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Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Nico’s first jump lands the trio and the Athena Parthenos on a cruise ship in the middle of the Atlantic and then inside an empty restaurant in Old San Juan, Puerto Rico, Reyna’s home, where she experienced her “darkest, most painful memory” (166). Nico immediately needs to sleep, so Reyna summons Aurum and Argentum for guard duty. She wonders if their landing in Puerto Rico connects to her lending strength to Nico, who himself is drawn to dark, painful thoughts. She tries to focus on positive associations with her home but feels on edge. Adding to her sense of unease, the restaurant is closed for a private party. Reyna reflects on Nico’s loneliness and promises herself to ensure that his bravery is recognized after their mission. Suddenly, she notices a dark shape moving on a balcony below. Silver darts strike her and then Hedge in their necks. As she fades into unconsciousness, she feels a sack placed over her head.
Reyna wakes up with her hands bound and tied to a chair and the sack still over her head. When she hears someone coming, she feigns sleep and then uses her advantage to overcome her captor—Thalia, leader of the Hunters of Artemis. She received Nico’s message and decided to intercept the demigods. Revealing that the Hunters and the Amazons are working together to fight monsters across the North American continent, she takes Reyna to her sister, Amazon queen Hylla, in the Amazons’ underground bunker before departing for guard duty.
Although Hylla saved Reyna’s life “many times over” (175), the sisters’ history is complicated. Reyna sarcastically thanks her sister for abducting her, but Hylla insists that “[r]ules are rules” (176) and Reyna should appreciate being a praetor. The Amazons and Hunters are both concerned about Orion, who Hylla says “takes a special interest in killing” (177) strong women. In ancient times, he joined the hunters of Artemis and fell in love with her. After she rebuffed him, he died. When he rose from Tartarus, he became the “bitterest enemy” (178) of Artemis.
Reyna realizes that she’s the bait to ambush and kill Orion, which she doesn’t object to since killing him will remove a significant obstacle to fulfilling her quest. She asks if the Amazons can ship the Athena Parthenos back to Camp Half-Blood, but Hylla doesn’t think the statue will accept that, since the Amazons are honorary daughters of Ares. Besides, the quest can succeed only if the three demigods themselves deliver the statue. However, the Amazons have repaired Reyna’s dogs and will provide magic camping provisions.
An Amazon comes running in to announce that Orion has somehow breached their defenses—and the doors explode.
As Amazons and Hunters are struck down, Hylla insists that Reyna must escape to complete her quest. She spirits Reyna through the underground lair, which exits into their childhood home. Reyna is shocked and angry that Hylla would take possession of the house, but they don’t have time to fight. Emerging into the daylight, Orion is waiting for them. Reyna is shocked to discover that Orion resembles a handsome mortal man, not the “towering ugly demon” (184) she expected. Hoping to gain useful information from him, Reyna keeps him talking about his past. When he unwittingly reveals that he was tracking her, not the Athena Parthenos, Reyna takes the cue to attack him before he can find it. If she dies, Hedge and Nico can still deliver the statue.
Reyna and Hylla battle Orion together until Nico, Hedge, and the Hunters appear and help them. Reyna doesn’t want to leave her sister, but Hylla insists, as she did six years earlier when “they escaped their father’s house” (189). As Reyna reluctantly departs with Nico and Hedge, all three notice ghosts on the balcony of Reyna’s home, some bearing violent wounds. They whisper to Reyna that she can’t run away from her crime.
This section brings Reyna, Nico, and Hedge closer to Camp Half-Blood, though they’ve been pulled off course. Reyna’s reunion with her sister sets up the next big revelation: Reyna’s secret from her past. Riordan builds tension and suspense across these chapters, leaping from one chapter-end cliffhanger to the next and ending with Nico, Reyna, and Hedge leaving for their next destination. Riordan blends both action-oriented and character-development suspense. These chapters leave questions about Reyna’s past, such as what her worst memory is, why her relationship with Hylla is complicated, and what “crimes” the ghosts on Reyna’s balcony are referring to—questions that point to two themes: Self-Acceptance and Healing, and Reconciling With and Understanding Others.
After several chapters in which Orion is a looming threat just off the page, in Chapter 24, Reyna faces him. Riordan’s choice to make him handsome and talkative reflects his ability to create complex characters rather than caricatured “good guys” or “bad guys.” Riordan builds on ancient Greek duality in characterizing love and hate as, effectively, mirroring each other. They’re not opposites but productive and destructive aspects of strong emotion. In contrast to Orion and other monstrous figures in the story, the demigods must learn to harness their emotions for positive, productive outcomes.
Reyna’s willingness to sacrifice herself at the end of this section reflects the Roman virtue of pietas—doing one’s duty to the gods, one’s family, and one’s city. She carries a heavy emotional burden in believing that she’s responsible for Camp Jupiter and for everyone who lives there and is associated with it. In addition, she believes that the best way to save the camp and the Romans is by delivering the statue to ensure peace and reconciliation between the two camps. If her death will allow Nico and Hedge to deliver the statue, then she’s willing to sacrifice herself. This points to the theme The Makings of a Good Leader.
By Rick Riordan
Action & Adventure
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Ancient Greece
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Ancient Rome
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Animals in Literature
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Colonialism & Postcolonialism
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Coming-of-Age Journeys
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European History
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Fantasy
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Juvenile Literature
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Mortality & Death
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Mythology
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