logo

56 pages 1 hour read

Vera Brittain

Testament of Youth

Nonfiction | Autobiography / Memoir | Adult | Published in 1933

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 3-5Chapter Summaries & Analyses

Chapter 3 Summary: “Oxford versus War”

Though the newspapers are reporting grim news from Europe, Brittain cannot take the information seriously until Edward appears at home, having arrived from Uppingham in his Officer Training Corps (O.T.C.) uniform. Buxton is suddenly in upheaval as various frightening rumors about Germans and Russians travel throughout the town and anxiety foments. Edward spends an evening with his friend Maurice, during which the two young men discuss enlisting, responding to the “suggestions put forward with such authoritarian impressiveness by the Headmaster of Uppingham and the O.T.C. organizers” (80). Edward receives letters from Roland, revealing Roland’s determination to get a commission, and the Brittain family descends into despair over Edward’s inevitable decision to go to war.

In Buxton, “the ladies of the Buxton élite” (81) seek to organize war efforts as fall of 1914 approaches. These efforts inspire annoyance in Brittain, but she decides to attend first aid classes. She receives word from Roland that his poor eyesight may mean that he will not be able to go to war and that he will attend Oxford. Brittain’s reaction to this news is mixed; she is happy that he will be safe and near her, but skeptical regarding a potential romantic relationship with Roland. As the war creeps closer, the three young men closest to Brittain, Edward, Roland, and a friend from Uppingham named Victor Richardson, known as the “Three Musketeers,” decide not to attend college the upcoming fall, choosing instead to contemplate an immediate future at the front.

At Oxford that fall, Brittain begins to make friends with other women at Somerville College, and she learns to navigate the complex social dynamics of her college. Brittain befriends a young woman named Norah H. When Norah tells Brittain that Brittain is widely considered to have a powerful intellect by the other students, Brittain feels a sense of pride and “mental and moral superiority” (89), and she throws herself into college life with enthusiasm, joining the choir and various clubs and societies that reflect her interests in music, feminism, and literature. In November 1914, Edward prepares to go to the front, and Brittain suddenly feels that the war is nearing. 

In December 1914, Brittain passes her Greek examinations and returns home to Buxton, which is now dominated by military operations. Her parents are uninterested in Brittain’s reports of college life, especially as Edward’s absence and news of raids by Germans transform the run up to Christmas into a woeful and anxious time rather than a joyful one. Edward does manage to come home from his training site for Christmas, the last one they are to spend together as a family. Brittain receives several books from Roland, and they also exchange photographs with each other; they make plans to meet in London at the end of December while they are both in the city for different reasons, “a coincidence seemed to have been specially designed by a benevolent destiny” (93). 

In London, chaperoned by her aunt, Brittain spends many blissful hours with Roland, after which she is finally able to discern her true feelings for him. Roland invites Brittain to meet his mother, a woman Brittain admires for her ability to understand her son clearly. The meeting goes well, and at dinner later the same evening, Brittain and Roland discuss the ways they would prefer to be buried after death, a conversation topic Brittain’s aunt finds appalling. The three go to the theatre after dinner, and both Roland and Brittain realize that they are deeply in love. On the train home on New Year’s Day 1915, Brittain reflects on her time with Roland and longs to have a child with him, a conventional dream she never would have expected as it conflicts with her goals to be a professional writer.

Brittain muses on the circumstances around the blooming of her and Roland’s love for one another, explaining to the reader that social mores of the time force all exchanges between lovers to be supervised. This inability to spend time alone together inevitably leads to subterfuge, and the next time Brittain and Roland see each other, they are finally alone thanks to clever scheming on Brittain’s part. While going back up to Oxford from Buxton in early January, Brittain makes a stop in Leicester, where Roland meets her for a brief time though he is ill. They are unused to being together in this way, so their interaction is stilted, but Roland manages to explain that he will soon be applying for a transfer so that he can go to the front. As well, he will accompany Brittain on the train ride to Oxford. They board a first-class car, and during the journey to Oxford, Brittain realizes that “being alone together was not enough” (102).

