logo

49 pages 1 hour read

Ha Jin

The Bridegroom

Fiction | Short Story Collection | Adult | Published in 2000

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Acts of Revenge as Expressions of Individual Will and Character

Personal revenge is a theme which surfaces in one form or another in several of the stories in The Bridegroom. In “Saboteur,” the narrator intentionally spreads hepatitis as revenge against the police who force him to admit to a crime he hadn’t committed. In “In the Kindergarten,” Shaona avenges herself against the cruelties of her classmate, Dabin, and Teacher Shen by urinating on the class’ collection of purslanes. In “An Entrepreneur’s Story,” the narrator compares himself to a man who “slept with both his wife and her mother in the same bed to revenge his humiliation” (125), and wishes “he could do the same to my old bitch of a mother-in-law” (125). In the next story (“Flame”), Nimei tells her lover Hsu Peng that she will marry another man, Jiang Bang. Hsu Peng responds, “I hate you! I’ll get my revenge” (130). At the end of the story, he arguably enacts this revenge by arranging to meet with Nimei once more and then failing to keep his appointment.

“After Cowboy Chicken Came to Town,” (the final story in The Bridegroom) ends on a similarly vindictive note. After the narrator and his colleagues get fired for suspected terrorism, the narrator promises to enact revenge against his managers, Peter Jiao and Mr. Shapiro. The narrator and his colleagues plan to cut the restaurant’s electricity, disrupt the restaurant’s mail delivery, and halt the restaurant’s garbage collection. The narrator says, “That damned capitalist believed he was finished with us, but he was mistaken” (225). In the final words of the story (and the entire book) he continues, “This was just the beginning” (225). As the title suggests—“After Cowboy Chicken Came to Town”—much of the action of the narrative takes place well after the final words of the story.

This repetition of the theme of revenge throughout The Bridegroom serves two purposes. For one, it functions as a useful narrative device. Working within the short-fiction format, Ha Jin must compress as much depth, action, drama, and surprise into as little space as possible. The suggestion of a revenge that takes place outside of the framework of the narrated story is one way to achieve such compressed depth and drama, while also supplying many of the stories with unexpected endings. The use of revenge as a theme also suggests a way for many characters to express their wills or enact justice within a regimented and authoritative society. Though the narrator in “Saboteur,” for example, must submit his will to the state when forced to declare his guilt, the narrator is then able to reassert his will through the private act of spreading hepatitis. The act of revenge plays a similar role in many of the chapters throughout The Bridegroom.

Comparisons of American and Chinese Social and Economic Customs

Several stories of The Bridegroom depict characters attempting to navigate or synthesize both American and Chinese cultural value systems. In “An Official Reply,” Mr. Fang misinterprets many American social attitudes and customs. He misunderstands a lecture given by a visiting American professor, and believes for a period that acting selfishly is not only acceptable in America, but necessary in order to assert one’s dominance. This attitude causes him to embarrass himself in front of an American novelist (who he expects to pay for his cheese strudel), as well as in front of an academic audience (when he gives a brash lecture during a panel on American literature in China). Though the narrator of “An Official Reply” depicts Mr. Fang’s mistakes as simply egotistical errors, Mr. Fang’s blunders also illuminate the invisible boundaries that distinguish acceptable and unacceptable social behavior, whether in China or America.

Another way American and Chinese social customs come into conflict with another is through the many references to capitalism sprinkled throughout The Bridegroom. At the beginning of “An Entrepreneur’s Story,” people consider the narrator a criminal for running an illegal business selling cigarettes at a higher price than he purchased them. Several years later, however, the same practice which once landed the narrator in jail is suddenly legal. The narrator then tries his hand at trade once again and, instead of punishment, becomes a very rich man. Nevertheless, he still fears the government suddenly and randomly seizing his profits once more. He says, “I may lose everything at any time; the city can confiscate my business and savings just by issuing an order” (124). “An Entrepreneur’s Story” demonstrates how capitalist business practices are in evolving conflict with China’s communist economic and political organization.

The story where the differences between Chinese and American social and economic attitudes appears most thoroughly, however, is “After Cowboy Chicken Came to Town.” In this story, a fast-food restaurant’s American owner and his Chinese employees are at odds over how best to handle a number of given situations. The employees feel Mr. Shapiro is naïve to indulge customers’ complaints, while Mr. Shapiro tells his employees that, in the American way of doing business, “the customer is always right” (185).

At another point, the employees call Mr. Shapiro’s words “capitalist baloney” (187). When trying to console his father, who works for the Communist Party and earns lower wages than he does, the narrator says, “Every day you just sit at your desk drinking tea and reading newspapers, or chatting away, and at the end of each month you take home a full salary. But I have to work my ass off for a capitalist who pays me by the hour” (198). Yet at the same time, when attacked by local Chinese who call the employees “American dogs” (185), the employees adamantly defend their employment and the restaurant that employees them. As with “An Entrepreneur’s Story,” “After Cowboy Chicken Came to Town” paints a vivid picture of the numerous complications that arise in the conflict between capitalism and communism, as well as between American and Chinese social value systems. 

The Suppression of the Individual Will by the Authoritative State

Throughout The Bridegroom, Ha Jin depicts the intrusive power of the state government as it upends characters’ lives. In “Saboteur,” a professor goes to jail after standing up for his own rights and dignity. In “Broken,” two characters have to expose intimate details of their sexual lives while under interrogation. In “The Bridegroom,” several men face jailtime or go to live in mental institutions when suspected of being homosexual. One man in particular, Baowen (the son-in-law of the narrator), goes to a mental institution where he receives an electric bath that is meant to cure him of his homosexuality. Finally, in “A Bad Joke,” two peasants go to jail when the police need to find culprits for a joke that has spread about Chairman Deng Xiaoping.

All of these stories illustrate the degree to which the state is able to interrupt the lives of individual citizens in Communist China. While individuals often take justice into their hands through private acts of revenge, these narratives are powerful demonstrations of the way in which authoritarian rule can suppress individual rights and freedoms. 

blurred text
blurred text
blurred text
blurred text