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Fyodor DostoevskyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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This section covers the following chapters: “At Grushenka’s,” “An Ailing Little Foot,” “A Little Demon,” “A Hymn and a Secret,” “Not You! Not You!,” “The First Meeting with Smerdyakov,” “The Second Visit to Smerdyakov,” “The Third and Last Meeting with Smerdyakov,” “The Devil. Ivan Fyodorovich’s Nightmare,” and “‘He Said That!’.”
Grushenka tells Alyosha that Ivan has been visiting Dmitri, and she’s worried they’re up to something and keeping secrets from her. She asks Alyosha to investigate, and he agrees to visit Dmitri.
Before he visits his brother, however, Alyosha stops to visit Lise. He finds her in a feverish, erratic state, almost seeming possessed. She says she’s broken off the engagement with Alyosha because she no longer respects him—in fact, she no longer respects anything. She confesses that she’s been having destructive urges and praying to God to punish her. She makes an enigmatic remark about talking to a “man” about her troubles, but this man laughed at her. Alyosha realizes she’s talking about Ivan. She tells Alyosha to leave but first gives him a note for Ivan. After Alyosha leaves, she slams the door on her own finger.
Alyosha visits Dmitri in jail and is surprised that Dmitri is talking about God rather than his upcoming trial. Dmitri has accepted that he will suffer in prison but that he will “sing a tragic hymn to God, in whom there is joy!” (592). He divulges that Ivan has been urging him to escape to America with Grushenka; this is the secret that Dmitri and Ivan have been keeping from Grushenka. Dmitri says that Ivan believes Dmitri is guilty, but Alyosha believes in Dmitri’s innocence.
Alyosha visits Katerina, and Ivan is on his way out. Ivan looks sick, and Katerina is anxious. After Ivan leaves, Katerina confides to Alyosha that she thinks Ivan is becoming psychologically unstable and that he has a “nervous fever.” She begs Alyosha to follow him. Alyosha hurries to catch up with Ivan, and he hands Lise’s note to Ivan; Ivan tears it up and tosses it into the wind, remarking that the letter was probably sexual in nature. Alyosha is dismayed that Ivan would make this uncharitable assumption about a child. Ivan, who seems agitated, tells Alyosha that Katerina has proof that Dmitri is guilty. When Alyosha says that this is impossible, Ivan asks Alyosha who, if not Dmitri, killed their father, and Alyosha realizes that Ivan considers himself somehow indirectly responsible for the death. Wanting to assure Ivan that he’s not responsible, Alyosha trembles as he says: “[I]t was not you who killed father, not you!” (601).
Ivan, with a “crooked grin,” says that he knows he himself isn’t the murder. However, he suddenly seems disoriented and starts saying nonsensical things about an unidentified man who’s been bothering him. Alyosha is confused, but Ivan suddenly regains composure. Alyosha tries to bring up the topic of God, but this upsets Ivan, who leaves.
Ivan heads out to talk with Smerdyakov, who has been sick since Fyodor’s murder. The narrator explains that this is the third meeting Ivan has had with Smerdyakov; the first meeting was immediately after Fyodor’s murder, and the second meeting was two weeks after that.
The narrator explains about the first two visits. During Ivan’s first visit, Smerdyakov alleged that Ivan had secretly wanted Fyodor dead. Smerdyakov said that, on the day of the murder, Ivan had left the Karamazov house because he’d known this would leave Fyodor vulnerable to the murderous Dmitri. Ivan tried to protest. At Ivan’s second meeting with Smerdyakov, Smerdyakov again said that Ivan’s departure from the Karamazov house is what allowed the murder; Smerdyakov argued that this amounts to complicity and, again, that Ivan secretly wanted his father dead. Ivan then truly started to fear that he himself was somehow responsible. He visited Katerina, and Katerina showed him a drunkenly-scrawled letter that Dmitri wrote vowing to smash his father’s head and take his money to repay Katerina. After Ivan saw this letter, he felt reassured that Dmitri, and not himself, was responsible for the murder.
