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132 pages 4 hours read

Ruth Minsky Sender

The Cage

Nonfiction | Autobiography / Memoir | Middle Grade | Published in 1986

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Chapters 8-10Chapter Summaries & Analyses

Chapter 8 Summary

Moishe, Mrs. Avram’s son-in-law, steps into the siblings’ lives in Chapter 8, determined to find Riva a doctor. Help for her condition seems impossible, and Riva begins to call him musheggener Moishe, or crazy Moishe. As she looks at “his angry, burning eyes, his clenched fists,” she thinks of him as “a madman about to fight the world” (39). But she is thankful that he takes her out into the world, because she had not felt “fresh air” or “a breeze” in weeks (40).

When Moishe tells Riva where the doctor’s office is, she panics, worrying that the guard at the ghetto bridge will shoot them, and worrying that Moishe’s strength will give out. He reassures her, though, that “a musheggener can do anything” (41). The pair arrives safely at the doctor’s office, which is a “small room […] crowded with people, most of whom look more like human skeletons than men and women” (41). Riva feels “healthy” in this sickly space.

The doctor, when he inspects Riva, is quiet. Moishe, impatient, presses him for a solution, but the doctor quietly concedes that he cannot help her, for her problem is “malnutrition, vitamin deficiency, loss of calcium in her bones” (42). Riva feels sorry “for the helpless doctor,” “for Moishe and his wasted effort,” and even for herself at the end of the chapter (42).

Chapter 9 Summary

Still at home with Laibele and still confined to her bed, Riva does what she can to stay upbeat. She and Laibele play games and tell stories together, and Riva notes that Laibele works hard to stay alive. They ask one another what each would do first if the war ended tomorrow. Laibele claims that he would buy an entire loaf bread and eat it all. This idea of the war ending soon comes to dominate their conversations, which turn to their absent family members: their mother, their two older sisters, and their older brother.

Riva decides that she will write letters to the missing siblings, even though Laibele protests because there is no mail service into and out of the ghetto to deliver the letters. The sentiment, Riva explains, is that “if the war ends tomorrow and they come home, we will not have to tell them anything. We will just give them their mail, and it will answer all their questions” (44). She writes the letters, but she buries the fear, in her mind, that they will not survive to see their siblings, even if the war ends the following day. She distracts herself with the letters, and then Laibele convinces her to begin teaching her brothers again, so that when their mother returns, she will not be upset that they stopped studying history and Jewish literature. They laugh over the lessons, but Riva cannot ignore the thought that they “need much more than laughter to make [them] well. It does not cure tuberculosis or put calcium back into [her] bones” (45).

At the end of the chapter, Motele and Moishele, without Riva’s permission, sell a week’s bread ration in exchange for a bottle of vitamin drops that might heal her. They explain that they could not ask her first, for she would refuse, but that the vitamins would help her get well. The drops do help her condition improve; the family repeats their selling, and, by the end of the chapter, Riva begins to move around the apartment.

Chapter 10 Summary

When a social worker from the Child Welfare Department arrives at their door, Riva and her siblings panic. The social worker informs the siblings that they will be separated and adopted by families. Though Riva tries to keep the social worker out of their house, she continues to drop by, bringing food. Riva eventually stops letting her into the house, a response to her internal, maternal voice, which repeats “A mother does not give up her children! A mother does not give up her children!” (48).

Eventually, the siblings receive a summons, and Riva, Motele, and Moishele walk to the department together. They are interviewed in separate rooms. Ms. Wolkowna, director of the department, explains to Riva that she and her two healthy brothers will be adopted by separate families, and that Laibele will be transported to a “home for children,” which she knows means that “he will be with the first new victims for the Nazi transports” (49). Riva protests in an emotional speech, calling upon the “love” that their mother left behind for them and pleading that they “can only be happy together” (49). Ms. Wolkowna cries, but she does not respond verbally.

When the siblings meet again, Motele is angry, and Moishele is terrified. Laibele, though, smiles when he sees his siblings, because he can tell that they have not given up on staying together. The siblings wait anxiously, fearing for their separation, but Ms. Wolkowna calls Riva to the Child Welfare Department one day and informs her that upon “seeing the love and devotion” she and her siblings have for one another, the department has made an exception and allowed her to adopt her siblings (51). In the new arrangement, she sacrifices the rights of a child. Joyfully, the four siblings “breathe freely” that night, “forgetting for a moment” that they are in “the ghetto cage,” and thankful that they can stay together (51).

Chapters 8-10 Analysis

Together, Riva and her siblings fight to sustain hope in a hopeless situation. Riva and Laibele make future plans, but her doubt that either will have a future lingers underneath their conversations. This labor for hope unites the siblings, and it renders them more insistent that adoption will not tear them apart. Though none of the circumstances of their illness and poverty change, even the ability to remain together requires a herculean sort of hope.

This hope requires the siblings to manage their resources carefully, too. The social worker’s gifts ingratiate her to them; it is these gifts that inspire in Riva a doubt that she should work to keep the siblings together. Food is the ultimate currency, and the thought of better provisions for her siblings entices Riva, whose brothers must go behind her back to trade their bread for vitamins that can heal her. Sender centralizes food and love as the two sustaining resources in the text, but while love is abundant, food supplies dwindle. This abundance and lack directly impact the amount of hope and hopelessness that the siblings can generate; just as love can pull the siblings forward and together, the lack of food prevents them from eradicating doubts that they will survive.

These chapters also sustain and further develop the theme of motherhood. Riva’s intense internal voice returns, asking her not only to work with her siblings but to serve them and sacrifice for them. In Ms. Wolkowna’s office, Riva is finally able to use her voice, boldly articulating (much like her own mother had) the needs of her family. She slowly gains some of the voice that so often feels silent, and in adopting this protective, passionate, maternal voice, she demonstrates that she is becoming more like her mother.

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