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47 pages 1 hour read

Phil Klay

Redeployment

Fiction | Short Story Collection | Adult | Published in 2014

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Story 10: “War Stories”Chapter Summaries & Analyses

Story 10 Summary: “War Stories”

The narrator tells a man named Jenks that he is tired of telling war stories. Jenks has no ears or hair, and his face is covered in scar tissue. Jenks says he doesn’t tell war stories. His vehicle hit an IED in Iraq. The narrator thinks that “he’s me, but less lucky” (214). They talk about how war stories get women to have sex with them, but it no longer works for Jenks. The narrator says, “‘I’m just fucking tired of chicks getting off on it” (215). The narrator says he told a woman about Jenks once, and she started crying. He says he’d rather be with a prostitute.

Two girls enter the bar. Jenks jokes about how he is too ugly to find someone now and that “finding someone is bullshit” (217) anyway. He says no one even wants to look past him these days. But with Jessie and Sarah, women he knows more personally, it’s different, and he can just have a conversation with them. Having no chance with women helps him relax. Jessie and Sarah arrive. Sarah is tall and beautiful. Jessie is average looking and has only four fingers on one hand. The narrator is aware that she is on “100 percent disability” (219) but doesn’t know the reason. He knows that Jenks has fallen in love with her and doesn’t know why. Jessie goes to get them drinks, and Jenks talks to Sarah, who is an actress.

Sarah is there to hear about the IED as research for a play put on by the Iraq Veterans Against the War. She is one of the collaborating writers. She tells Jenks she wants to know what happened, in his own words. Jenks says that the narrator will remember the attack better, but what he remembers best is the pain afterward, which was so bad he has almost no memory of it. He reads her some of his account from a stack of pages he brought. When he describes what was happening to his body, Sarah interrupts and asks about the attack. He says two of his best friends, Chuck and Victor, died immediately in the vehicle. He remembers how quickly things went dark as he fell unconscious. The narrator remembers the smell of burning meat, which is why he is now a vegetarian.

Jenks reads a personal statement that ends his draft of the account; it details how he is not bitter and how he is grateful to everyone who helped save his life. Sarah looks bored with this part and asks him about the fifty-four surgeries that he had to have to reconstruct his body. The narrator wants to go outside and smoke. He says they’re all going to take a break. Jessie goes outside with him, and they joke about which one of them should have sex with Jenks. When they go back inside, Sarah says, “‘Hey, Jenks has been telling me how you and him are like the same person’” (235).

The story ends with the narrator saying, “‘He was a worthless piece of shit. No subject for a play, that’s for sure. Good thing he caught on fire, right?’” (236).

“War Stories” Analysis

“War Stories” is the prime example of Redeployment’s use of dark humor to show veterans coping with their experiences. Jenks and the narrator feel they are nearly identical to each other in temperament, age, and experience. But by sheer chance, Jenks is disfigured by an IED, and the narrator is not. Jenks is one of the few men in the book whose thoughts are not constantly preoccupied with women. When he says that knowing he has no chance with women—given his appearance—is a relief, he appears to be sincere. He cannot use women for comfort, so he turns to writing his story down in the hope that it can be useful to someone else.

The narrator, on the other hand, thinks constantly about the two women at the bar and then about Sarah and Jessie. He is compelled to strategize about them all, even though there is no indication that he is genuinely interested in anything beyond sex.

Many of the storytellers in the book lie about their experiences or lie to themselves about their stories. Some of them do so in order to preserve a positive impression about themselves, and others do it to garner sympathy or seduce women. Jenks may be the only character who attempts to tell his story with total honestly. But Sarah is not interested in what his authentic story is. She meets with him with a preconceived idea about the story she wants to hear: one that will help her write the play. She does not care about what he has to say. She cares about what he can say that she can use to her own ends.

At the end of the story, neither Jenks nor the narrator see the point of continuing to tell war stories. When the narrator comes back into the bar and Sarah says that Jenks mentioned that they were like the same person, he replies, “‘He was a worthless piece of shit. No subject for a play, that’s for sure. Good thing he caught on fire, right?’” (236). It is uncertain whether this is how the narrator feels about himself or about Jenks, but if he does feel this way about himself, it is in keeping with how many of the veterans view themselves.

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