logo

51 pages 1 hour read

E. L. Doctorow

Ragtime

Fiction | Novel | Adult | Published in 1975

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 1-7Chapter Summaries & Analyses

Part 1, Chapter 1 Summary

Ragtime opens in 1902 in New Rochelle, New York. An unnamed narrator describes his family home. The narrator lives with several family members: Father, Mother, Mother’s Younger Brother, and the narrator’s brother—simply referred to as the little boy. It is an upper class family, with Father accumulating respectable wealth through his patriotic goods company, which manufactures and sells flags, fireworks, and more. Mother’s Younger Brother daydreams about the famous woman he is in love with, Evelyn Nesbit. The little boy grows frustrated that his family does not bring him to Harry Houdini’s magic shows. Just as the little boy is lost in his thoughts, a car crash occurs outside of the house. It is the car of Harry Houdini. He was driving through the neighborhood looking at properties. Father invites Houdini inside. Father, noticing the magician’s interest in the collection he has amassed from his travels, tells Houdini he is journeying to the Arctic soon with explorer Robert Peary. This impresses the showman. When Houdini’s car is fixed, Houdini leaves and bids the little boy farewell.

Part 1, Chapter 2 Summary

Father prepares for his trip to the Arctic. Mother allows him to have sex with her the night before he leaves, although she does not enjoy it. The next morning, the family says goodbye to Father. He takes the train to Manhattan and boards the expedition’s ship, the Roosevelt. As their ship departs along the East River, Father watches an incoming boat full of immigrants: “Father, a normally resolute person, suddenly foundered in his soul. A weird despair seized him” (13). He watches the ship until he can no longer see it on the horizon.

Part 1, Chapter 3 Summary

The narrator describes how most of America’s immigrants in the early 20th century were from Italy and Eastern Europe. The American populace did not welcome them with open arms, and they had a rough life in New York. Still: “People stitched themselves to the flag. […] They sang. They told jokes” (15). A Jewish artist named Tateh lives in Manhattan with his wife Mameh and daughter, The Little Girl. Mameh and the girl work as seamstresses. Mameh’s boss sexually assaults her. She tolerates the abuse because he gives her extra money after he molests her.

A journalist named Jacob Riis wanders the streets of New York and documents immigrants’ poor living conditions. Riis plans to interview architect Stanford White about forming plans to build improved immigrant apartments. That night, White goes to an opening night gala at Madison Square. As he enjoys the party: “The tenements glowed like furnaces and the tenants had no water to drink. […] Families slept on stoops and in doorways” (19). The city is suffering a massive heat wave.

Part 1, Chapter 4 Summary

That summer, Evelyn Nesbit is preparing to testify at her husband’s murder trial. Her husband, Harry K. Thaw, killed architect Stanford White at the night of the Madison Square Garden party because White was sleeping with Evelyn. She knows that it will be difficult to convince the jury that Harry is not a naturally violent man. Harry is infamous throughout the city for his eccentricity, wild temper, and jealousy. When Harry was courting Evelyn, he took her on a trip to Europe. One night, he tied her to a bed naked and whipped her. After Harry assaulted her a second time, Evelyn insisted on going back to America. When she returned, she found comfort in Stanford White’s arms. Their love triangle escalated until Harry killed White. Harry is now behind bars in a prison called the Tombs. Evelyn agreed to testify in Harry’s defense if he paid her $200,000. She is preparing to bleed him for more money through divorce proceedings.

Part 1, Chapter 5 Summary

Harry Houdini plans an escape trick at the Tombs, which brags about its inescapable cells. He is led naked to a cell, his clothes in the hallway out of reach. The trick relies on Houdini escaping the locked cell, redressing, and appearing in the Warden’s office within five minutes. As Houdini is escaping with a strip of metal that he hid on his body, he sees a prisoner across the hall from him. The prisoner strips naked and taunts Houdini, who races to escape and dress in order to get away from him. Houdini later realizes that the prisoner is Harry K. Thaw.

