66 pages • 2 hours read
Cynthia LordA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Catherine begins her narrative with a vivid description of her eight-year-old brother, David, resisting her attempt to get him into the family car. They are to ride to the occupational therapy clinic where he regularly meets with his therapist, Stephanie. Catherine makes clear what a difficult balancing act it is to work with David, who sometimes has good days at the clinic and sometimes requires the intervention of his mother. To secure his cooperation, Catherine promises that their father will take David to the video store when he gets home from his job as a pharmacist.
Catherine has learned that the family moving in next door has a daughter her age. Catherine’s best friend, Melissa, whom she pines to speak to throughout the narrative, is spending the summer in California with her father. Catherine and her family live in a seaside village on the Maine coast.
Once Catherine gets David into the car, she begins to review with him the rules she has made that she intends for him to follow. David understands the rules and can recite them back to her, though he often disobeys them. Catherine points out that, unlike most children, “He needs to be taught everything” (11).
Catherine describes the drive along the oceanside to the OT clinic. She likes to go with her mother when she takes David because she enjoys the trip, which she describes in loving detail. Catherine says, “At high tide, waves sparkle under the wooden bridges, and I can guess the tide before I even see the water, just by closing my eyes and breathing the air through the open car windows” (13). Catherine describes her love of drawing and the impact the art has upon her.
Once David goes with his therapist to her treatment room, Catherine asks her mother if the two of them can walk to the park, something they have not done in months. When her mother says it looks as if it will rain, Catherine asks if they can go shopping, something her mother again refuses—just in case Stephanie needs help with David.
Looking about the waiting room for something or someone to draw, Catherine focuses on Jason in his wheelchair. When he realizes Catherine is drawing his picture, he uses his word book to tell her to stop. Catherine is embarrassed when everyone looks at her and even more when Mrs. Morehouse says, “Just because he can’t talk, don’t assume he doesn't mind” (21). Catherine avoids looking at Jason afterward, instead drawing a picture of a house while he goes to his therapist’s office.
Mrs. Morehouse explains to the therapist that Jason is upset because he wanted to buy a guitar. As he is preparing to leave, Catherine takes the opportunity to tell Jason she is sorry he was not able to get the guitar because she likes music too. Once outside, Jason asks his mother to go back in and tell Catherine that he likes the picture of the house she has drawn, which she promptly tears out of her sketch book and gives him.
David is bothered by the noise of the rain on the car during their drive home. Catherine explains that sounds are amplified for David. When he sees Ryan on his bike, David calls out to him. Catherine tells David that Ryan is not his friend. Her mother corrects her, reminding Catherine that they want David to learn to interact with others. This bothers Catherine, who knows that Ryan mocks David and laughs at his expense. Catherine’s mom asks her to consider signing up for some of the youth-oriented community events the village is holding during the summer. Catherine thinks, “Why is it the minute kids have free time, parents want to fill it up” (32).
Catherine’s real interest is the arrival of Kristi, her new neighbor. Sitting on the front porch, Catherine hears her mother tell David to find Catherine. Just about the time her father is supposed to arrive from work, a minivan pulls into the driveway next door. Catherine watches as Kristi gets out and follows her mother into the house. As Catherine wrestles with whether it is too soon to go over and introduce herself, David begins to pester her, asking when their father, who is already late, will show up. Catherine worries that, if David loses his patience, he will start to scream, and Kristi will hear it. She tries to distract David by encouraging him to count the cars passing in front of their house. Just as David begins to scream, Kristi emerges from her front door. Calling across the yard, she asks Catherine—who is trying to hold David down—if she needs help. When Catherine says no, Kristi goes back into the house. Eventually Catherine calms David by reciting lines to him from his favorite book, Frog and Toad Are Friends by Arnold Lobel.
