58 pages • 1 hour read
Orson Scott CardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ender is the protagonist of Speaker for the Dead. Biologically, he is 36 years old, but he has been alive for 3,081 years. Most of those years have passed while Ender was traveling at the speed of light in starflight. Ender’s experiences and age supply him with a unique perspective, as he has witnessed how society has changed over thousands of years.
As a child, Ender was coerced into unknowingly exterminating the formics. Despite his ignorance, Ender blames himself for the xenocide. He knew that using the Little Doctor was morally questionable, which is why he used it in what he thought was a simulation of the Bugger Wars; he hoped that the military leaders would leave him alone if he did something so drastically immoral. As a result of this accidental xenocide, guilt becomes one of Ender’s primary character traits. His other primary characteristic is his empathy: “It was as if he were so familiar with the human mind that he could see, right on your face, the desires so deep, the truths so well-disguised that you didn’t even know yourself that you had them in you” (173). Ender uses these two traits to his advantage; he becomes the original Speaker for the Dead, and he uses his platform to atone for his guilt and to inspire empathy in others. Through this, Card stresses the moral importance of empathy.
Ender’s main weakness arises from the combination of his strong need for human connection and his inherent isolation. The need for human connection is portrayed as a universal biological need. Ender’s isolation is unique to the character. In many ways it is self-imposed. Ender was a celebrated hero before he published The Hive Queen and the Hegemon, and by writing the book, he caused society to hate Ender the Xenocide. Ender has also spent his entire adult life hopping from planet to planet, so he has not formed any long-term connections with anyone other than his sister, Valentine. His character arc is based on his desire for connection. He can leave Valentine behind because their connection has already dwindled since her marriage to Jakt and because he feels drawn to Novinha. After meeting the Ribeira family, he realizes that he also wants to be a father, in part to make up for his emotionally distant relationship with his own parents: “He already loved another man’s children more than his parents had loved their own child. Well, he’d get fit revenge for their neglect of him” (278). Ender does not want a life of fame; he wants the happy, domestic life that he did not get to experience during childhood.
Novinha, or Ivanova, is the daughter of Cida and Gusto, or Os Venerados, the creators of the Colada. She is also the mother of Miro, Ela, Quim, Olhado, Quara, and Grego, the widow of Marcão, and Libo’s lover. At age 13, she takes and passes the exam to become the only xenobiologist in Milagre, and she later trains her eldest daughter, Ela, as her apprentice; however, she bars Ela from taking the exam and becoming a full-fledged xenobiologist. Although Novinha loves Libo, she marries Marcão to prevent Libo from reading her secret Descolada files. She resents Ender when he first arrives, but as she comes to know him better, she falls in love with him. Her characterization is similar to Ender’s; both carry extreme guilt and are empathetic, but their methods of managing their guilt are opposed. Where Ender uses human connection to assuage his guilt, Novinha uses isolation. She isolates herself and her work to prevent others from dying.
Novinha is a multi-faceted character. In some ways, she is a deuteragonist. She is desperate for love and connection but avoids intimacy to prevent future pains. However, she can also be interpreted as an antagonist. She is emotionally distant toward her children—as Ender’s parents were toward him—and she elects to stay with abusive Marcão even though he inflicts emotional and mental harm on her children. Novinha also refuses to share critical information, and in doing so she prevents and delays important research. Despite her antagonistic traits, Novinha has redeeming qualities: Having endured great trauma, she is fiercely protective of those she loves.
The Ribeira family includes Novinha, her deceased husband Marcão, and the children they raised together: Miro, Ela, Quim, Olhado, Quara, and Grego. The Lusitanians believe Marcão is the children’s father, but Marcão was infertile because of the Descolada virus—a progressive, fatal illness. Libo fathered all six children, and during his speaking of Marcão’s life, Ender notes that Marcão’s anger at this situation contributed to his abusiveness.
The Ribeira children inherited their strongest characteristics from their parents. They all received their Novinha’s intelligence. Miro, a 19-year-old xenologist, is considered the most intelligent individual on Lusitania. He mirrors Ender’s calm, compassionate nature, but like Novinha, he is prideful, which leads him to reject the idea that the pequeninos are telling the truth about talking to fathertrees and to fall into defeatism after his brain injury. Ela follows in Novinha’s career footsteps, but she rejects her mother’s secrecy and isolation. Quim, like Miro, is prideful and judgmental; he is also intensely devout. This combination results in his cruelty toward Ender and Novinha after the speaking. Olhado, who received mechanical eyes after a childhood injury, is self-isolating. However, his isolation fades as he grows closer to Ender. Quara is similarly isolated, though her isolation appears through her unwillingness to speak outside the family. Grego, who is six, idolized his father, like many children do, and he copies the violence and cruelty he witnessed his father inflict on the family.