Brittain’s spring term at Oxford is full of letters from Roland, one of which announces that their mutual friend Victor has caught meningitis. Roland and Edward go to Hove, where Victor lives, to try to visit him, but they are unsuccessful; Victor unexpectedly recovers, much to the relief of the friends. Brittain’s relief is mitigated by Roland’s determination to go to the front despite his poor eyesight, and the pro-war atmosphere in England at this time exacerbates her feelings of anxiety. At the end of the term, Brittain becomes ill with influenza, and she goes home to Buxton earlier than planned to convalesce as soon as her temperature falls to normal. Because of this change in timing, Brittain receives an important letter from Roland later than he intended for her to receive it; in this letter, Roland announces he is leaving for the front in ten days and that he would like to see Brittain before he goes. Urgent phone calls and telegrams lead to an invitation from Brittain’s parents to Roland, asking him come to Buxton for a night, despite Brittain’s father’s annoyance with the commotion made for a “youth without a farthing to his name” (108).

Brittain’s weakened physical condition means that she is not at her strongest, neither physically nor emotionally, during Roland’s visit. She feels frustrated with Roland, now that he has gotten what he wants with his imminent transfer to the front, and when they discuss marriage, Brittain is dismissive. She admits, in retrospect, her great ignorance around matters of love and marriage at this time in her life. Brittain accompanies Roland to the train station the next day, and he leaves her with “sad, heavy eyes” (111), no longer sure that his hopes for heroism are still as meaningful as they once were. Brittain spends the rest of the morning comforting herself by reading poetry.

Chapter 4 Summary: “Learning versus Life”

Roland goes to the front on March 31, 1915, nearly a year after he and Brittain first met at her home in Buxton. In the months before he leaves for France, he and Brittain exchange a multitude of letters encouraging hope and bravery in each other; just before he leaves, Roland sends her an amethyst brooch. At this point in the war, Brittain explains that the news is scant and the understanding of the unfolding tragedy in Europe is very gradual. Brittain is preoccupied with thoughts of Roland, and she forces herself to study and to be hopeful about his return. During her vacation away from her studies, just before the summer term, she rides her bicycle and thinks intensely about “analogies and distinctions between life and death, soul and intellect, spirit and immortality” (117). Brittain writes to Roland about her musings, confessing to him that she no longer expects to enjoy peace of mind ever again, in any capacity. As Brittain explores philosophical concepts, the women of Buxton organize a volunteer corps of women; though Brittain avoids their activities, she does decide to become a nurse while also studying at Oxford. This decision enables her to feel “at least one step nearer to Roland and the War” (119).

Air-raids in April 1915 and news of gas attacks at the Second Battle of Ypres rattle Brittain’s faith in God. Letters from Roland take longer to reach Brittain, and they contain reports of his own growing anxiety. Brittain’s angst also intensifies, and she begins to worry that even if he is to survive the front, he will return home completely altered by the atrocities he has witnessed. One letter from Roland contains four violets he picked from his dugout, and the tone of the letters from this particular wooded area in France called Ploegsteert Wood are more cheerful. Brittain’s nursing training in Buxton continues, during which she notices a deep and penetrating sadness in the wounded soldiers she meets. 

Brittain returns to Oxford for summer term just as news of Rupert Brooke’s death is announced at the end of April 1915. Somerville College has been converted into a war hospital, so the remaining students transfer to Oriel College, as most of the young men of that college have left for the war. During this term at Oxford, Brittain receives more loving letters from Roland, who is still in Ploegsteert Wood, and she resolves to take part “in the glorious Allied fight against militarism” (125). The term passes without incident, and Brittain is grateful for her tutor’s sympathetic nature. The tutor appears to know that Brittain is vulnerable for being in love, and after the sinking of the Lusitania, the tutor even participates in the preparation of food for the invalids housed in Somerville. Tennis and the study of Wordsworth dominate Brittain’s attentions throughout the summer term, but the chapel services “provided better consolation than tennis-matches” (131). This term at Oxford is Brittain’s last as she decides to pursue nursing full-time. 

After Brittain’s English tutor reads out loud from the first edition of Rupert Brooke’s collection of sonnets titled 1914, Brittain finds she reads Roland’s letters differently and that the letters become more realistic to her. The weighty matters of life and death contrast with the small issues of college rules and expectations, and Brittain cannot focus on both. Towards the end of the term, Brittain spends time with Edward, who has been in the south of England all summer. They talk of the possibility that Edward will have to go to the Dardanelles, where many young men from Buxton have already died; though these deaths of local friends and acquaintances do not bode well for Edward, who describes himself as “a lover of peace” (136), he feels optimistic about Roland’s survival. 