Catherine bakes cookies and takes them to Kristi’s house, only to find no one home. They return to the clinic for another appointment, and when Jason and his mother arrive at the clinic, he thanks Catherine for the gift of her drawing. He also asks if he can put her name in his communication book—an exchange that catches Catherine off guard. She confesses to being put off by Jason’s uncontrollable vocalizations, saying, “I know Jason can’t help it, but sometimes the sounds he makes are loud and creepy” (42).
Catherine also realizes Jason’s ability to communicate is confined to the words in his book. After illustrating the “Catherine” card in Jason’s book, Catherine takes seven blank cards from Mrs. Morehouse to create new entries for Jason’s book. Before he goes into his sign language session, Jason slyly taps a message to Catherine, establishing private communication between them for the first time.
Determining what seven new words to add to Jason’s book turns out to be a perplexing project for Catherine. Because she found the original words in his book boring, Catherine decides to spice up the book with illustrated, emotive words. The effort causes her to reflect on Jason and his desire to communicate.
As she is working on the cards, David comes into her room and quotes the rule, “No toys in the fish tank” (55). This is his way of telling her that he has just dropped a toy into the goldfish bowl, in this case one of her old Barbie dolls. As she is fishing the doll out of the tank, she sees Ryan talking to Kristi in her front yard. Ryan points out Catherine standing at the window and Kristi turns to wave. Catherine waves back, fearful of what Ryan is telling Kristi, and in the process, drops the Barbie doll back into the fishbowl. Water splashes onto David’s pants and, because he cannot stand being wet, he pulls his pants down around his ankles.
The first Saturday morning after Kristi moves next door, Catherine’s mother suggests that Catherine ask the new neighbors if they would like to come over for lunch. Catherine asks her mother if they can go to the mall for art supplies afterward since her colored pencil supply is running low. When her mother retorts that Catherine could earn the money for art supplies if she did more babysitting, Catherine forces herself not to point out that David can have whatever he wants just for the asking. She knows her mother would say, when it comes to David, “‘That’s different.’ She’s right. It is different and here’s how: Everyone expects a tiny bit from him and a huge lot from me” (61).
Catherine finds Kristi’s mother sitting in her front yard reading a book. Mrs. Peterson tells Catherine that Kristi is spending the weekend with her father. Before Catherine asks Mrs. Peterson to come to lunch, David erupts with screams, as he runs in terror from a bee. Catherine’s mom dashes out of the house to hold and comfort David, while her dad turns away. Her parents begin to argue about how to treat David as Mrs. Peterson hides behind her book and Catherine walks past her family into her house.
Back at the clinic, Catherine indicates that she wants to go on a walk to the park with her mother while David is in his session. Her mother says they will go on a walk if David does well, and Catherine knows this is a non-answer. In addition to the new words for Jason’s communication book, Catherine brings her CD player and places the headphones on Jason’s ears. She is startled by the feeling of his hair brushing against her fingers. As she inserts the cards into his communication book, she shares a running dialogue about why each word is chosen and what it means to her. Catherine is stunned a second time when Jason uses his book to tell her she is his friend, that she affirms, even though she mentally adds the disclaimer that they are merely friends at the clinic and not perpetual friends.
As their discussion continues, Catherine finds out that Jason has an older brother. Catherine tells Jason about her guinea pigs. She makes him laugh when she describes the pigs eating the cover off a library book. The speech therapist comes to take Jason back for his language session, interrupting their conversation.
In this first section of the book, the stage is set for the complex unfolding of Catherine’s relationships. Catherine shares, sometimes directly and often indirectly, the most important elements of her life. It is significant to note that, while Catherine is far from being self-centered, she cannot help but feel she is being ignored for the benefit of her brother. As summer arrives, she feels abandoned. The only person her age on her street is the hated, thoughtless Ryan Deschaine, bully of her brother David.
Catherine’s home situation exacerbates her aloneness. Though her mother works from home, she is emotionally distant, and her closeness to Catherine always tempered by her emotional investment in David. For instance, when the three are at the occupational therapy clinic, Catherine’s mother—identified only as “Mom”—will read Harry Potter stories aloud to Catherine, unless David cries out in his session, which causes Mom to rush to her son. Dad, a pharmacist, is even more distant. He works long hours and invariably arrives at home later than he promises. When he does come home, he only invests himself in David’s life by taking him to the video store.
