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Christina RossettiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“Goblin Market” by Christina Rossetti (1862)
One of Rossetti’s most well-known poems, “Goblin Market” is an allegorical story that draws from fairy tales and Christian theology. It focuses on two sisters who are tempted by a goblin’s fruit. It ends with one sister rescuing the other from the need for the fruit. While Rossetti supposedly geared the poem toward children, the sexual subtext has led to many more complex readings of the poem’s ambiguous meaning.
“An Apple Gathering” by Christina Rossetti (1862)
Another of Rossetti’s notable poems, “An Apple Gathering” focuses on the character of a “fallen” woman, which Rossetti commonly featured in her poetry. The speaker, after having premarital sex with her partner who then abandons her, reflects on the isolation she is feeling in her town.
“In the Bleak Midwinter” by Christina Rossetti (1872)
Originally published as “A Christmas Carol,” this poem is commonly set to music and played at Christmastime. The poem describes the birth of Jesus, ending with the speaker wondering what they would have given to the newborn baby.
“The Runaway Slave at Pilgrim’s Point” by Elizabeth Barrett Browning (1848)
Browning, a contemporary of Rossetti, was the most influential woman poet of the Victorian age. Beginning in their lifetimes and continuing through modern scholarship, Browning and Rossetti were often considered both rivals and influences on the other. This poem, like “The Convent Threshold,” is a dramatic monologue. In this explicitly abolitionist poem, the speaker, a fugitive enslaved woman, stands at Pilgrim’s Point and directly speaks to her audience, the Pilgrims themselves.
“Sonnets from the Portuguese 43: How do I love thee? Let me count the ways” by Elizabeth Barrett Browning (1850)
In her most famous poem, Browning describes the depths of her love for her lover. Like, “The Convent Threshold,” this poem includes religious imagery and focuses on the indomitable power of love upon a human soul.
“Ulysses” by Alfred Lord Tennyson (1842)
Tennyson was the Poet Laureate from 1850 until his death in 1892. One of the most well-known Victorian poets, Tennyson was both popular and influential in his lifetime. His early poetry influenced the Pre-Raphaelites. “Ulysses” is another example of a dramatic monologue. In the poem, the hero Ulysses voices his restlessness and discontent after finally returning home from the Trojan War to reunite with his wife.
Christina Rossetti: Faith, Gender and Time by Diane D’Amico (1999)
D’Amico works to acknowledge the complexity of Rossetti as a poet and a woman. She uses thee lenses of faith, gender, and historical context to consider the intersection of different faucets of Rossetti’s identity, including devout Christian, reclusive spinster, and proto-feminist poet subversively questioning the patriarchy.
Christina Rossetti and the Bible: Waiting with the Saints by Elizabeth Ludlow (2014)
Ludlow performs a chronological close reading of Rossetti’s body of work, focusing on the religious meanings. She pays special attention to the influence of Tractarian theology on Rossetti’s work, but she also highlights the influence of writers such as John Bunyan, George Herbert, John Donne, and medieval mystics.
“Christina Rossetti: Illness and Ideology” by Antony H. Harrison (2007)
Harrison, a noted scholar who specializes in Victorian literature and Rossetti, considers the connection between illness and Christianity in her poetry and the possible biographical influences. He focuses most closely on the poems in Goblin Market and other Poems, of which “The Convent Threshold” is a part.
“The Afterlife of Christina Rossetti” by Alison Chapman (2000)
Chapman recovers a more authentic understanding of Rossetti compared to the character that Rossetti's brothers and other literary critics constructed throughout time. Chapman hopes to counter these understandings, which she describes as ghosts haunting Rossetti’s poems, with a reading she terms “speaking with the dead” that focuses on the figure of the mother in Rossetti’s poetry.
“Christina Rossetti: A Literary Biography” by Jan Marsh (2012)
Marsh’s biography also realizes a fuller understanding of Rossetti as a woman and poet. This biography analyzes defining moments, such as Rossetti's adolescent breakdown, called-off engagements, and relationship with her sister.
Elizabeth Klett reads “The Convent Threshold.”