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49 pages 1 hour read

Jason Reynolds

The Boy in the Black Suit

Fiction | Novel | YA | Published in 2015

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Symbols & Motifs

Photographs

Photographs symbolize reality and beauty throughout the book, supporting the theme of “Recognizing and Acknowledging the Beauty in Life.” As a repeated motif, photographs also support the theme “Finding Comfort in Times of Grief.”

Early in the novel, Matt looks at a photo taken of his parents at Coney Island. He is in the photo with them, crying because he is afraid of the sand. The photo triggers memories of his mother enjoying the photo; she recalled the beach day fondly, despite Matt’s tears. Matt realizes he never thought much about that photo, though it was taped above the kitchen sink for years; now that his mother is gone, however, “[…] all of a sudden it seemed special. Us as a family” (30). Later in the novel, he intends to use a symbolic photograph he takes of the Sempervivum to acknowledge life’s beauty, wanting to display the picture of the plant near the family photo.

Photographs are important symbols of the recognition and acknowledgement of life’s beauty for Mr. Ray and Love as well. Mr. Ray shares his basement with Matt, where he collected and displayed newspaper clippings and photos with details and images of two things he lost: his basketball career and his young wife. Many photos in the display show his wife Ella: “Smaller pictures, some Polaroids of a woman, her skin dark and smooth, her teeth bright white. She smiled big in all of them, so natural, like she was actually happy to have her picture taken” (102). Mr. Ray acknowledges Ella, the most beautiful part of his early life, by keeping and displaying her photos, but the recognition of the beauty lost is painful to him; he must keep her photos hidden and go to the basement to view them.

Love’s photo of her mother compares to Mr. Ray’s of Ella; Love has only one photo, because unlike Ella, Love’s mother disliked having her picture taken. Love keeps her mother’s photo in her bedroom where she has quick access to it, but like Mr. Ray, she chooses to keep the photo private, sharing it only with Matt. Love also takes photos of flowers at the Botanic Garden, clear symbols of the beauty of life. She tells Matt how the photos are reminders of the beautiful living things even after the flower dies.

Storytelling

The storytelling motif appears throughout the novel as a vehicle for revealing backstory, foreshadowing, coincidences, and ironies. In this way, it supports the theme of “Ironies and Coincidences That Teach Life’s Lessons.” Within Matt’s interior monologue, for example, he tells the story of his mother’s decline and death in the hospital. He also tells the story, flashback-style, of the sleepover night at Chris’s when they peeked out the door in time to witness the gunshot. Matt recalls his mother telling the story of getting Matt’s father to quit drinking before she would marry him.

Other characters serve as storytellers as well. Mr. Ray uses storytelling to reveal his early life history to Matt in his basement “pain room.” In the homeless shelter, Candy Man describes for Matt how Love behaved when she was little; this reveals character details indirectly about both Candy Man (evidence that he has been at the homeless shelter for a long time) and Love (she was strong and confident as a young girl). Candy Man tells multiple stories about Love, enjoying himself in the telling:

The first one was about how Lovey would growl at boys, like a wolf or something. That one was funny. And the second one, Candy Man was laughing so hard couldn’t understand what he was talking about, but I know it had something to do with boogers (195).

Candy Man’s stories about Love provide a lighthearted, nostalgic tone Matt feels in the shelter on Thanksgiving Day; ironically, though, Matt realizes later that Candy Man holds his memories of Love dear because he has little else in his life. The somber tone Love’s story sets the next day when she tells Matt about her mother’s death on Valentine’s Day juxtaposes with the mood Matt feels hearing Candy Man’s stories; he feels her trauma as well as a sense of disbelief at the coincidence, as he partially witnessed the violence that night.

Food

Food appears as a repeated motif throughout the book, symbolizing sustenance and survival. Despite their deep grief, Matt and his father must eat, relying on take-out to get them through the early weeks after losing Matt’s mother. Matt tries briefly to look at the recipe booklet his mother prepared for him in advance of her death, but because cooking was time they shared together, he is too mournful to use it for months. Matt’s mother’s voice and personality come across in the chosen recipes and the way in which she writes the food instructions. Matt turns to the Cluck Bucket in hopes of a job but accepts a position with Mr. Ray instead setting up and helping with funerals. Part of this work involves setting up for the repast, a meal of fellowship following a funeral that symbolizes how the living must go one surviving after a loved one’s passing. Matt and his father recall sadly the extravagant Thanksgiving meal Matt’s mother prepared each year. Matt uses his skills learned at funeral set-up to help heat and serve the meal at the shelter on Thanksgiving Day.

Flowers

Matt makes his disregard for the giving of flowers well known at the start of the book; he recalls how inane it was to him that others would send flowers to his mother in the hospital. To him, cut flowers are more symbolic of dying, as they wither and dry only days after giving them. His mother loved the flowers and insisted on giving some to the nurses and to Matt and his father to take home right before she died. Matt wonders about the choice to use flowers at funerals throughout his job; he is especially bewildered by the extravagant floral set-up at the funeral of Gwendolyn Brown, Love’s grandmother.

Later, the reader understands that flowers were an important symbol of life to Ms. Brown and still are to Love through both her photographs and her attempt to share flowers’ meaningfulness with Matt at the Botanic garden. Love explains the survival tendencies of the Sempervivum to Matt; he admits that, for a plant, it is worthy of respect. He is happy to receive one from Love; his changed opinion is evidence of a step in both his coming-of-age and his grieving process.

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