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75 pages 2 hours read

Patricia McCormick

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Fiction | Novel/Book in Verse | YA | Published in 2006

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Pages 1-51Chapter Summaries & Analyses

Pages 1-51 Summary

Content Warning: These Chapter Summaries & Analyses discuss upsetting topics, including child sex trafficking, the commercial sexual exploitation of children, physical abuse, and death by suicide.

Thirteen-year-old Lakshmi helps her mother, Ama, hang laundry while Ama laments that their roof is leaky and needs to be fixed. Wealthier neighbors have tin roofs that keep the rain out and last longer, but Lakshmi’s family cannot afford such a roof because her stepfather has lost function in one arm, rendering him supposedly unemployable. He also has a gambling problem. (Lakshmi’s biological father has died.) Lakshmi wants to go to the city and work as a maid for a wealthy family, like her school friend, Gita, but Ama wants Lakshmi to stay in school. The main source of income for the family is their garden of vegetables and their rice crops, which they sell to make money. Lakshmi’s parents have already arranged for her to marry a shy boy named Krishna, and Lakshmi likes him and daydreams about their future together.

Lakshmi’s family lives in a remote mountain village in Nepal, which she has never left, and she knows little about the world beyond. She completes chores every morning, accompanied by her affectionate goat, who sometimes even follows her to school. Ama says that they are lucky to have a man in the family, even though he never works and gambles away the money that Ama and Lakshmi earn. The men he gambles with compare daughters to goats, seeing them as only useful for profit, and not worth getting emotionally attached to (as opposed to sons, who are worthy). Death and disease are common. Each season comes with different chores and different dangers: cold, fever, flooding, drought, crop failure, “coughing disease,” and more. Women climb mountains to find firewood and make ink from tree sap. Some houses, like Gita’s, have modern technologies like electricity, but not all. Lakshmi has a baby brother, but her family tries not to get too attached to him yet because they know that infant death is very common; four other siblings of hers have already died.

Lakshmi gets her first period and must stay confined in the goat shed for seven days until she has “purified.” That evening, her mother visits to explain the new social rules that now apply to her. Lakshmi must stay covered with her shawl, avoid eye contact with men, and avoid being alone with any men other than family members). She is instructed that if she looks at vegetables during her period, they will rot. Later, when she gets married, she will not be permitted to eat until after her husband is finished, and which point she can have his leftovers. She must always sleep with him if he wants to and must hope to bear a son, whom she should breastfeed until he reaches the age of four. If she has a daughter, she should only breastfeed her for a few months so that she can get pregnant again more quickly and try to bear a boy. Lakshmi asks why being a woman involves so much suffering, and Ama says that simply to endure is enough. Lakshmi spends the seven days daydreaming about her future with Krishna, although she has to wait until the following year until a date will be set for the wedding. (The novel never states how long it will be until the actual wedding). She admires Krishna because he is athletic, silly, and shy.

The dry season arrives, and 50 days pass with no rain. Lakshmi and Ama both make 20 trips down the mountain and back up to gather water, while her stepfather naps wearing nothing but a loincloth. The village headmen start rationing water, and 10 additional days pass with no rain. Ama makes offerings to the goddess and prays for rain. Lakshmi’s stepfather says that if much more time passes without rain, Ama will have to sell her earrings, which she has been saving as dowry for Lakshmi’s wedding and would never before have considered selling. The next morning, Lakshmi’s stepfather is missing, and so are her cucumbers—he has gone to sell them to Bajai Sita, a trader woman. She and Ama water the other plants in silence.

Finally, the rainy season arrives, and Lakshmi’s baby brother is still alive and seems delighted at the sound of raindrops leaking through the roof into pots and pans. This turn of events improves Ama’s mood. One night, Lakshmi’s stepfather goes out to gamble at the tea shop. Ama smokes one of his cigarettes and gives Lakshmi some popcorn. Both of them consume their special treats while daydreaming about the future, hoping to one day be able to fix the roof, buy fabric for new dresses, eat cakes, and acquire other simple pleasures to enjoy together.

The rainy season turns into a monsoon that lasts eight days. Everyone says it is the worst monsoon season in years, and the headmen pray to the holy man, asking it to stop. The heavy rain destroys Lakshmi’s family’s rice crop, devastating Ama. Lakshmi’s stepfather announces his plans to travel two villages over to ask his brother for a loan. After he is gone for eight days, Lakshmi wonders whether he will ever come back. Ama says that she is going to the village to sell the family’s chickens; the baby is getting fussy from starvation, although Ama and Lakshmi are used to not eating for a while. When Ama returns, the earrings are gone too. People come to the door to collect money; the landlord wants rent, and various other people want loans repaid, so Ama doles out the cash. With the money left over, they buy lentils and rice to eat and give the baby fruit and curds, making him healthy and happy again. However, Lakshmi worries, because the money will run out eventually, and she also assumes that her stepfather most likely still has debts to pay, especially to the owner of the tea shop where he frequently gambles.

Lakshmi’s stepfather finally returns wearing a fancy coat and hat, which he won while gambling. The Festival of Lights arrives, and the community honors crows, dogs, and the goddess Lakshmi (for whom the protagonist is named) for several days with various rituals and offerings. On the night to honor Lakshmi, the stepfather says it is a lucky night for gamblers and goes to the tea shop. Ama slips Lakshmi a coin and tells her to buy herself a cake like the other kids. Lakshmi objects, saying that she is no longer a child and doesn’t need a cake, but her mother says that she is a child for tonight. While Lakshmi eats the cake, a woman from the city tells Lakshmi that city girls have pretty dresses and eat cakes and fruit every day. When Lakshmi asks the woman whether she is a maid, she doesn’t answer, but she does ask whether Lakshmi would like to come with her to the city, referring to herself as “auntie.” Lakshmi returns to Ama but is afraid to tell her about the woman.

