living conditions. Following his mother’s suspicious death, he dropped out of Oxford and went into the military, finding order and peace until he lost his leg. Even his relationship with Charlotte is fraught with trauma. She is volatile and cruel, and they have a history of dating and breaking up. This background has led Strike to self-reliance, a characteristic that makes him more durable but also isolates him. He does not reach out to his loved ones following his breakup, instead living in his office and choosing isolation over attempts at emotional connection. His desire to self-isolate eventually thaws with Robin’s presence, a symbol of growth as he accepts her as his full-time secretary.

Strike fits many of the necessary criteria for a detective. He is quick-witted and methodical, taking notes and noticing details in a way that is reminiscent of Sherlock Holmes. However, he also fits the criteria of darker, noir-style mysteries in that he is an intimidating man who has a wealth of negative experiences coloring his perception of the world. He outsmarts the police and killer alike, establishing his capabilities in anticipation of future mysteries. 

Robin Ellacott

Robin begins the novel as Strike’s temporary secretary, and she earns a permanent position with him because of her superior initiative and intelligence. Robin is pretty, “tall and curvaceous, with long strawberry-blonde hair that rippled as she strode briskly along, the chill air adding color to her pale cheeks” (12). She is recently engaged to her long-time partner, Matthew, and is searching for employment while working as Strike’s secretary. Little is known about her background, although she does mention that she studied psychology before dropping out of university. She also confesses that she has a secret desire to become a private detective.

Robin quickly distinguishes herself through her quick thinking and initiative. She impresses Strike several times, doing everything from anticipatory research to uncovering information about Strike’s witnesses. She not only serves Strike and their investigation but also fulfills a piece of herself that has always wanted the adventurous life of a detective. Robin even saves Strike’s life when she intercedes during John’s attack, having had the foresight to stay behind despite Strike’s orders to leave. These instances all showcase a positive escalation in Robin’s behavior. She takes more risks to solve the case, and in doing so cements herself as a vital part of Strike’s detective work. This is rewarded by her final job offer, a physical manifestation of her success in detective work. While Robin’s career is made certain, it is made so against Matthew’s preferences, leaving the stability of her relationship unclear.

John Bristow

John is Lula’s adoptive brother, and he hires Strike to solve the mystery of Lula’s death. However, John is Lula’s murderer; he killed his brother Charlie decades earlier in addition to killing Rochelle to cover his tracks. Upon their introduction, Strike describes John as rabbit-like, with large front teeth and glasses that contrast his expensive, tailored clothing. John plays the part of a concerned older brother who only had Lula’s best interests in mind, seeking her murderer so that he may bring peace to his family. However, he truly hired Strike in hopes that he would accuse Jonah of murder, allowing John access to Lula’s full inheritance.

By the end of the novel, the reader learns that John is guilty of three murders and embezzlement from a client. This reinforces both that he has a history of violence and that he has never tried to grow as a person. Instead, he has lashed out at those around him, committing heinous crimes to enable his own preferred lifestyle. John is most easily described as jealous, motivated by his desires: He killed Charlie out of a desire to be the favorite child; he embezzled money out of his desire for financial gain; he killed Lula out of joint desire to live her life of luxury and mitigate his past crimes; and he killed Rochelle out of a desire to keep his involvement in Lula’s murder a secret, showing that he is not driven by logic but by want. Strike further reinforces during his monologue that John is luckier than he is intelligent, for many of the aspects of his crimes were mitigated by happenstance. For example, Bryony’s dyslexia prevented her from realizing Lula’s will was meant for Jonah, not John, successfully hiding John’s motive. John’s overconfidence in his own abilities results in him being caught by Strike, allowing a satisfying conclusion.

Lula Landry (Bristow)

Although the events of the novel take place after Lula’s death, her status as victim cements her as one of the main characters. She was a young woman with both Black and white ancestry, and the Bristow family adopted her. She used her adoptive mother’s maiden name, Landry, after being discovered as a model to differentiate herself. Lula also lived with bipolar disorder. While her friends and family emphasize that while she was on her medication she managed her symptoms, her history of bipolar disorder causes the police to attribute her death to a suicide.

It is through Lula that Galbraith explores most of the novel’s central themes. Lula grew up affluent after joining the Bristow family, but her modeling brings with it a level of exposure that she is uncomfortable with. She becomes paranoid about people selling her stories to the press, showcasing The Price of Fame and The Importance of Trust. Lula also grapples with her identity as she tries to uncover the truth about her parentage; she wants to connect with her biological father’s African roots after growing up in a white family. Her disconnection with her adoptive family is paralleled with her desire to know her biological family, showing that she is struggling to find people for her inner circle. Her search leads other characters to ruminate on their own backgrounds, centering the question of What Makes a Family. Her desire for a deeper familial connection leaves her vulnerable to John’s attack, making her murder even more heinous because it was done within the context of a desire for connectivity. 

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