51 pages • 1 hour read
Kate DiCamilloA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Chapter 20, during a discussion between the king and his advisor, the king reaffirms that his prophecy came true by saying, “We must act to make our fate come true” (83). Ironically, the king says this about a prophecy, but this sentiment is the exact opposite of prophecy because it reinforces the idea that people make their own choices and can decide on whatever destiny they want, ideas supported throughout the novel. Through Beatryce’s mermaid story, Jack and the others rescuing Beatryce, and the counselor’s character arc, The Beatryce Prophecy explores how the characters have control over what happens to them.
As a storyteller controls the direction of stories, a person’s choices determine their destiny. Much like Beatryce does with the mermaid’s story, the characters can choose to follow whatever path they want. When Beatryce first arrives in the dungeon, she is alone and afraid, and she does not feel she has control over what happens to her. The mermaid story gives her something to focus on so she can move past her feelings of helplessness, which is reflected in the story’s setup of a mermaid who has a beautiful life. After the counselor visits and tells her that prophecies are up to the interpreter, Beatryce realizes her prophecy has no control over her. With this realization, the mermaid story becomes a metaphor for her decision to take hold of her fate. The mermaid makes choices that do not always end well, but in the end, she gets what she wants because she has the power to bring about her destiny. This mirrors Beatryce’s decision to tell the king a story rather than blame him for the past and how Beatryce’s choices led to her freedom, finding her mother, and moving forward into a brighter future. Beatryce’s choice to shape her future lets her break free of the constraints prophecy once put upon her and embrace her full potential.
Destinies are built to be changed. After Beatryce is captured, her friends set out to rescue her, and the changes they exhibit along the way, specifically through Jack and Edik, show how one’s past does not dictate one’s future. Since the death of his parents, Jack has gone through the motions of life while remaining steadfastly determined to exact revenge on the robber when he got the chance. When he is faced with the robber, though, Jack’s recent experiences make him hesitate because finding friends and learning to love have changed who he is and, therefore, the destiny he wants. Rather than choosing to continue the cycle of hate and destruction, Jack releases the past to make himself a more positive future, showing how external factors influence who people are and who they become. Similarly, Edik changes the rescue mission. Since joining the brotherhood, Edik has lived by the rule that prophecy is absolute. In the beginning, he believed Beatryce was the girl who would unseat the king and bring about change, even as he worried about what this might do to her. After Beatryce is captured, Edik realizes that the prophecy matters less than protecting someone he cares about. New information counters what the brotherhood has taught, and Edik embraces the truth of his new life, leaving behind what doesn’t suit him and changing how he will respond to prophecy going forward.
Destinies can be manipulated. While the brothers of the Order of the Chronicles of Sorrowing believe the prophecies they write have specific meanings for singular situations, this turns out not to be true, something the king’s counselor uses to his advantage. There is nothing special about the boy the counselor selects to become king—he simply fits a prophecy’s requirement that the youngest son of a youngest son become king. With this prophecy as backup, the counselor guides the boy to become king, not because there is divine providence to support his ascension, but because doing so brings the counselor one step closer to his ultimate goal of revenge against Beatryce’s family. Once the king is on the throne, the counselor convinces him that the prophecy about a girl child refers to Beatryce and that she must be destroyed, even though there is no proof this is true. The counselor manipulates vague words and the king’s fears to get what he wants, and by doing so, he interrupts the potential futures of others. Without his interference, the boy likely would not have become king, and Beatryce’s family likely would not have been killed. The counselor’s choice to pursue the destiny he wanted upended the destinies of others, leaving those affected to either play out the parts they’ve been assigned or choose a new path.
Destinies are fragile things that can be changed with the slightest shift, and thus, living life by a fixed idea of who and what a person will become is impractical and stifling. When the characters of The Beatryce Prophecy decide what they want, they make choices to bring them toward their goals, and they are not afraid to pivot as those goals shift. In doing so, they create the futures they want to have, showing how they are ultimately in control of their destinies.
Trauma comes in all types and affects everyone differently. The characters of The Beatryce Prophecy deal with various types of trauma throughout the novel, and their journeys represent how facing the past is the best way to move forward. Through the character arcs of Beatryce, Jack, and Edik, the novel explores the impact of trauma.
Trauma can consume a person. Prior to the book’s opening, Beatryce survived a brutal attack on her family, which left her emotionally wrecked. To combat the emotional turmoil, her body became physically ill with a fever that kept her mostly unconscious so she wouldn’t have to face what happened. Beatryce’s path to recovery shows how trauma must be faced for its impact to lessen. In Chapter 7, Beatryce chooses to move forward from the initial pain. However, she is not yet strong enough to face her memories, and to protect herself, she represses them to give herself time to heal. Taking the soldier’s confession in Chapter 21 triggers the reappearance of those memories. Faced with remembering her past, she can either repress the memories or face what happened. At first, facing the memories terrifies her, but as the details of the attack resurface, she realizes that while forgetting may feel better, doing so will not allow her to find closure or help those who can be helped. Beatryce chooses to deal with the past and move into the future, a process that contains its various challenges. By the novel’s end, though, this choice allows her to defeat the counselor, free her mother, and begin educating the people. Choosing to cope with her trauma helped Beatryce grow and also let her make other choices that holding on to the trauma would have made her too scared to make.