Though she enjoys her Oxford life of the mind immensely, Brittain decides to give up her academic ambitions and commit herself to voluntary nursing after she passes her last round of exams. Roland’s mother writes to Brittain to express her approval of this decision while Brittain hopes that she will eventually be able to work in France, closer to Roland. In June 1915, Brittain, having returned to Buxton, begins work at the Devonshire Hospital. Here, Brittain gains a different kind of education as she tends to wounded men and partakes in activities that are brand new to her; though her cooking skills are lacking and her experience with male nakedness nonexistent, Brittain adapts so well and works so tirelessly, she gains “approval from most of the nurses” (144). One night, Brittain dreams of Roland, and in her dream, she receives news of a man’s death; she feels sure the news concerns Roland, but the piece of paper proving the truth has another man’s name on it. Brittain wakes up “in a kind of ecstasy” (146).

With her two friends from St. Monica’s, Mina and Betty, Brittain plans to work at an Army hospital in Camberwell in London. Mina eventually changes her mind, but Brittain presses on with her efforts to transfer to London, eager to leave the company of an unpleasant new addition to the Devonshire Hospital staff. A new Sister-in-Charge grates on Brittain, and her behavior offers Brittain insight into the importance of good leadership when it comes to the feminist movement. As usual, Brittain finds solace in writing to Roland, whose poems and reflections on his wartime experience reassure Brittain that some measure of his true self is surviving. 

In August 1915, Roland unexpectedly obtains leave, and he comes home to England. Brittain plans to meet him in London, and thanks to the omnipresence of unsupervised “girl war-workers” (154), Brittain is able to travel alone to spend an entire day with Roland. Their meeting at St. Pancras train station is awkward and deeply emotional; they decide Roland will return to Buxton with Brittain that evening, and then the following morning, they will travel together to Lowestoft to spend the weekend with Roland’s family. While on the train to Buxton, Roland suggests they become engaged, which leads the young couple to argue. Neither Roland nor Brittain enjoy the prospect of diminishing their love into a mere “category […] labelled with a description regarded as ‘correct’” (157), but eventually they agree to be engaged after much intellectual discussion of the meaning of love. In Buxton, they do not tell Brittain’s parents, but at a lunch with Edward and Victor back in London on their way to Lowestoft, they announce their news. Their time together in Lowestoft brings more emotional turmoil, but Roland and Brittain do enjoy their time together before they return to London to go their separate ways. As Brittain prepares to board her train home, she remains stoic, but Roland is in tears.

Upon her arrival home, Brittain learns that Edward has just that day been sent to the front. She goes to work at the hospital the next day overwhelmed by grief and anxiety for the two men she loves most. After work, Brittain learns from her parents that though Edward’s regiment is on their way to France, Edward has been left behind by his colonel, a humiliation that no one can explain. 

Brittain spends the rest of the month of August and all of September working and writing to Roland, reading poetry and the newspapers. Finally, in October, several months after Brittain decides to work in London, she receives news of her appointment at the 1st London General Hospital in Camberwell.  

Chapter 5 Summary: “Camberwell versus Death”

Brittain’s new accommodations at the hostel in Camberwell are inadequate, and she finds them a shock after the comforts of her home in Buxton. Minimal hot water and a lengthy commute on foot combined with long hours at the hospital mean she, like the other nurses who live at the hostel, are unable to bathe regularly; significant discomfort and illness prove to be inevitable. Brittain reflects that this “cheerless reception” (185) is regrettable, but the attention a warmer reception requires seems to have been invested in the running of the hospital itself. Brittain dreams of encountering Roland at the hospital and treating him herself, but such fantasies soon give way to the horrifying realities of tending to gangrenous wounds and mutilating amputations. Just as at Devonshire Hospital, Brittain’s only relief from her work are her letters to Roland and his letters to her. 

