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53 pages 1 hour read

Alix E. Harrow

Starling House

Fiction | Novel | Adult | Published in 2023

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Chapter 26-EpilogueChapter Summaries & Analyses

Chapter 26 Summary

After fighting two more beasts, Arthur knows that he made the right choice by giving Elizabeth his three keys to various parts of the house. He knows that once he finds the fourth key, which unlocks the door in the basement, he will be able to go to Underland; in fact, he plans to die there. Suddenly, he hears Opal at the front door, and is shocked to realize that he did not sense the moment that the gate was opened. Arthur pulls Opal inside and kisses her, and they have sex.

Opal spends the night at Starling House and dreams about the river in which her mother drowned. She finally remembers that Arthur was there that night; he was the one who pulled her out of the water. She realizes that she did not let go of her mother’s hand, as she always thought she had. Instead, she was pulled away. Knowing this, she now feels less guilty about her mother’s death. She tells Arthur about the letter she stole and asks him why he stayed at the house when he didn’t have to. She realizes that the two of them have more in common than she once thought.

Chapter 27 Summary

Opal awakes to find Arthur gone and sees the mist rising outside. He left his sword with her, along with a will that leaves everything to her, including the deed to Starling House. She realizes that Arthur has gone to the Underland and does not intend to return. When she asks the house what to do, the sun shines on the sword. She cuts her hand with the sword, dripping her blood onto the house. She feels a bond forged between her and the building as she officially becomes the Warden.

Arthur senses the moment when Opal becomes the new Warden and asks the house to do better for her than it did for him. However, he is still determined to go to the Underland alone.

Chapter 28 Summary

Opal feels the beasts coming into the house and begins to head down to the basement. She realizes that Arthur has opened the door at the bottom of the stairs and locked it behind him, but she also knows that because the beasts are still above ground, the door can be opened for them again. She senses the presence of Elizabeth and others who are coming up the drive and are surrounded by the beasts. She debates whether or not to help Elizabeth. Just as she is about to swing her sword at a beast, she remembers the dedication of The Underland in which Eleanor told her readers to befriend the beasts. (Opal had been trying to convince Arthur to do this, and her urging has convinced him to go to the Underland himself.) She now recognizes that she must do the same if she wants to save herself and others. Thinking back to the various stories of Starling House, particularly that of Nathaniel Boone, Opal realizes that the Gravely mines conceal a second entrance into Underland. However, to reach Gravely land and find the other entrance, Opal must jump into Mud River: something she has not done since the accident that killed her mother.

Chapter 29 Summary

Opal makes her way into the Gravely mine, where Nathaniel first saw the crack in the earth that Eleanor called the Underland. Inside, she sees a river and catches a glimpse of both Arthur and Eleanor Starling. She recognizes that she must drink the water from the river in order to enter the Underland, and she does so. Once there, she finds Arthur; he is standing in front of Starling House with the sword in his hand, just like she did the first time she saw a beast. Gazing at the house, they see a young girl in the window, and Opal recognizes her as both Nora Lee and Eleanor Starling.

Chapter 30 Summary

Once again, Arthur tells Opal to go. She runs to the house with his promise that he will survive his upcoming fight with the beasts. Opal goes up to the attic, where she finds Eleanor as a little girl with a beast sitting behind her. Speaking with an adult voice, the child Eleanor tells Opal that the waters of the river give form to the monsters she created. Opal asks why she made the monsters and promises to listen to Eleanor’s story.

Eleanor tells the story of her mother, another Eleanor, who married a Gravely. However, he left her as soon as her vast wealth was put in his name. He then used the money to fund the Gravely company with his two brothers, and young Eleanor (the future author of The Underland) was eventually sent to live with them. Her father and uncles were cruel to her, and she refused to mourn her father when he drowned. This lack of grief led others to believe that she killed him herself. All the money that used to be her mother's was then transferred to Eleanor, who was a few days away from reaching the age at which she would legally be allowed to inherit it. To prevent this from happening, her uncle devised a scheme to marry her and list her name in the papers as something other than Gravely. Everyone in town willfully adopted his false version of the story. On her wedding night, after hearing Nathaniel’s story, she ran to the mine, and her uncle followed. There she drank the river water, and the monsters she dreamed of become real. She built Starling House above the crack in the earth, and one day, the final Gravely brother came to her house to claim her land and threaten her safety. That night, she wrote a note to warn Nathaniel, knowing that he was the only one who did not deserve what would happen when she released the beasts in Eden. She then went to drink the waters of the river once again, thinking of the Underland as her home instead of remaining at Starling House. 