One evening, Houdini is commissioned to perform at a private party thrown by New York socialite Mrs. Stuyvesant Fish. He initially agrees to the commission for its high pay. However, when he gets there, he observes that there are a number of other acts at the party, including a string of circus “freaks.” He performs for the circus employees and becomes disgusted at Mrs. Fish’s party. Houdini storms out.

Part 1, Chapter 6 Summary

Famous psychoanalyst Sigmund Freud arrives in New York with his researchers Carl Jung and Sándor Ferenczi. Freud and his team spend the next few days touring the city. One day, they see a beautiful woman posing for an artist with a little girl. The scene gives all of the psychoanalysts pause. After touring the entire island of Manhattan and seeing some of Brooklyn, Freud concludes that the city— and America as a whole—is vulgar and messy: “He had seen in our careless commingling of great wealth and great poverty the chaos of an entropic European civilization” (39). Freud returns to Vienna, happy to be back in his old Europe. He tells one of his colleagues that “America is a mistake, a gigantic mistake” (39).

Part 1, Chapter 7 Summary

One day after visiting Harry K. Thaw at the Tombs, Evelyn Nesbit travels into Manhattan’s Lower East Side. She witnesses the organized chaos that the city’s working class immigrants inhabit. Suddenly, Evelyn sees a beautiful little girl all alone. She orders her car to stop and finds that the girl has a clothesline tied to her wrist. Evelyn traces the line back to an old man. The artist is Tateh. He lives alone with the little girl because his wife Mameh offered her body for prostitution to feed the family. Tateh, disgusted, drove Mameh out of their home “and mourns her as we mourn the dead” (43).

Evelyn, moved by Tateh and the little girl’s modest means, spends every day with the Jewish family. Each day that Evelyn ventures into the Lower East Side, Mother’s Younger Brother, her secret admirer, follows her. Evelyn notices but ignores him. One day, Evelyn arrives at Tateh’s apartment to find that the little girl has a fever. Evelyn offers to take care of her while Tateh is at work. She and the little girl bond. Evelyn considers kidnapping the girl, but does not go through with it. She cries with love over the child.

Part 1, Chapters 1-7 Analysis

E.L. Doctorow’s Ragtime immediately throws readers into its fast-paced, ever-expanding modern world. The author’s sentences give a sense of immediacy, while the chapters are short and episodic. This allows Doctorow to introduce multiple characters and capture their individual perspectives.

The first chapters of the novel establish a dramatic narrative that relies on the collective experiences of its characters rather than a single protagonist’s individual journey. Of special note is the fact that many of the novel’s characters are actual historical figures. Doctorow’s inclusion of such figures grounds the novel in the epoch which it depicts. Through its dramatic and historical elements, these first seven chapters introduce readers to the unique pacing, perspectives, and modern textures of Doctorow’s Ragtime.

Doctorow opts for third-person omniscient narration, told from the perspective of an anonymous narrator. While the narrator never identifies themselves, their language in referencing other characters—most notably, the family that the novel opens on—suggests that the narrator is a member of that family. For example, they reference the family patriarch as Father with an uppercase F, as if to denote deference. This stylistic choice means that Doctorow can make his narration both distanced and intimate. The structural choice of short, quick chapters told by an omniscient narrator creates a novel that captures the rich and varied textures of early 20th-century Americana.

Another unique facet of Ragtime is its fusion of drama and history. Doctorow incorporates real-life historical figures and blends them into his novel’s dramatic events. Some of the historical figures found in Chapters 1-7 include Evelyn Nesbit, her husband and lover Harry K. Thaw and Stanford White, Sigmund Freud, Jacob Riis, and Emma Goldman. While most works of historical fiction incorporate real-life figures to depict a specific historical moment, Doctorow is more interested in depicting a specific historical atmosphere. He is less concerned with dramatizing one historical event and instead explores a larger-ranging epoch, capturing the feeling of early 20th-century America on the cusp of the World War I.

Ragtime encapsulates a time where the world celebrated regular modern discoveries while, in all reality, it was rushing toward the oncoming disaster of the First World War. Doctorow’s varied cast of characters, including historical and purely fictional figures, depicts this wild, unpredictable era wherein readers do not know who will appear next.

blurred text
blurred text
blurred text
blurred text