81 pages • 2 hours read
Sherman AlexieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Junior says he hasn’t fallen completely in love with White people; that he still sees good in Indians. He loves his sister, his grandmother and his parents. Even though his dad has a drinking problem and his mom is eccentric, his parents listen to him. He compares them to absent parents at Reardan, especially fathers, who are present but inattentive.
For Junior, the best thing about Reardan is Penelope and Gordy, and the best thing about Wellpinit is his grandmother because she’s tolerant, embodying the “old-time Indian spirit” by embracing people’s differences (155). She thought it was a great idea for Junior to go to Reardan. She was powwow famous, Junior says, and then he reveals that she was walking home from a mini powwow when she was hit and killed by a drunk driver.
At the hospital, the surgeon tells Junior’s family that Grandmother Spirit’s last words were “forgive him,” in reference to the driver who killed her, a Spokane Indian named Gerald. Gerald serves 18 months in prison and then moves to a reservation in California. Ironically, Grandmother Spirit never drank alcohol because she wanted to be alert to the world around her, with all her senses intact.
Almost two thousand Indians, as well as some White folks, attend Junior’s grandmother’s wake on the football field, and no one bothers Junior. He loves his tribe for giving him peace. Everyone tells stories to celebrate Grandmother Spirit.
Ten hours into the wake, a wealthy White man named Ted with a big suitcase begins to speak. Ted loves Indians, which Junior finds sickening. He includes a cartoon of Ted in expensive clothing that appropriates Indian Culture. Ted is a well-known collector of Indian artifacts, and he explains that one day he bought a beautiful powwow dance outfit from an Indian who stole it. When Ted’s guilt began to weigh on him, he hired an anthropologist, who told him that the dance outfit once belonged Grandmother Spirit. He had hoped to return it to her, but he arrived at the reservation to discover Grandmother Spirit had died.
Junior’s mother goes to accept the outfit, and Ted asks for forgiveness. His mother says there’s nothing to forgive because Grandmother Spirit wasn’t a powwow dancer, and furthermore, the outfit looks more Sioux or Oglala rather than Spokane. Humiliated, Ted packs the outfit back into his suitcase and speeds off. Junior’s mother begins to laugh and so do all the Indians, which Junior says is “the most glorious noise he’s ever heard” (166).
A few days after Valentine’s Day, Eugene is shot and killed by one of his good friends, Bobby, who was so drunk he doesn’t remember shooting Eugene. The police suspect Bobby and Eugene fought over the last sip in a bottle of wine. A few weeks later, Bobby hangs himself in jail. Junior’s father goes on a drinking binge, and his mother goes to church every day; Junior feels devastated, stupid, and helpless. He draws cartoons and looks up “grief” in the dictionary.
Gordy shows him a play by Euripides, in which Medea says the greatest grief is loss of native land, which resonates with Junior. Junior even understands Medea’s impulse to murder her own children. Junior wants to kill himself, his parents, and God. Joyless, he considers dropping out of Reardan, and he misses 20 or so days.
When he returns to school, his teacher Mrs. Jeremy mocks him for missing so much class. Gordy noisily drops his textbook in defense of Junior, and the other students follow suit, walking out of the room. Junior starts laughing because they leave him—the whole reason for their protest—behind. He tells Mrs. Jeremy he used to think the world was broken into different tribes, like Black and White, Indian and White, but now he knows there are only two tribes: “the people who are assholes and the people who are not” (176).
Juniors’ classmates defense of him brings him hope and joy, and he makes lists of other things that bring him joy: people, musicians, food, books, basketball players. He continues to make lists and draw cartoons, calling it his “grieving ceremony” (178).
Junior begins “Red Versus White” by reasserting his love for his Indian family, reminding himself of the “beautiful” things in the Indian community, and including his observations about how Reardan families go through their own struggles. Though the chapter is titled “Red Versus White,” Junior’s assessments of the “red world” and the “White world” demonstrate them both to be complicated communities, and while different from each other in many ways, neither community is wholly “good” nor “bad.” Indeed, Junior feels he has a closer, more meaningful relationship with his alcoholic father than a White father who might be physically present in their homes, but emotionally absent.
The death of Junior’s grandmother comes as a shock to the reader, buried in the middle of the chapter. The experience of reading about her death mimics Junior’s experience of her death in the real world, as it comes seemingly out of the blue. His grandmother’s death forces Junior to reflect on the difference between an “old time Indian spirit” versus an Indian living today, and he cites the ways the old time Indians, including his grandmother, were far more accepting of “eccentricity,” a range of ability, gender, and sexuality. He attributes the fading away of this tolerance not merely to time passing, but to the arrival of White Christians—another way White, racist power structures have hurt Indian culture.
Nearly two thousand Indians attend Grandmother Spirit’s wake, suggesting both the strength of the community and that Grandmother Spirit occupied an esteemed place in the collective imagination, perhaps for her tolerance. The moment with Ted serves as comedic relief for the reader as well as the funeral attendees. Junior includes a cartoon lambasting Ted’s hypocrisy and cultural appropriation, citing the expensive price tags on all his Indian-made or inspired clothing. Much as Grandmother Spirit represented the “old time Indians,” Ted seems to represent Old World Colonialists. His great wealth allows him to take and appropriate what he likes from Indian culture, with little regard for those Indians whom he is actually stealing from. Furthermore, while Ted claims to be knowledgeable and have great respect for Indians, he’s wrong about the origin of the powwow costume, further displaying his ignorance. Junior’s assertion that “when it comes to death, we knew that laughter and tears are pretty much the same thing” illuminates the use of the humor in the book (166). For Junior, laughter and humor is culturally important, a shared value across the community.
The death of Eugene in “Valentine Heart,” is, like the death of Grandmother Spirit, shocking both for Junior and the reader, and it is also alcohol-related. Again, art provides solace here; Junior grieves by drawing cartoons and reading books. Not only has Junior lost two members of the Indian community, he has lost two members who have meant a great deal to him, who embodied what it meant to be Indian. Literature helps him understand his grief more fully: through reading Medea he gains greater understanding of Indians’ cultural losses and understands the grief as a condition of joylessness.
These chapters reaffirm the community Junior feels both at Wellpinit and at Reardan community: when Junior finally returns to school, a teacher mocks him. Junior’s classmates, however, rush to his defense, and Junior notes that Gordy looks like a “warrior,” a word significant for its connotations in Indian culture. Junior also notes that Gordy protects him like Rowdy used to protect him, further putting the characters in conversation. The students’ protest is a double defense: they are defending Junior, and by extension, his Indian culture. The protest moves Junior so much that his “Red versus white” binary breaks down, replaced by his new one: people who are “assholes,” and people who are not.
By Sherman Alexie