Chapter 31 Summary

Back in the present moment, Eleanor tries to convince Opal to stay with her, observing that she too has been shunned by everyone in her community. Expecting Opal to revel in the same anger that she once felt, Eleanor tries to convince Opal that she does not need Arthur. However, Opal knows that she wants him and would still be part of a family even without him. Opal tries to convince Eleanor to leave the Underland, but Eleanor refuses to leave until all the Gravelys are gone. Recognizing that the only monsters in Underland are the ones she makes herself, Opal realizes that if she remembers what she wants, she can arrange for it to manifest.

Once Opal allows herself to desire something, the Underland transforms into her room at the Garden of Eden Motel. Attempting to thwart Opal’s efforts to take control, Eleanor sets the motel on fire, and outside, Opal sees the whole town turn their backs on her, including Jasper. However, she knows that the scene is not real. Opal continues to focus on her happiest memories, and Eleanor continues to try to ruin them. The setting abruptly shifts to Starling House, and Opal tells Eleanor that it is no longer her house; instead, it has become the chosen home of many generations of Starlings. When Opal asks Eleanor why she stayed in Eden, Eleanor states that she had nowhere else to go. Opal tells her that they are both Gravelys and emphasizes that the men who originally hurt Eleanor are long dead, and her book, The Underland, is now loved by many. Opal promises to tell Eleanor’s true story, despite how messy it is, but Eleanor is convinced that no one will believe her. Opal tells Eleanor that she deserves better, and Eleanor’s rage wavers as she fears she has already done too much harm to Eden. Regardless of what is happening above, Opal knows that Eleanor must rest, so she sings her to sleep, sending her away from both Starling House and the Underland. 

Chapter 32 Summary

With Eleanor’s spirit laid to rest, Starling House’s appearance reverts to the version that Opal is familiar with, and Eleanor’s beast now looks like the “hellcat” that Opal brought to Arthur from the motel. However, the ordeal is not yet over, for when she looks outside, she sees that Arthur has also reverted to child form and stands surrounded by the graves of all the people he could not save during his tenure as Warden. Realizing that Arthur is in his own version of Underland, Opal calls his name to pull him out of his dreams. Arthur again tries to tell her to leave, but she explains that the Underland is really just a reflection of their dreams. She takes the sword from his hand and convinces him to focus on good dreams instead of living in his nightmares.

Epilogue Summary

That night, Eden seems to use up the last of its bad luck as the river floods and injures many people. Afterward, the mist rarely rises again. Gravely Power still plans to expand, but Charlotte discovers the will that Don Gravely thought he had destroyed: the one that gives all of the family wealth to Jewell. Yet neither of Jewell’s children can be found, and Arthur has also disappeared, leaving Starling House vacant. The Gravely power plant ends up closing, and Don Gravely’s remaining money is used to fight the lawsuits that Charlotte and Bev bring against him. As Starling House decays and falls into further disrepair, the townspeople believe that a new Starling will show up to claim it, but no one does until suddenly both Arthur and Opal return. The town continues to gossip about the Starlings. The main rumor is that the two are writing a story. When questioned about it, Opal says only that the story is “a true one” (340).