After a month of working in Camberwell, Brittain and Roland exchange letters in a series she describes as “an epistolary quarrel” (189), the only one they ever have in their entire relationship. Roland first writes of how his growing preoccupation with life at the front explains his recent infrequency and brevity of letters; at first, Brittain is gentle when reminding him that the war will eventually end. When, however, she receives letters from Roland that show they are growing apart due to his preoccupations, she grows angry and tells him so. Roland continues to write to Brittain but he does not apologize for several weeks, during which Brittain visits his family at Lowestoft while recuperating from a brief illness; when he does respond to her words and acknowledges her frustration, equilibrium is restored.

In November, after Brittain’s first five weeks at the hospital in Camberwell, she is offered a six-month contract, which brings Brittain pride in her work. On her time off, she enjoys London, and she finds that the city makes her think of Roland in many ways. Roland writes of his intention to take leave at the end of December, and he is due home on Christmas Day. Brittain is able to coordinate her time off so that they can both be home at the same time. As Brittain anticipates this time with Roland, they exchange tender and deeply hopeful letters, writing of beauty and the future with optimism and joy. Brittain goes shopping for new clothes in London and makes efforts to ensure that “the stage seemed perfectly set for his leave” (206). As Christmas Day approaches, she receives no word from Roland. On the 26th, Roland’s sister Clare calls her at her home in Buxton with the news that Roland has died of wounds to the stomach two days before Christmas.

Chapters 3-5 Analysis

These three chapters memorialize two significant experiences in Brittain’s life: her brief but intense relationship with Roland Leighton and her single year at Oxford University studying English. Both end prematurely, changing Brittain and the course of her life irrevocably, highlighting the thematic relevance of the impact of the war on Brittain and on women in England in general.

Brittain’s thorough descriptions of her sense of elation at the start of the war, inspired by her love for Roland and the stimulating learning atmosphere at Oxford, are juxtaposed against her growing sense of anxiety as her closest male friends and her brother leave England for the front in France. This comparison heightens the intensity of emotion Brittain communicates to her reader through vivid imagery, interspersed passages from letters she writes to Edward and Roland and receives from them, and verse of poetry that capture the spirit of her experience more succinctly than statements in prose. The acts of reading and writing poetry, as well as letters, provides Brittain and Roland with comfort and hope, another important theme that weaves throughout the entire autobiography. Brittain’s reliance on her diaries and letters of this time period is apparent, and she includes excerpts that enhance the personal tone of her writing; also seamlessly placed are her mature reflections and musings regarding various events in her youthful past, which are positioned alongside her retellings of the events in such a way as to enhance the reader’s understanding of each situation.

Brittain’s feminist leanings are introduced in more detail as the war creeps closer to Buxton and inspire the women of Brittain’s village to take action. The impact of the war on women is a significant theme that runs throughout the autobiography, and Brittain describes this impact in personal and in philosophical terms. Brittain’s tone is contemptuous as she describes the efforts of local women to contribute in what she sees to be futile, superficial ways. Her decision to interrupt her studies to become a Voluntary Aid Detachment nurse is decisive and self-sacrificial, which lends weight to her critiques of other women, whose efforts appear less selfless for their predictability and lack of personal disruption. Brittain’s decision to begin nursing also reflects the idealism and patriotism she eventually loses as the war progresses; she, like the men in her life, feels at this time that any sacrifice they must make for their country is worthwhile. Brittain makes the ultimate sacrifice, however, when she loses lover, brother, and two dear friends, and the outcome of this situation is dramatic as she eventually directs the powers of her intellect towards pacifism. 

At times, these chapters of Brittain’s autobiography read like a novel because Brittain employs literary devices typical of works of fiction to enhance the pathos of these emotional chapters. In particular, the dramatic structure of the narrative of her love affair with Roland can be identified and analyzed: the tension rises as Brittain begins to realize her feelings for Roland, just as war breaks out in Europe, and the suspense builds when they see each other, chaperoned by her aunt, in London. Details of minute decisions as well as Brittain and Roland’s personality flaws all become more meaningful against the backdrop of war and uncertainty; the final moments of their story take place during Christmastime, an emotionally rich time even without the presence of a war. The narrative climaxes at the moment Brittain expects to hear Roland’s voice on the phone, shortly after Christmas. Rather than his voice, full of love and promise, she hears the voice of his sister Clare, announcing his death and the end of Brittain’s dreams of love and lifelong mutual respect. 

blurred text
blurred text
blurred text
blurred text