The result of her situation is that Catherine’s only constant companion is her brother, David. Though he is a constant source of worry and embarrassment to her, Catherine is zealously protective of him. The title of the book refers to the “rules” she has made up, written down, and preached repeatedly to her brother. David knows the rules and adheres to some of them while he relishes in breaking others. The rules are also used as titles for unnumbered chapters and dropped into the narrative at key points to comment on the ongoing events. The individual rule that titles each chapter is both a foretaste and an editorial comment on what the chapter holds. For instance, in the chapter titled “If It’s Too Loud, Cover Your Ears or Ask the Other Person to Be Quiet,” Catherine unpacks David’s sensitivity to unpleasant loud noises, a sensation from which she tries to protect him. Yet the chapter ends with David himself screaming his displeasure because his father is late arriving home. This is typical of the irony Catherine faces.
Catherine, despite her abandonment and ironic misfortunate, does not despair. Several factors contribute to her being an upbeat, extremely hopeful individual. She has, for example, a rich fantasy life. From the opening chapter, Catherine knows that a new girl her age, Kristi, is moving in next door. The narrative is more than a third complete before the two girls ever have a conversation. However, from the moment Catherine knows Kristi is moving in, she imagines a rich, varied, mutual friendship involving all her favorite activities.
Catherine reveals to readers that she copes with the boredom and perceived unfairness of summer not only through fantasies of possible better days but more than that by drawing. She is an exceptional artist for her age, with the ability to create realistic colored pencil images. Her penchant for drawing unexpectedly opens a door to her relationship with Jason, a 14-year-old clinic patient who communicates with a book with word cards and uses a wheelchair. Catherine quickly becomes a major contributor of additional words to his book, opening new communication possibilities In Catherine’s first exchange with Jason, she doesn’t realize that he would never have seen her drawing his picture if he had not also been watching her. Catherine must fight back her tears, something she does several times during the narrative.
Catherine’s unmet desires and expectations contrast the unexpected pleasures and adventures that fall into her lap. This is especially apparent when she is continually stymied in her attempts to meet and befriend Kristi, even as her unexpected relationship with Jason blossoms. While Catherine says nothing overt about it, both are portrayed as trapped: Catherine by the particulars of her family and Jason by his physical limitations. The future course of their relationship is set when Jason’s mother gives Catherine a group of seven blank cards for her to add words to his communication book. Mrs. Morehouse is portrayed as a by-the-book person and, in handing over the cards, she allows Catherine and Jason a chance to expand his world exponentially.
The Saturday morning, when Catherine’s mother tells her to ask the neighbors over for lunch, degenerates into an argument about David being chased by a bee. This scene is pretty much the only passage in which all four members of Catherine’s family are together. It is revealing of their disharmony, of their disagreements about how to deal with David, and about how Catherine is taken for granted.
Encountering each other in the waiting room of the occupational therapy center, Jason and Catherine have mutual first-time experiences. This was surely the first time that a girl placed headphones over Jason’s ears and played music for him to enjoy. Catherine’s observation that the word “friend” had not been in Jason’s book before she put it there implies that she is his first real friend. It is a first for Catherine, who is startled by the physical sensation of touching his hair. When he calls her his friend, she is again stunned and immediately wants to disqualify the romantic element by asserting “I think of us more as clinic friends than always friends” (70). One enduring irony of the story is that these two emerging adolescents are meeting in the waiting room of a clinic, the implication being that they are getting ready to be healed. Another irony in this chapter is built when Mrs. Morehouse tells the speech clinician that Jason changed his shirt for her, not realizing that Jason thinks his therapist is stupid and he obviously wanted to dress up for Catherine.
By Cynthia Lord
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