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43 pages 1 hour read

John Grisham

Skipping Christmas

Fiction | Novel | Adult | Published in 2001

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Background

Authorial Context: John Grisham

Grisham is best known for his legal thrillers and in fact is sometimes credited with creating the genre. However, in addition to Skipping Christmas, he has written a handful of non-legal stories, some non-fiction, and some detective stories: A Painted House (2001), Bleachers (2003), Playing for Pizza (2007), Calico Joe (2012), The Tumor: A Non-Legal Thriller (2016), Camino Island (2017), Camino Winds (2020), the Theodore Boone: Kid Lawyer series.

Grisham has twice won the Harper Lee Prize for Legal Fiction and has also received the Library of Congress Creative Achievement Award for Fiction. He has written 37 bestsellers. Eight of his novels have been adapted for film. Overall his books have sold 300 million copies, and he is one of only three authors whose books have sold at least 2 million copies on their first printing.

Skipping Christmas marks a dramatic departure for Grisham. In addition to being his only novella-length work and his only work of satire, it takes on a vastly different subject from his legal thrillers: the meaning of Christmas. Its plot and themes are indebted to Charles Dickens’s A Christmas Carol and Dr. Seuss’s How the Grinch Stole Christmas, but Grisham’s novella provides a modern spin on the story of the redeemed curmudgeon, taking aim at suburban mores, the pressure to conform, and American consumerism.

Literary Context: The Use of Satire in Skipping Christmas

Satire uses humor or irony to criticize political or social issues. Satire is often exaggerated to the point of absurdity, as when Luther’s neighbors overreact to his bid for independence. In Skipping Christmas, Grisham uses satire to criticize the materialism and excess that surround the holiday.

Luther Krank himself is a caricature based on Ebenezer Scrooge and Dr. Seuss’s Grinch—a “crank” is a person who is seen as strange and out-of-step with the conventions of society. Scrooge and the Grinch are satirical characters themselves. They both parody the kind of person who goes around complaining about the noise and chaos and inconvenience of Christmas. At the same time, they call attention to the genuine excesses of the season—the over-indulgence, going into debt to eat and buy extravagant gifts and throw parties. Like Scrooge and the Grinch, Luther has legitimate criticisms about the way Christmas is celebrated. Also like them, his reaction goes far beyond what is reasonable, but he eventually finds a balance, whittling away the materialism to discover the underlying meaning of the holiday. Luther, confronted by the generosity of his neighbors, realizes that Christmas represents much more than the things he has come to hate about the holiday. In discovering the deeper spiritual significance of the season, he helps others to find it as well.

Grisham’s use of satire is purposeful. By exaggerating the errors of society, he make them more visible and shows how harmful they really are. At the same time, humor and hyperbole defang the “attack” on social mores, allowing the audience to laugh at their errors and put them in perspective—as Luther eventually does—to live a more balanced life. 

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