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55 pages 1 hour read

Dennis Lehane

Small Mercies

Fiction | Novel | Adult | Published in 2023

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Symbols & Motifs

Bess

A 1959 Ford Country Sedan, “Bess” is an unmistakable representative of its owner, Mary Pat Fennessy. Like Mary Pat, it has endured a tremendous amount of hardship in its relatively young life, but while no one is impressed with its appearance, it can still get the job done. As the narrative states, “she was a great car to transport the two kids around in, she has a 352 V8 under the hood that turns her into a rocket on the highway, and the radio works” (42-43). Bess becomes crucial as Mary Pat tracks down the people who saw Jules last and gets to the bottom of the mystery surrounding her daughter’s death. Like Mary Pat, the vehicle can be quiet and inconspicuous when it needs to be, until it explodes onto the scene with a sudden and unexpected fury. Likewise, it has just enough power left to keep up with the flashier cars it follows through the streets of Boston. The fusion of Mary Pat and Bess reaches a fitting conclusion as she flees to Castle Island with Frank Toomey in tow, and as it struggles up the hill, Bess, “bless her ancient old-lady heart, finds one last breath in her engine, one last surge” (273) before succumbing. This is just what Mary Pat is doing: dealing one last devastating blow to the people who have wronged her before she finally reaches the limits of an energy no one knew she possessed.

“Everyone Knows”

In the tightly-knit community of South Boston, everyone knows everyone, enabling a level of trust in one’s friends, extended family, and neighbors to provide help when needed. This in turn creates open lines of communication so that ideally, there are no secrets, at least none that stay secret for very long. When Jules does not come home, Mary Pat trusts this network as she goes to work, but instead of information or substantial promises of help, all she gets are clichés about how children “always turn up” (26) and “if she turns up, I’ll send her your way” (60). As Mary Pat steps up her efforts and finds out the truth about Jules, the shock and horror includes the realization that seemingly everyone knew what happened except Mary Pat. When she finds out about the relationship between Jules and Frank Toomey, Donna Shea tells her “Everyone knew,” to which she replies, “Who’s everyone?” (68), and the ensuing conversation soon reveals Donna’s implicit knowledge—and lack of concern—about Jules’s situation. Similarly, as Mary Pat interrogates Rum, asking him how he knows Jules is dead, he responds, “Everyone knows” (169). Mary Pat is therefore left on the outside of the community she once trusted, precisely because she believed in a more idealized notion of community in which people look out for one another. Instead, she discovers the reality: a community that enforces a grim code of silence in order to protect the powerful. Whether her neighbors fear retribution or are just too fatalistic to imagine a world in which Butler and his associates are held accountable for their ghastly crimes, the fact remains that the code of silence persists, and Mary Pat must be kept in ignorance because she is the one person who won’t keep silent.

Minor Miracles

Small Mercies might seem like a sunny title for such a grim novel that proves itself to be rife with violence and suffering, but the narrative’s harsh environment does serve to magnify the value of the little joys scattered like lost gems along the way: the fleeting moments that hint at a ray of light in an otherwise dark world. Mary Pat Fennessy has suffered terrible misfortunes in her life, and the death of Jules should be more than enough to plunge her into despair, but instead she moves forward to seek whatever modicum of justice she can glean from the situation, relying on the smallest bits of good luck to propel her along. For example, she is consistently able to sneak up on people with a car that should announce its presence before it enters their line of sight. When tailing her targets through different Boston neighborhoods, she is likewise able to avoid losing them by the narrowest of margins. Similarly, her first husband’s burglary kit proves to be an invaluable tool in her one-woman war against Butler’s organization, and she silently thanks him for the posthumous gift. With Frank Toomey in tow, Bess manages to outdo herself one last time to get Mary Pat where she needs to be for her final showdown with the Butler crew. Even Marty Butler’s blood money, the confirmation of Jules’s death, ultimately provides Jules with a final resting place, fresh flowers, a daily round of classical music, and a one-way conversation with the assistant sexton about “life in all its highs and lows, all its dashed dreams and surprising joys, its little tragedies and minor miracles” (299).

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