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61 pages 2 hours read

Michael Finkel

The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession

Nonfiction | Biography | Adult | Published in 2023

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Symbols & Motifs

The Blue Plastic Box

As a child, Breitwieser keeps his “favorite things in the world” in a blue plastic container (23). The box comes to symbolize obsession and compulsion when Breitwieser places a shard of lead from a Roman coffin inside. Although he acquires the coffin fragment inadvertently as it breaks off the exhibit, the incident represents the first of many thefts of antiquities. Breitwieser keeps the box into adulthood, adding an ancient stolen belt buckle to its contents. A precursor to the attic (see below), Breitwieser views the blue box as a repository for items he judges to be perfect. His reverence for these objects highlights his preference for possessions over people, as they “never enrage him, bully him, or abandon him” (25).

The Attic

The attic is a motif representing Breitwieser and his psychological state. The locked and shuttered room reflects the art thief’s obsessive nature, delusions of grandeur, and reluctance to engage with the real world. Filling the attic with stolen works of art, Breitweiser views it as his own private museum. The space also serves as a sanctuary from the modern world, which he perceives as coarse and “ugly.” In the attic, he can fantasize that he lives in the Renaissance period—his favorite historical era.

The confines of the attic mirror Breitwieser’s intense and unhealthy relationship with Anne-Catherine, who also lives there. His growing impulsivity and recklessness are reflected in the increasingly claustrophobic room, which becomes crammed with items he obsessively steals. The attic’s decline from a “masterpiece” into a “junkyard” illustrates the gradual deterioration of its inhabitant’s lofty ideals. Breitwieser’s indiscriminate hoarding leads to the mistreatment and breakage of valuable artworks. Once the art thief is arrested, the attic represents his loss of control over events: Breitwieser’s ignorance of the police search and his surprise when the attic’s contents disappear signal the master thief’s downfall.

Adam and Eve

The ivory statue, Adam and Eve, by Georg Petel, is a key symbol in the text. Breitwieser and Anne-Catherine steal the carving from the Rubens House in Belgium at the height of their criminal partnership. Depicting the moment of the biblical couple’s “Original Sin,” the artwork symbolizes Breitwieser and Anne-Catherine jointly succumbing to the temptation of theft.

Finkel uses the motif of Adam and Eve to structure his text. The book begins with the theft of the sculpture and ends when Breitwieser revisits the piece once it is restored to the museum. By framing the narrative with the motif, the author emphasizes the downward trajectory of the art thief’s life. The ivory carving, which once stood at Breitwieser’s bedside, now represents everything he has lost.

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