35 pages • 1 hour read
Matthew B. CrawfordA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Crawford uses the term “stochastic arts” to describe those who repair or mend, rather than create something new. He sees mechanics as stochastic artists as they work to remedy a problem much as a plumber or an electrician might also need to do. Doctors and surgeons, Crawford believes, are also stochastic artists. Their work is to continuously try and defend the body against damage and the ravages of time. Crawford reasons that these arts, of repair and remedy, require as much time and attention as those that create something out of nothing.
Crawford is critical of modern education, which he believes is flawed in several respects. He believes that modern education spends too much time dividing students up based on demographics and competency levels, all geared towards test scores. What educators miss is the differences in dispositions between students, so commanding and contemplative students are all pointed towards the same goals. He also believes that modern education is too theoretical and abstract, that students spend too much time engaged in “knowing that”—consuming information that they can repeat on a test—instead of “knowing how”—acquiring skills that they could use to solve their own problems in real life. Crawford is additionally concerned that modern education points all students in the direction of what he calls “clerkdom,” meaning an occupation in which the individual works under the pretense of doing “knowledge work” but really is just performing a white collar intellectual version of a Taylorized assembly line, following instructions on one task and not truly being an individual or using real creativity.
Crawford believes the being a pure consumer means that an object serves a narcissistic purpose for the individual. The object becomes an extension of the person. When it stops functioning in that way productively, it can easily be tossed aside and replaced. Crawford asserts that a craftsperson or a repair person sees objects differently. In order to repair an object or even to create one, you have to step outside of yourself to truly consider the object. In order to repair a motor, the mechanic has to listen to the motor and consider its needs and complexities. It is not simply an extension of the self. Rather, paying attention to the object draws the laborer out of himself to think in a new way and in great depth about this object.
Crawford contends that learning a craft gives one a new set of eyes when it comes to commercial products. The pure consumer, Crawford suggests, is mostly interested in what is shiny and new. In the 21st century, “newness” matters more than anything. Those that only consume most appreciate what they haven’t seen before, but this doesn’t mean that they are necessarily qualified to say if this new item is worthwhile. In contrast, Crawford believes that a craftsperson purchases and values items in a unique way. A craftsperson is more able to distinctly spot quality. They have a clearly articulated sense of criteria for what makes a product of value, and they do not consume based on the idealization of newness. Crawford offers that if more people created or repaired, more quality goods might be offered in the marketplace, rather than just eye-catching new ones.