28 pages • 56 minutes read
Alice MunroA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Grant is the point-of-view character in the narrative, meaning the events of the story are happening through his eyes. It is through Grant that the reader experiences Fiona’s decline mentally and physically, and it is through Grant’s point of view that the reader experiences his questionable morality. Reading the story through Grant’s eyes illustrates how he is the mastermind behind his own melodrama without realizing it. By setting Grant as the point of view character, Munro shows the perspective of a man who cheats on a wife he claims to love, is not sorry about it, and is forced to accept that he’s not the only one who finds his wife’s company appealing and comforting.
Munro employs irony throughout “The Bear Came Over the Mountain.” Irony occurs when what’s being said and what’s being shown are vastly different. One of the first examples of irony is in Fiona’s description itself. She wears her hair “down to her shoulders, as her mother had done” (287), yet considers herself nothing like her mother. Another example of irony in this story is that Grant starts to believe that Fiona losing her memory is a charade to get back at him for cheating she never learned of and he had never confessed to, especially when her romance with Aubrey strikes up. She appears angelic and gentle, yet Grant believes her capable of trickery and meanness, when, in reality, she is none of these things. She is a woman losing her memory and only has Grant, someone who may or may not love her anymore, in her corner.
“The Bear Came Over the Mountain” ends on a cliffhanger. A cliffhanger is when a story ends without tying up one or more loose ends, leaving the reader wondering what comes next. Munro leaves the ending of this story full of ambiguity and open to interpretation. While Grant announces that he has a surprise for Fiona and asks if she remembers Aubrey, her hesitation indicates that she does not. If a reunion does happen, it is unclear what it might look like considering that she may not remember him. Equally unclear is what, if anything, has transpired between Grant and Marian to arrange Aubrey’s return. The cliffhanger ending rewards Grant in one sense, as Fiona finally remembers him, but ultimately imbues the characters’ futures with a sense of uncertainty and the potential for more emotional turmoil.
Foils in literature are characters that have different personalities that contrast in a meaningful way to reveal something about one or both characters. In this case, foils serve to reveal more about Grant as the point-of-view character. The most prominent foil for Grant is Aubrey. He is a large man with “large, thick-fingered hands” (305), and Grant used to be more prone to pudginess. Aubrey worked a blue-collar job selling weed killer, whereas Grant worked for a university as a literature teacher. Aubrey is portrayed as introverted, quiet, and grumpy, whereas Grant is more social, assertive, and charming. The juxtaposition of these two men serves to highlight Grant’s jealousies and insecurities about his own infidelities, to the point of even questioning if Fiona is sick at all. Aubrey brings out a dark side of Grant by merely existing, and Grant’s interactions with Aubrey and Fiona reveal that maybe Grant isn’t as loyal a husband as he claims.
By Alice Munro