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Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Unconscious, Nico dreams, revisiting memories of his past and seeking to connect with Thalia Grace, the daughter of Zeus, by visiting her dreams. Instead, he lands in the dreams of Clovis, who sleeps in the Hypnos cabin at Camp Half-Blood. Nico asks Clovis to convey a message to Chiron that he and his friends are on their way with the Athena Parthenos but are being followed by one of Gaea’s hunters. Clovis shows him what happened at the war council earlier that day: Apollo’s oracle remains silent, and the Romans have them surrounded. Clarisse, the daughter of Ares, agitates to attack the Romans before their numbers increase, but the rest argue for standing by Annabeth’s plan. The Romans and Greeks must unite to heal the gods, kill the giants, and prevent Gaea from waking up. As Clarisse opens her mouth to speak, Hedge wakes up Nico.
Hedge informs Nico that they’ve landed in Portugal, in the remains of a temple of Diana. The Athena Parthenos landed atop the temple. Nico passed out upon arrival and has been asleep for 36 hours. A Burning Man has appeared, apparently to speak to Nico. He wears a monk’s habit, and Nico guesses that he was burned alive. He gestures for Nico to follow and leads him to the Chapel of Bones, constructed from “[t]he remains of five thousand monks” (116), where Hades is waiting for him.
Hades reveals that Gaea’s hunter is Orion. Nico won’t be able to defeat him and must attempt to outrun him. Hades warns Nico that one of the seven demigods will die. Hazel may want to prevent it, in the process distracting her from her priorities. Additionally, Hades tells Nico that “[w]hatever happens, [he] has earned [his father’s] respect” (118). The burning monk warns them that time is short; the wolves will arrive soon.
Nico returns to Reyna and Hedge, and as they wait for darkness to fall, the three eat dinner, discuss Nico’s dreams (and his visit with his father), and strategize. Reyna worries that the wolves associated with both the goddess Lupa and the Amazons “have gone silent,” and “the only hope for either camp lies with us” (123). She acknowledges that the burden lies heavily on Nico’s shadow-traveling, which takes a great toll on him. Privately, Nico reflects on his unrequited feelings for Percy and the kindness that he and Annabeth have shown him, though other campers tend to find his presence unsettling. He believes that if he survives the quest, he’ll find peace only by leaving both camps behind.
Reyna offers Nico whatever help she can for the next shadow-jump, which will be the most difficult because it must take them across the Atlantic. Suddenly, wolves emerge, surrounding them. The largest morphs into a man.
It’s Lycaon, the first werewolf, whom Gaea has recruited to assist Orion on his hunt. Reyna takes out her silver knife, but Nico knows that they may not have enough time to survive since they can’t shadow-jump until after nightfall. Meanwhile, Lycaon boasts that he’ll spill Nico’s demigod blood on sacred ground, which will give him power over life and death. Reflecting on the many dead of this ancient city who lie beneath his feet, Nico summons bones from beneath the earth and traps the wolves and Lycaon. Hedge climbs up to the temple roof to secure the Athena Parthenos, while Reyna and her silver wolves fight off Lycaon’s wolves, who have begun to break out of Nico’s trap. Lycaon frees himself and rushes Nico, who stabs him with a silver knife. Orion arrives as Lycaon dissolves into shadow, which Nico uses to shadow-jump away with his friends and the Athena Parthenos, though he has no idea where they’ll land.
Riordan returns to the quest to deliver the Athena Parthenos, narrating from Nico’s point of view. The first chapter in this section begins with his dreams. As with the three previous points of view, Nico’s dreams reiterate significant events that have happened to him up to this point and provide insight into events happening beyond the narrating demigods’ points of view. Of particular importance for Nico is his unrequited crush on Percy. As a son of Poseidon, Percy is an important demigod who is charming, funny, and well-liked—the opposite of what Nico thinks of himself. He consistently feels out of place and that his presence unsettles his peers, echoing how Greek mythological texts characterize the relationship between Hades (Nico’s father) and the other Olympian gods. Nico’s growth journey throughout the book is to accept his capacities as a son of Hades and to understand that he can have friends and romantic partners who appreciate him. This highlights the theme of Self-Acceptance and Healing.
Nike’s warning to the demigods aboard the Argo that one of them will die comes to Nico’s attention through his conversation with Hades. Riordan foreshadows events to come when Hades warns that Hazel may become distracted from her priorities if she tries to prevent this death. In addition, Hades offers Nico a piece of advice: that some deaths can’t and shouldn’t be prevented. This advice figures into the novel’s final events.
Riordan’s subtle weaving of Roman history into the story is evident in the scene with Lycaon. Coach Hedge tries to scare Lycaon by noting that he has chosen to attack them in a temple dedicated to Diana, but Lycaon knows better. Having passed through the region during Roman times, he reveals that the temple was actually dedicated to Emperor Augustus, sneering, “Typical demigod vanity” (127). Riordan often renders demigod status to prominent historical figures. In the case of the Roman emperors, the designation is particularly fitting because the emperors collapsed the distance between themselves and heroes. As in the case of Julius Caesar, emperors could be “deified” after their deaths, and cults were established in their honor. In the case of Augustus, designating his adoptive father, Julius, as a god made him the son of a god.
By Rick Riordan
Action & Adventure
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Ancient Greece
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Ancient Rome
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Animals in Literature
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Colonialism & Postcolonialism
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Coming-of-Age Journeys
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European History
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Fantasy
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Juvenile Literature
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Mortality & Death
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Mythology
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