Lakshmi’s stepfather returns with a motorcycle, something Lakshmi has never seen before, and Lakshmi cannot see how it might be useful. Ama whispers that maybe they can trade it to Bajai Sita for food and supplies that they actually need. However, the next day, Lakshmi’s stepfather goes to the tea shop to boast about his motorcycle and new clothes but returns that evening with none of these things. The next morning, Ama cries and won’t get out of bed. When she finally gets up, she says that her husband has decided that Lakshmi must go work as a maid in the city. Lakshmi is pleased at the idea of sending money home so that her family can buy a new roof and other necessities. Ama explains the “city rules” to Lakshmi, including the specific ways that maids are expected to clean and when they are allowed to sleep and eat. She says that maybe Lakshmi will be able to visit home next year during festival season.

Pages 1-51 Analysis

Lakshmi is 12-14 years old throughout the text, and her age is unusual for the protagonist of a young adult novel, for children tend to “read up,” meaning that they prefer their protagonists to be slightly older than they are. Therefore, protagonists in the middle grade genre (meant for children ages 8-12) are typically 12 or 13, whereas protagonists in the young adult genre (meant for older teenagers and even adults) are typically around 17. In this case, however, Lakshmi’s age is a deliberate choice by Patricia McCormick, for it serves to emphasize the depths of the horrors to which she, as such a young child, is exposed. Those same horrors are also what underlie the book’s designation as a young adult novel, for American standards have quite rigid restrictions on the subject matter than can and cannot be included in middle grade and young adult novels. Because those standards deem Sold to deal with topics inappropriate for children to read, the novel is not marketable as a middle grade book, despite the protagonist being of middle grade age.

While understandable, such content restrictions highlight a disturbing disparity between different world cultures and speak to how horrific the commercial sexual exploitation of children is, given that just as children from some countries must actually live through such a situation, children in other countries are actively barred from even reading about it. Such “gatekeeping” also raises questions around what constitutes children’s literature, what topics are deemed appropriate, who makes these standards, and why. Arguably, encountering such topics as a middle grade reader may actually reduce a child’s vulnerability to falling prey to child sex traffickers, for rather than being sheltered from the very existence of this horrific practice, they will instead be educated on the warning signs.

The text is divided up into short, individually titled poems in which Lakshmi serves as the first-person narrator. Although Lakshmi occasionally switches to past tense when recalling a memory or to future tense when daydreaming, the poems are mostly narrated in present tense and in chronological order, and when strung together, the story of Lakshmi’s ordeal emerges. The poetic form and first-person narration allow Lakshmi to communicate her inner emotions as well as her unique observations about the world around her. The plot is communicated through her idiosyncratic perspective, but she is often more focused on trying to describe the strange new things around her, such as her stepfather’s motorcycle. The narrative is thus designed to portray Lakshmi as a lively, highly curious, and academically inclined child who is always trying to figure things out.

This section introduces the novel’s primary theme of How Gender Affects Childhood. Although Lakshmi is the best student in her class, and her mother wants her to stay in school, her attendance is dependent upon the family’s economic situation. The family seems to be waiting for the situation to become extremely dire before they finally decide to send Lakshmi off to work as a maid. This same fate already befell to Lakshmi’s friend Gita, whose parents sent her away to earn money for her older sister’s wedding dress and her younger brother’s school fees. In this particular culture, boys are valued over girls to the point that the well-being of girls and the innocence of their childhood may be cut short simply to provide their brothers with extra luxuries. Rather than families’ keeping all the children under one roof and providing what they can for each one equally, the norm is to prioritize certain children, with the ultimate goal being to allow the males to better themselves, often at the expense of the females in the family. The only purpose that girls can aspire to is to produce more sons once they become adults, as evidenced by Ama’s lecture to Lakshmi in the goat shed, where she is exiled during her period.

Despite these harsh realities of Nepali culture, The Importance of Hope, Faith, and Friendship in Overcoming Hardship is also introduced through Ama and Lakshmi’s mutual daydreaming. Faced with seemingly impossible situations, the two indulge in fantasizing about what the future may hold, such as a new roof and new dresses. Although such daydreaming is a coping mechanism and a way of bonding, Lakshmi must ultimately learn to strike a balance between “dreaming” and thinking rationally. Still, the spark of hope that her mother instills provides Lakshmi with a source of inner strength and imagination that will eventually serve her well in her attempts to escape the brothel to which she is sold.

Through Lakshmi’s limited child perspective, this section also explains how rural and remote her mountain home really is. The novel takes place around the same time that it was published (2006), but Lakshmi still refers to lights as “glass suns” because most people are not privileged enough to have them, and she almost never gets the opportunity to see what they look like. Similarly, her village lacks modern conveniences like TV, internet, cars, running water, mail carriers, or cell phones; in fact, there is no advanced technology and no contact with the world beyond. She is educated in the basic subjects of math, reading, and writing, but she does not have the opportunity to learn how the urban world works. This ignorance is demonstrated when she regards her stepfather’s motorcycle as a “beast” that sounds like a ferocious animal. Her ignorance of the larger world plays a significant role in allowing her captors to deceive her and keep her within their control later in the novel.

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