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A vehicle for the combined themes of identity, truth, and lying, Masks feature prominently in The Cruel Prince, especially at the end of the book. Masks are a symbol for protection, since shielding one’s face allows true emotions and identity to go somewhat undetected. Masks are literally part of the landscape of Faerie: There is a Lake of Masks, which Jude visits twice.
However, the most meaningful use of masks is during the banquet at which Balekin kills Dain and the rest of his family except Cardan. During the party afterward, Cardan appears wearing a fox half-mask. Jude calls it “flimsy” (251), suggesting that she has begun to “see through” Cardan’s adopted persona that he uses to protect himself. Shortly afterward, Jude steals a mask from another partygoer to wear herself, deciding that “covering my face is safer than not” (254). This accentuates the danger in which Jude is placed and echoes the adoption of her own persona that she has taken on as the book progresses. She draws on Cardan’s own callousness as she tries to act like a captor toward him: “I keep my expression as mask-like as I know how, as cruel and cold as the face that reoccurs in my nightmares” (259).
Furthermore, Jude and Cardan aren’t the only ones who use figurative masks—stoic or deceiving expressions—to hide their true feelings and motivations. The face of one of their supposed allies “remains unreadable, a mask” (343) at the banquet near the end of the book. And when Jude fights Madoc and she finally reveals her new self to him, he is shocked, but she is exhilarated and triumphant: “He stares at me as though I am a stranger, but I have never felt less like one. For the first time, we are both unmasked” (350). Jude realizes she can slip her “mask” on and off as she needs, a sign that she has learned to successfully navigate the politics and power hierarchies of Faerie.
Midway through the book, Locke takes Jude to his home, which has a distinctive hedge maze in the middle of its garden. The maze symbolizes the intricate and profound journey that Jude must take to succeed in her goals by the end of the book, and the power landscape of Faerie. When Locke takes Jude to an upper floor of his house, Jude “can see the maze below and the folly in the center” (163). Although folly literally refers to a small building, its double-meaning suggests that at the center of the faeries’ disputes and power dynamics lies a basis of foolishness: a value of bloodlines over other more meaningful personal qualities. When she walks through the maze with Locke, Jude is surprised by the maze’s seeming simplicity, which makes her “nervous rather than confident” (169). She expects appearances to be deceiving, since “I do not believe there are many simple things in Faerie” (169). Such a discord between Jude’s expectations and reality also suggests that Locke’s seemingly impressive status and character are ultimately illusory. Nonetheless, Locke tells Jude, “I think you’ll like the hedge maze” (160), which symbolically alludes to the larger power “games” that Jude must play in the novel. Indeed, Jude learns to enjoy the process of figuring out how to best the faeries and achieve her goals.
Fox imagery appears several times in The Cruel Prince. Most of the time, the animal comparison is associated with Locke. Jude thinks of him as a fox repeatedly. When she dances with him for the last time at Dain’s supposed coronation, he looks at her “with his fox eyes” (230). His “pointed ears” and “russet hair” (230) further the comparison. As Jude recognizes, foxes are associated with trickery and slyness, traits appropriate for Locke as he deceives Jude. One of Jude’s classmates comments about someone ruining things (173) which Jude interprets as Cardan ruining things, but Jude later realizes that the other girl was actually talking about Locke (275). Locke evolves from a playful, somewhat anarchist figure into something more sinister as Jude realizes he has been working against her for some time. She sees a “riddling figure with flinty eyes” and is “not quite sure who this Locke is, but he has put me entirely off balance” (230).
Cardan, meanwhile, is a foil for Locke. He may wear a fox mask in Chapter 21, but since Jude has seen his true self, it becomes apparent to her that while Cardan is mischievous and somewhat unlikable, he does not pretend to be someone he’s not. This makes Cardan, in the end, a less sinister character than Locke, who acts as if he wants to be Jude’s friend and/or romantic partner but then betrays her.
By Holly Black