Ignoring trauma doesn’t make it go away. Chapter 13 details the deaths of Jack’s parents at the hands of a robber in the dark woods. Jack leaves them when his mother begs him to run, and though Jack isn’t aware of it for most of the book, he carries guilt for this choice. This survivor’s guilt becomes trauma, but where Beatryce represses difficult memories, Jack allows the memories to remain while choosing to ignore them. At first, this works well—Jack seems mostly happy with his place in the village. However, once he realizes what Beatryce went through, Jack is reminded of his losses, and little by little, he can no longer ignore the pain and anger he feels. When he gets a chance to kill the robber, he almost takes it, but with Cannoc’s advice that “killing him will not banish him from your dreams” (197), Jack understands that doing so will only feed his guilt by giving it what it wants. Choosing instead to release his guilt and, therefore, his trauma means that what happened no longer has control over him, and he moves forward resolved to protect his new friends since he couldn’t protect his parents. Only by facing up to his past and confronting his trauma is Jack able to overcome it.
Trauma may be disguised as others having our best interests in mind. When Edik was a child, his father thought he was too scared and sensitive. As a result, the man deprived Edik of comfort and forced him to remain in situations that frightened him so he would get over his fears and become more like his father’s idea of a man. While Edik’s father framed these things as best for Edik, his actions truthfully only did more harm than good. They did not help Edik overcome his fears and sensitivities, and quite the contrary, they only made him more afraid that he would be rejected because of who he was. During his time with the Order of the Chronicles of Sorrowing, Edik hears his father’s voice in his head, making judgments and chastising him. This inner voice keeps Edik from doing what he thinks is right because those things don’t align with what his father believed. When Edik realizes Beatryce is in danger, his love for her is strong enough to break through the effects his father’s emotional abuse heaped on him. By making choices that feel right to him and letting his love guide who he is, Edik is able to help rescue Beatryce and save himself. The rescue mission requires him to express his caring and outrageousness, and this gives him the confidence to embrace his true nature, leaving behind the unhealthy expectations his father forced on him.
Trauma is a powerful force, but the characters demonstrate the ability to work past it. By finding their inner strength, either with help from others or by being true to who they are, they use the pain of their pasts to become the best version of themselves.
The Beatryce Prophecy is most prominently a story about finding the truest forms of ourselves. The characters face many struggles, both internal and external, ultimately finding they are happiest and most content when they just let themselves be. Through Edik becoming comfortable in his own skin, Jack releasing his anger, and Cannoc finding his place as a royal counselor, the novel explores how people can’t deny their personal truths.
After years of emotional abuse from his father, Edik has learned to suppress the parts of himself that his father didn’t approve of. Despite his best efforts, however, he cannot always accomplish this, and there are parts of himself, such as his wandering eye, that cannot be hidden. During his time with the Order of the Chronicles of Sorrowing, Edik should take the duty of writing prophecy with a serious, stoic heir, but despite the suffering in the prophecies he writes, he can’t help but be drawn to the light and goodness in the world. This tendency reflects Edik’s true nature—someone kind, gentle, and caring who isn’t afraid to embrace joy and silliness. Until Beatryce is captured, however, Edik struggles to understand that his true self is the best thing he can be. In Chapter 52, as he parades into the castle yelling about prophecies, he can’t help but enjoy himself and acknowledge that “he had never before so relished his strangeness” (227). This moment marks Edik’s transformation into his true self, shown through the unique way in which this experience affects him. Edik is comfortable in this moment, and that comfort helps him understand that he doesn’t need to be the person anyone else expects of him, because he is enough.
Though Jack is not shown before his parents’ deaths, it is implied that he had a joyful, caring life, evidenced by how his mother risked and lost her life to protect him. Thus, the Jack the reader sees later on—happy and kind—is the real Jack, and the angry Jack is a product of the attack and his consuming desire for vengeance. Though Jack dreams of exacting revenge on the robber, this goal cannot fully claim who he is. He is still the type of child who does cartwheels and whistles, and his journey back toward being this person all the time is helped by the protectiveness he feels for Beatryce. Protecting her when he couldn’t save his parents lets him overcome the guilt he’s carried. Without that guilt weighing him down, Jack is free to be his true self—a person who cares for others, helps those in need, and enjoys life—the person who shines through even while he is angry.
Long before the story takes place, Cannoc was the king, a life he greatly disliked. One day, he left the palace and just kept walking. The farther he got from the castle, the better he felt until he tossed away his responsibilities as king and became free to be what he thought was his truest self. When Jack and Beatryce enter his life, Cannoc realizes that something is missing from his carefree existence. The idea of becoming king again fills him with dread, but he cannot sit by while Beatryce faces her past and the king by herself. To help her, he takes his crown back, but this is not the right path either. With help from Beatryce, he realizes there is a third option, and he becomes a counselor, which allows him to help others without carrying the weight of the crown. As king, Cannoc had unmatched power, but he also felt stifled and unhappy. By giving up the crown, he found his happy nature, and further adding the responsibility of counselor let him feel as if he were doing good in a way that worked for him.
By Kate DiCamillo