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The harp is a symbol of the divine power of music. When played by a master harpist, it creates heavenly melodies. Orfeo is a supremely gifted harpist, the best in the world, the speaker of the poem says. When he plays his instrument, the music activates some hidden, almost magical principle of harmony that touches both human and nonhuman worlds. Those who are listening, whether human, animal, or even fairy, feel that they have been transported to paradise.
The harp is also central to Orfeo’s identity; he is never parted from it. After Heurodis is abducted, Orfeo abandons all his possessions except his harp, which he takes with him into the wilderness; it is the one thing he cannot manage without. In the wilderness, the harp is his only source of pleasure; when he plays, even the wild animals “in joy approached him from afar” (Line 174), and the birds gather to listen as well.
The happy and successful outcome of the tale depends upon the harp. When Orfeo follows the fairies into their kingdom, his music has its usual effect, charming all who listen to it, including the fairy king and queen. It is his skill with the harp that wins back Heurodis, since the fairy king offers Orfeo anything he should desire after hearing his song. Back in Winchester, Orfeo plays the harp again at the steward’s castle; the music delights everyone and leads directly to the revelation that the mysterious harper is none other than the long-lost king. The court erupts in sounds of rejoicing.
Thus, throughout the tale, the music of the harp symbolizes harmony and good feeling; it taps into the beneficence and generosity of life. When touched by the divine melodies that the harp produces, all discord drops away; people spontaneously leave their cares aside and access their better selves, and the animal kingdom and the fairy kingdom are touched also—the music spreads a kind of universal happiness and sense of wonder.
Different types of clothing and changes in clothing serve a symbolic purpose in the poem, reinforcing the theme of Loss and Recovery after catastrophe, as well as exile and return. The significance of clothing is first apparent in Heurodis. Following her dream vision in which she is abducted by the fairy king, she is so distressed that she tears her regal clothing to pieces; she knows that an unwelcome change is about to come upon her; her identity will be transformed from queen to captive.
Immediately after the abduction, Orfeo is so distressed that he abandons his role as king and enters the wilderness. This change in his identity is described in terms of clothing: “He once had ermine worn and vair” (Line 241)—vair being squirrel’s fur—but that is no longer appropriate for his new life. He dresses only in a beggar’s cloak; “he had no kirtle [coat] and no hood, / no shirt, nor other raiment good” (Lines 229-30). He also goes barefoot. All this is symbolic of Orfeo’s decision to adopt a way of living that reflects his grief at the loss of his wife. Without her, he feels that he can no longer remain as king, so all the external trappings of status and authority, including clothing, must be removed. He must be stripped down to the essentials of his humanity.
In the fairy kingdom, Orfeo’s appearance as a bedraggled beggar is contrasted with the fairy king and queen, whose “crowns and clothes so brightly shone / that scarce his eyes might look thereon” (Lines 415-16). When Orfeo returns with Heurodis to Winchester, he still appears as a beggar, but now his clothing serves as a useful disguise rather than as an expression of an adopted identity. Finally, after he is restored as king, he is given new robes and is also recrowned. His long journey has come full circle, as symbolized by his changes in clothing.
The motif of the rash promise occurs often in folklore and other sources, including two of The Canterbury Tales by Geoffrey Chaucer and the Gospel of Mark (Chapter 6, Verses 14-29), and involves making a vow to fulfill any request—without anticipating the conditions or consequences. In Sir Orfeo, the rash promise is a key element that leads to the happy ending. It occurs after Orfeo has entertained the fairy king with his harp-playing. The king is so delighted with the music that he promises he will give Orfeo anything he asks for. However, when Orfeo asks to take Heurodis back with him, the fairy king balks. He says they do not look like they should be together, since Orfeo is so rough-looking and Heurodis is fair and beautiful. But Orfeo realizes he has the advantage over the king in this confrontation, and he simply asks that the king keep his word. He says that since it would be worse “from mouth of thine to hear a lie” (Line 465) than to grant his request, “thou must needs thy word maintain” (Line 468). The king, realizing that his honor is at stake, then readily accedes to Orfeo’s demand. His word is his bond.
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