The Ribeira family is significantly influenced by Ender, whose presence lessens the severity of their character flaws. Although Novinha and Quim are resistant at first, they come to love Ender. Novinha’s transition appears directly through the plot, and Quim’s is shown indirectly through comments made by other family members. Olhado becomes more involved, Quara more talkative, and Grego less aggressive, and they all become less isolated and happier.
The Figueira family includes Pipo, Libo, Libo’s widow Bruxinha (Cleopatra), and Libo and Bruxinha’s three daughters, one of whom is Ouanda. Pipo, Libo, and Ouanda are xenologers who study the pequeninos and other lifeforms native to Lusitania. Bruxinha is the daughter of the Arbiter. She appears briefly during the speaking for Marcão, when she and her daughters leave after learning that Libo fathered Novinha’s children.
The Figueira family members are side characters who develop the plot and characterization of the other characters. Pipo and Libo both become close to Novinha, showing that beneath her self-isolation she longs for connection. Their interactions with the pequeninos develop the theme of The Importance of Cross-Cultural Empathy. Pipo follows Starways Congress’s guidelines, but Libo and Ouanda, along with Miro, become more attached to the pequeninos and share human technologies with them to help them thrive. Pipo and Libo’s deaths contribute to the conflicts within the plot, and Pipo’s death is the catalyst that inspires Ender to leave Trondheim for Lusitania. The relationship between Ouanda and Miro demonstrates The Need for Truth and Reconciliation, as the revelation of Marcão’s infertility leads to their realization that they are siblings and their romance is thus impossible.
Jane is a unique lifeform—an aiúa—that can be compared to artificial intelligence. She exists in the ansible, which is a computer network that capitalizes on the philotic system. Although Jane has no true physical form, she uses the image of a young woman to portray herself: “Young, clear-faced, honest, sweet, a child who would never age, her smile heartbreakingly shy” (45). Jane is highly intelligent and rational, although, unlike a computer, she is capable of nonrational thought. She is also flirtatious and sarcastic. Most of Jane’s energy is focused on tracking and interacting with Ender through the jewel device implanted in his ear. When he temporarily shuts off the jewel, Jane is injured, but she rebuilds her strength and no longer ties herself to Ender’s identity. Through this, Jane becomes more independent.
Although she is a side character, Jane provides the catalyst for the climax of the novel. Jane notifies Starways Congress of the xenologers’ impact on pequenino society. She does not do this to hurt the xenologers or the Lusitanians but to cause a disruption to speed Ender’s progress. Her hope is that Ender can inspire society to accept the pequeninos as raman, as he did with the hive queen, so that someday humanity will be prepared to accept Jane’s existence.
The pequeninos are the native sentient species living on Lusitania. They are intelligent and creative, but their technologies are more primitive than those of humans. They have a unique lifecycle that occurs in three stages: a larval stage during which they live inside mothertrees, a pequenino stage, and a tree stage. They also live symbiotically with the Descolada, which, it is theorized, caused the merging of plants and animals found on Lusitania.
The most prominent pequeninos in the text are Rooter, Human, Leaf-eater, Mandachuva, and Star-looker, the only named female pequenino appearing in the text. Rooter is taken into the third life shortly before Pipo is killed. It is later revealed that Pipo and Libo were supposed to take Leaf-eater and Mandachuva into the third life by cutting them open and planting their organs; however, not understanding the pequenino’s biology, the xenologers refused. To complete the treaty between the humans and pequeninos, Ender takes Human into the third life.
Starways Congress is the authoritarian body governing humanity. They rose to power less than 2000 years ago after humans learned about starflight by studying the hive queens.
Starways Congress is the primary antagonistic force in the text. They established the rules of minimal contact between pequeninos and humans, which is presented as a means of oppressing pequeninos so they can’t become technologically advanced enough to threaten human superiority. The Congress’s authoritarian control is demonstrated through their response to discovering the influence humans have had on pequeninos. They demote the mayor and governor, Bosquinha, and they raid all the Lusitanian files, which they are able to do by having classed the colony as an experiment. Lusitania’s eventual defiance of the Congress is a means of exploring the theme of Authority and Rebellion, as the inhabitants of the planet must work together to resist the Congress’s authority if they wish to survive. The Congress’s antagonistic role is complicated by their good intentions—they do not want to kill the Lusitanians; they want to prevent the spread of the deadly Descolada virus. This, in turn, suggests that good and evil are relative or illusory.
By Orson Scott Card