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71 pages 2 hours read

Rick Riordan

The Blood of Olympus

Fiction | Novel | Middle Grade | Published in 2014

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary: “Jason”

The demigods are in Ithaca to collect information for their quest. Percy, Hazel, Leo, and Frank wait on the Argo II, while Jason, Annabeth, and Piper climb up to the ruins of the palace of Odysseus. There, one hundred evil spirits, the ghosts of Penelope’s suitors, have gathered “to await Gaea’s orders” (11). Jason is disguised as an old man, Annabeth and Piper as Greek serving maidens. The climb takes its toll on Jason’s elderly body. He thinks about his recent nightmares, in which he’s haunted by the giant Clytius, Gaea, Juno, and the ghost of the woman who abandoned him at the Wolf House when he was two years old.

The demigods hear a boom and cheering coming from the ruins and rush forward.

Chapter 2 Summary: “Jason”

A “spectral mirage” of the palace in its prime overlays the ruins. The demigods find assembled double the expected number of not only spirits but also decayed and wounded ghouls and regular mortals. A ghoul with an arrow through his throat—Penelope’s chief suitor, Antinous—tosses a bust of Zeus, food for Gaea, into a fountain that spews sand rather than water. As the bust passes through the sand, it disintegrates, glittering gold, the color of “godly blood.” The ghoul announces that the next sacrifice will be a god. The demigods have 12 days before Gaea plans to wake.

Jason, Piper, and Annabeth separate to carry out their plan, the girls assimilating into the crowd of serving women and Jason hobbling toward the suitors. Antinous thinks Jason is Iros, a panhandler who passed along messages for the suitors until the disguised Odysseus defeated him, and invites him to sit. Up close, Jason realizes that dirt—the “power of Gaea” (19)—is holding Antinous together. During their conversation, Jason learns that the ritual to awaken Gaea will take place at the Acropolis in Athens, not in Olympus, as he’d assumed. Another former suitor, Eurymachus, unwittingly reveals what traps have been set for the demigods on the route from Ithaca to Athens, and Antinous disintegrates him in a rage.

Jason maintains his disguise by drawing on his own experiences fighting the monsters that Antinous and the others are allied with, and Antinous exclaims, “Victory runs rampant in Olympia” (26). With the information he needs and feeling a sense of foreboding, Jason ponders how to escape before Gaea’s recruits realize who they are. Michael Varus steps forward, calling Jason by name and gesturing to a woman who has come for him: his mother.

Chapter 3 Summary: “Jason”

Jason’s mother, television star Beryl Grace, appears before him, and he feels his disguise burning away. She was Jupiter’s lover but was rejected by him in both his Roman and Greek forms. Piper uses her charmspeak to warn Jason that his mother is only a spirit. As Beryl urges him to lead the recruits, Jason reflects on his past failed attempts to reject the leadership role thrust on him as Jupiter’s son. He reminds his mother that she, not Jupiter or Juno, abandoned him, and Beryl replies that she returned as she promised. Antinous offers to make Jason king since he has no home among either Greeks or Romans, neither of whom will accept him. His mother urges him to give up his quest, since Gaea has sent “the hunter who never rests” (31) to kill Nico and Reyna. Although he doesn’t know who she means, Jason realizes that he must survive to warn them.

Annabeth and Piper watch for his signal. Reflecting on what Michael Varus told him—that the spirits here are “sustained by their strongest desires” (32)—Jason asks his mother what she wants. She replies that she wants youth and beauty, which Jupiter could have given her had he not abandoned her. She wants Jason to “set things right” (32). Remembering what his sister, Thalia, told him—that despair led their mother’s perception to break from reality—and realizing that she’s a “mania,” a “spirit of insanity”—Jason uses an ancient sign for “warding off evil” (32), and Beryl disappears. Gaea’s recruits move in to attack him.