Now on Ivan’s third visit with Smerdyakov, Smerdyakov tells Ivan to stop pretending that he doesn’t know who is guilty: He says Ivan is “the main killer, and I was just your minion, your faithful servant” (623). Smerdyakov says that he himself did the deed, but he explains that all his conversations with Ivan—all the philosophizing about morality—convinced him that the murder permissible, and Smerdyakov had believed that Ivan wanted Fyodor dead anyway. Therefore, says Smerdyakov, Ivan is no less culpable. Smerdyakov has 3,000 roubles that he says is from the envelope Fyodor set aside for Grushenka. Ivan says that tomorrow he will confess to his part in the murder, but Smerdyakov says that Ivan would never confess due to his nature: Ivan loves status, wealth, and prosperity too much because he is “like Fyodor Pavlovich most of all […] having the same soul as him” (632).
When Ivan returns home, he is suffering from “brain fever” (634) and hallucinates a man, and the man insists that he is real. His rambling anecdotes annoy Ivan. The man says his primary goal is for Ivan to live in constant vacillation “between belief and disbelief” (645). As the hallucination continues to taunt him, Ivan feels he is losing touch with reality. Just then, Alyosha knocks on Ivan’s door.
Alyosha tells Ivan that Smerdyakov has hanged himself. Ivan, now frantic and incoherent, tells Alyosha that the devil visits him, so Alyosha spends the night taking care of his feverish brother. Alyosha is relieved that Smerdyakov is dead; the suicide suggests that Smerdyakov is the real murderer—and now, even if Ivan mistakenly confesses to the murder, no one will believe him.
This book introduces the psychological, scientific, and spiritual views of human behavior—particularly of evil—and puts them in conversation with each other through the characters’ distinct interpretations of the murder.
Madame Khokhlakov tells Alyosha that Dmitri’s lawyer will argue that Dmitri committed the murder “in a fit of passion” (577). She calls this the “blessing of the new courts” (578) in that it frees the criminal from responsibility for the crime. This psychological view of evil suggests that humans lack free will under certain circumstances. Likewise, Dmitri later mentions neuroscience, saying that Rakitin is teaching him about how the brain works and that it means there is no soul.
The “possession” of Lise symbolizes a spiritual view of human behavior. When Alyosha asks her why she has begun to “love disorder” (581), she replies that everyone enjoys crime and that people are reveling in the lascivious details of the Karamazov trial. The fact that Lise, who Alyosha noted has the soul of a martyr, becomes so disturbed demonstrates that all humans hold the potential for evil. Just as Lise seems possessed, Ivan hallucinates a demonic figure. While the narrative never confirms any actual demonic influence in Lise’s or Ivan’s situations, the spiritual overtones invoke an idea of evil that is more metaphysical than scientific.
The passage in which Ivan hallucinates is particularly significant in portraying the nature of his “brain fever.” The hallucinatory man has demonic characteristics. He is clever but trivial, using borrowed sayings. He appropriates a famous quote from Terence, a Roman playwright: “I’m Satan, nothing human is alien to me” (639). Ivan calls the man “stupid” multiple times, and later when describing him to Alyosha, he says the man is all of Ivan’s worst characteristics combined, everything that is “mean and contemptible” in himself (652). The question of whether this is a hallucination, a spirit, or Ivan’s own mind remains ambiguous, which also captures the conflict between the psychological, scientific, and spiritual views on the origin of “evil.”
The hallucination parallels the “Grand Inquisitor” poem, as the man paints a utopian vision of a world without God. He also taunts Ivan’s decision to confess at the trial, saying that Ivan doesn’t believe in virtue, so why would he act virtuously if not for his own self-glorification (653). The devilish figure then justifies his own existence by saying that if he did not exist, “there would be nothing but ‘Hosannah.’ […] there would be no events” (642). The justification for the devil’s existence deeply disturbs Ivan, and a question that Ivan has mentioned before—about whether the devil’s existence proves God’s existence—is stated here by the hallucination.
Smerdyakov is another variation on the idea of possession, as he says he was driven to murder by Ivan’s philosophizing; in other words, the claim is that Ivan’s ideas possessed Smerdyakov. This directly echoes Dostoevsky’s 1872 novel The Possessed (also called Demons), in which characters are metaphorically possessed by philosophical, politically revolutionary ideas. These ideas, or “demons,” drive the characters to murderous action. Smerdyakov himself behaves demonically in how he harasses and derails Ivan with half-truths, exploiting Ivan’s desire for justice and chipping away at his sense of self. While Smerdyakov is often described as cowardly, in these chapters he speaks fearlessly to Ivan and appears to confuse him intentionally.
By Fyodor Dostoevsky