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75 pages 2 hours read

Fyodor Dostoevsky

The Brothers Karamazov

Fiction | Novel | Adult | Published in 1879

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Part 2, Book 4Chapter Summaries & Analyses

Part 2, Book 4 Summary: “Strains”

This section covers the following chapters: “Father Ferapont,” “At His Father’s,” “He Gets Involved with Schoolboys,” “At the Khokhlakovs’,” “Strain in the Drawing Room,” “Strain in the Cottage,” and “And in the Fresh Air.”

Father Zosima’s illness is worse, and he nears death. His friends from the monastery, including Alyosha, gather around him. He speaks to them at length, and though his speech is mostly incoherent due to his weakness, he reminds them to love one another; to not be prideful; to not look down on nonbelievers; that monks are not morally superior to others; and that all humans share in the responsibility for the sin of the world.

Later, Alyosha thinks of how the religious community is expecting something miraculous to follow Zosima’s death; because the elder is so holy, people assume this holiness will somehow spectacularly manifest. The monastery’s Father Ferapont, however, does not even visit Zosima’s bedside. Ferapont has never liked Zosima; while Zosima believes faith is about finding God in the world and embracing that living divine presence, Ferapont believes faith should be centered on a fear of Satan. He claims that he sees devils and that he is visited by the Holy Spirit. Alyosha later returns to Zosima’s bedside, and Zosima tells him to go to his family, so Alyosha returns home.

When Alyosha arrives, Fyodor is in a bad mood and starts complaining about Ivan. He tells Alyosha that the only reason Ivan is hanging around the home is because Katerina lives nearby. Fyodor then briefly remarks that even if Ivan were home because he wanted to finagle money out of Fyodor, Fyodor wouldn’t give him this money; he says that he himself needs this money because, without money, an older man like himself could never procure sexual engagements. He remarks that “wickedness is sweet” (173) and that he intends to indulge his sensual urges until his last day. Returning to grousing about Ivan, a livid Fyodor thinks that Ivan might push Dmitri and Grushenka to marry; then, Ivan would be able to marry Katerina.

Alyosha later leaves the house to visit Madame Khokhlakov’s where Lise lives. On the way, he runs into a group of schoolboys throwing rocks at each other. Alyosha defends one of the boys, but the boy throws a rock right at Alyosha and bites his finger.

When Alyosha arrives at Lise’s, she asks for the love letter that she sent him, and Alyosha tells her that he left it at the monastery. Alyosha tells her that he will marry her once they are legally able. Lise is happy.

Alyosha is also surprised that both Ivan and Katerina are also visitors at the house, and they sit conversing in the drawing room. As Alyosha joins them, Katerina tells Ivan that even if Dmitri and Grushenka marry, she will remain devoted to Dmitri. Alyosha realizes that Katerina is straining to love Dmitri out of gratitude. Katerina asks for Alyosha’s advice, and Alyosha erupts, saying that Katerina loves Ivan, not Dmitri, and that she is torturing Ivan and martyring herself by still pursuing Dmitri. Ivan leaves, saying that he will never see Katerina again. He plans to leave for Moscow soon.

Katerina gives Alyosha money to take to Snegiryov, a poor man whom Dmitri beat up outside of a bar. Alyosha goes to Snegiryov, who lives in poverty with his large family. Alyosha apologizes for Dmitri’s actions. The little boy who bit Alyosha’s finger earlier is Snegiryov’s son, Ilyusha. Snegiryov sarcastically asks Alyosha if he would like him to whip his son “to [his] full satisfaction” (200).

Snegiryov tells Alyosha the story of the brawl at the tavern. Alyosha insists that Dmitri will do whatever Snegiryov wants him to do to be forgiven. Snegiryov tells Alyosha that his son is being teased by his classmates and getting into fights at school in defense of his father’s honor. Alyosha tries to give Snegiryov the money from Katerina, saying that they are brother and sister because they have “both been offended by one and the same man” (208). Snegiryov is overjoyed by the 200 roubles from Katerina, but at the last second, he refuses the gift and throws the money on the ground. 

Part 2, Book 4 Analysis

When the monks gather to visit the dying Zosima and as the religious community gossips about rumored miracles, the activity highlights differences among the monks and renews the question of what religious faith should look like—whether it should be a joyful communion with the world or a flat denial of it. Paissy falls somewhere in the middle, as he is stern and serious and questions Zosima’s miracles but is also not wholly against Zosima. Father Ferapont represents an extreme view; he completely embraces monastic solitude and has little to do with other people.

The many different character relationships are as dramatically different as the characters involved. The interactions between Lise and Alyosha show one of the most mutually understanding relationships in the novel; Lise, who fears being rejected by Alyosha, tells Alyosha that she is “a freak” (184), but Alyosha denies this and comforts her. This relationship contrasts with Dmitri’s infatuation with Grushenka, and Katerina’s desperation for Dmitri’s love. Alyosha and Lise’s simple and open conversation about their plans to be wed shows a love that is based in honesty, trust, and friendship.

The novel also presents a theme of pride within the lower classes of society. The theme has already been explored in the characters of Smerdyakov, Grushenka, and Grigory, but it returns in Snegiryov, whose interaction with Alyosha shows the desperation of poverty: Snegiryov even ironically refers to his own home as the “depths” (198), as in the depths of suffering. After Snegiryov is humiliated by Dmitri, his son Ilyusha asks him if the rich “are stronger than anybody on earth” (207), and Snegiryov tells him that they are.

Snegiryov’s comment that his son Ilyusha has learned “the truth” and that it “crushed him forever” (206) further emphasizes the despair and humiliation of poverty, which, in the enormously class-driven society of 19th-century Russia, has even greater alienating force than modern readers may realize. Seeing his father lose his pride has disillusioned Ilyusha, but the moment also demonstrates a son’s pure love for his father: When Dmitri was beating up Snegiryov, Ilyusha kissed Dmitri’s hand and begged for him to forgive his father (206). The child and his father sobbed in each other’s arms following the incident, showing the moment’s symbolic importance for the novel: This relationship (in which the child sacrifices himself for his father) shows the precise opposite of the relationship that Fyodor has with his sons, especially Dmitri. The fact that Dmitri saw this son’s pure love and sacrifice for his father is pivotal for Dmitri, and it is one of the steps in Dmitri’s transformation from moral confusion and self-torment to clarity and redemption.

There is also foreshadowing Ilyusha’s death when Snegiryov tells Alyosha that one of the stones thrown by a schoolmate hit Ilyusha in the chest and that he has now fallen ill. The stone-throwing is a biblical reference, invoking the concept of humans’ judgment of each other. Snegiryov’s son is being cast out for his defiance of social norms and his insistence on defending his father’s pride. His classmates judge him as inferior due to his father’s humiliation, and he ostracized as a result. Though children are often depicted as sweet and innocent in the novel, the scene with these abusive schoolboys emphasizes children’s capacity for evil. Snegiryov even comments that children are sweet individually but mean when they are in groups. This reality—that children are not angels—is among the novel’s more subtle motifs discrediting a sentimental vision of humanity.

Snegiryov’s refusal to take Katerina’s money shows Snegiryov’s pride. Even after he describes how life-changing this sum would be—it would allow him to alleviate his wife’s and daughter’s painful physical conditions—he still cannot bring himself to accept the money. The last thing he asks Alyosha is how he would be able to face his son if he took the money “for our disgrace” (212). Snegiryov cannot easily forgive Dmitri for all the suffering he caused him and, most importantly, Ilyusha. 

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