Chapter 4 Summary: “Jason”

Jason fights alongside Annabeth and Piper. Michael Varus stabs Jason with his imperial gold sword—deadly to demigods—before Piper slashes Varus into oblivion. Annabeth feeds Jason ambrosia and nectar while Piper dresses his wound. With Jason unable to fly, Annabeth departs to signal the Argo II for help. Jason resolves to live to pass on the information he learned from Antinous. He reflects on Penelope and the suitors, his family, and his dreams—and realizes that he’s missing something. Meanwhile, Annabeth returns and weaves a hammock for Frank to transport Jason back to the ship.

Recalling Odysseus and Penelope’s sacred marriage bed, Jason uses its power to summon Juno. Piper demands that Juno heal Jason, but Juno replies that the nature of the wound requires that he fight it himself and survive. Juno advises the demigods to choose the less direct route around the Peloponnese and confront Nike at Olympia so that the rift between Greek and Roman people can heal. She reveals that Jupiter blames her for the war with Gaea, forcing her to hide, and also directs his wrath at Apollo and Artemis, who may help him if he can make it to Delos. As the goddess vanishes, Jason—before losing consciousness—sees Frank in eagle form flying above them.

Chapters 1-4 Analysis

Jason’s opening chapters pick up where The House of Hades left off, with the seven demigods heading toward Athens to fight Gaea’s monsters and prevent her from waking. The first chapter begins in media res, with Jason, Annabeth, and Piper climbing up to the palace of Odysseus on Ithaca. Riordan uses Jason’s internal monologue to incorporate flashbacks for orientation, reiterating pivotal plot points from previous books and what the demigods are working toward in this book. While waiting to set the demigods’ plan in motion, Jason recalls earlier battles and his prayers to Jupiter, his father, to help Nico safely deliver the statue of the Athena Parthenos to the Greeks at Camp Half-Blood. Nico volunteered for this deadly but essential quest, since uniting the Greek and Roman camps is integral to healing the gods and defeating Gaea’s plan.

In beginning the final book from Jason’s point of view on the Odysseus island of Ithaca, Riordan demonstrates how he integrates themes from Greek mythology into his narrative and themes. In Homer’s The Odyssey, the quest of Odysseus is to return home from the Trojan War and reclaim his mortal identity as son of Laertes of Ithaca and husband of Penelope. On his journey, he fights gods and monsters not only physically but also emotionally. To earn his return, he must resist the temptation to forget who he is and where he belongs.

Jason’s journey similarly involves physical and emotional dimensions. On one level, he’s traveling to Athens for the quest to defeat Gaea, but on another, his personal journey is to figure out who he is (Roman or Greek) and where his home is (Camp Jupiter or Camp Half-Blood). While confronting his mother, he reflects on the pressure to meet the expectations of a son of Jupiter and recalls the words of Hercules: “It’s not easy being a son of Zeus. Too much pressure. Eventually, it can make a guy snap” (29, italics in original). This introduces two of the novel’s central themes: Self-Acceptance and Healing and The Makings of a Good Leader. For Jason, the two are interwoven. To figure out where he fits in, he must decide what kind of leader he wants to be. At the novel’s end, Jason opts to remain at Camp Half-Blood but still visit Camp Jupiter to build shrines for all the gods who have been neglected or forgotten, cultivating reconciliation between gods and demigods and between “major” and “minor” deities, which introduces the novel’s third theme: Reconciling With and Understanding Others.

Riordan plays on events from the Odyssey in other ways too, thus preparing young readers to peruse the epic. When Antinous thinks the disguised Jason is Iros, Jason—like Odysseus—makes truth from lies: He provides a true account of what he experienced as Jason but presents this account as the experiences of Iros acting on Gaea’s orders. Like the conflict between Odysseus and Iros, the conflict between Jason and Michael provides the suitors with entertainment. In addition, like a Homeric epic, the novel plays with variations on a theme. For example, the return journey of Odysseus contrasts with those of Menelaus and Agamemnon. Riordan, via the recollections of Annabeth, contrasts Jason’s reaction to his mother’s resentments with the experiences of Luke, another character from the Percy Jackson universe.

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