Chapter 26-Epilogue Analysis

In Chapter 30, Opal finally hears the complete story of Starling House from Eleanor Starling herself, but ironically, the final revelation is something of a letdown, for even after Opal learns the full story and sees the “truths and lies all lying one atop the other,” all she can think to herself is, “That was it” (314). The anticlimactic nature of Opal’s discovery robs the local lore of the mystique of supernatural forces, for although the magic of Underland does indeed exist, it reveals itself to be an elusive trick of mind, memory, and unresolved trauma. The beasts, far from representing an independent force of malevolence, are merely the manifestations of the “vicious, lonely little girl sitting in front of” Opal (314). And just like the beasts of the Underland, the true story of Starling House was itself built on the shaky foundations of a young girl’s suffering and rage; the attacks that have plagued Eden down through the generations are born of Eleanor’s enduring belief that no one would listen to her or believe her story, and thus, the climax of the novel puts a dark and sinister spin on the recurring theme of Using Dreams as Motivation. Not only does Eleanor’s version of the story reveal just how deeply her narrative has been corrupted by those in power and those who have survived her, but it also points to the social disenfranchisement that lies at the heart of the novel. Like Eleanor, all the main characters suffer deep insecurities and believe themselves to be outsiders in their community. Of all the stories told about Eleanor throughout the novel, her own version, The Underland, represents the closest possible version of the truth, for despite its fictional nature, it nonetheless emphasizes the feelings and experiences that drove Eleanor to unleash her beasts upon the town for generations.

Eleanor’s story, like all the others, highlights The Interplay of Truth, Stories, and Power and exposes the uncomfortable truth that social narratives are systemically controlled by those who are fortunate enough to hold positions of power. Her story reveals just how powerless she was, like her mother before her, emphasizing the cyclical oppression which led to the horrors she suffered at the hands of the Gravelys, for Eleanor’s uncle actively used false narratives to rob her of her family name and fortune and subject her to a deeply dysfunctional situation. It is particularly telling that the people of Eden believed him and “simply told themselves a different story, one that was easier to believe” (308), thereby rejecting the necessity of Grappling with the Past and instead constructing a more palatable, revisionist history that allowed them to gloss over the unspeakable crimes in Eden’s background. Just as Eleanor’s community believed the man who had wealth and power over a powerless 17-year-old girl, the people of Eden continually chose to believe the Gravelys’ story over Eleanor’s own narrative in The Underland because it was easier to forget the horrors of the past, This mindset remains relevant even in Opal’s time, for the same family holds sway over Eden and wields the power to manipulate and falsify the dominant narratives that the town lives by. Accordingly, other agents of the Gravelys, like Elizabeth and Constable Mayhew, continue to corrupt any narratives they choose. However, once Opal makes the brave choice to embrace her role as the Warden of Starling House, she finds the courage to bring the true narratives to light and thereby rob the old lies of their power. Thus, in the epilogue of Starling House, the old pattern of lies and manipulations begins to shift, and both Arthur and Opal actively encourage this transformation by writing a new story that tells the truth and incorporates all the stories told about Eleanor.

In a similar pattern of transformation and healing, Don Gravely’s burning of his brother’s will and the pollution caused by Gravely Power finally come to light, leading Eden to reconsider their favorable view of the powerful family.

At the climax of the novel, Opal finally begins to recognize what is important in life and consciously makes the choice to pursue it. The theme of Using Dreams as Motivation plays heavily into this final section of the novel, for Opal recognizes that although she does not need Arthur or Starling House, she wants them to be a part of her life; thus, she finally chooses to pursue her own dreams and desires, and this leads her to make the courageous choice to follow Arthur to the Underland. Realizing that the Underland is a veritable dreamscape that consists of nothing but desires, Opal conjures up her happiest memories and the places she wants to revisit, but despite this willing attempt to manifest dreams as reality, her efforts are not enough to rescue Eleanor from her hopeless entrenchment in the horrors of her past. Opal has managed to heal herself, but Eleanor cannot, and the contrasting struggles of both characters highlight different aspects of Grappling with the Past as both characters make the choice to move on from their pasts in different ways. Eleanor especially struggles with the idea of forgiving and forgetting, but Opal validates the girl’s decision to do neither, merely telling her, “You deserve better, Eleanor” (326). This statement finally gives Eleanor the permission she needs to let go of her anger and be at peace. Opal similarly moves on from her own past and helps Arthur to do the same by letting him know that he can choose any future he wants to. Once the characters make the choice to embrace the future, the beasts start to leave Eden, and this pattern implies that the beasts themselves are merely manifestations of the characters’ fear and sense of powerlessness and entrapment. Upon taking control of their own lives, the protagonists witness the beasts fade away entirely. 

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