logo

65 pages 2 hours read

Pat Conroy

Prince of Tides

Fiction | Novel | Adult | Published in 1986

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 5-9Chapter Summaries & Analyses

Chapter 5 Summary

In talking about Savannah to Susan, Tom is also forced to evaluate himself. For Tom, this “surprise summer of freedom” (101) in New York becomes a chance to take stock of his past and its demons. One day, while waiting for Susan in her office, he meets her patient Monique, a distressed and statuesque woman. To Tom, it seems that all beautiful women, like Monique, his mother, and Savannah, are doomed to suffer.

The first six years of Tom and Savannah's childhood were idyllic, with Lila constantly by their side. Yet, even at that early stage, Tom can see his mother shrink when her husband gets home. The children know Henry beats Lila. Abused by her husband, Lila turns to her children for solace. Tom, in particular, cherishes being the man of his mother’s life. As a grown-up, he can see that the burden of being her mother’s responsible, stable son has taken a toll on him. Tom believes that he is bound to disappoint all women and follow his father’s example of misogyny and emotional violence.

In 1951, Henry is abruptly stationed to Korea. The family goes for a picnic before Henry’s departure. During the picnic, Tom’s tears set off Henry, and he begins calling him a “girl.” When Lila intercedes, he shakes her. Luke defends his mother and brother, for which Henry beats him up badly. Luke tells Henry that he will pray that he dies fighting in Korea.

Unwilling to be alone in a house with three young children, Lila decides to move to Atlanta, Georgia, to stay with Henry’s mother, Tolitha, for a year. Tolitha left Amos a long time ago and is now married to a kind man Tom calls Papa John. Though Tolitha is loving toward the family, she is in the habit of deception. She has kept her first marriage from Papa John Stanopoulos and passes Lila and the children off as her cousins. Tolitha and Papa John’s neighboring house, Chandler House, is the estate of the Coca-Cola heirs. Both houses are surrounded by woods called Callanwolde, which the children often trespass to spy on Chandler House. The children are happy in Atlanta, with the kindly Papa John assigning them the task of taking care of his Black Widow spiders.

Tom reveals partly why Callanwolde became the Wingo children’s code for danger. One day, when the children are loitering in the woods, a huge, red-bearded man appears on the scene. As the children run home, he follows them, exuding an air of sexual menace. Lila confronts him and calls the police. Though the man flees this time, he returns to stalk the family, attacking Tolitha’s house on several occasions. He only stops when Luke throws Papa John’s Black Widow spiders at him one day. Since that day, no Wingo has ever harmed a spider. Tolitha keeps the man’s attacks a secret from Papa John to protect his “weak heart” (129). When Lila learns that Henry is returning from Korea, she warns the children not to mention the man to their father since she believes he will blame her for attracting his attention. Years later, Tom finds a news clipping about Otis being jailed for raping and murdering a schoolteacher. He makes a photocopy of the clipping and keeps it.

Chapter 6 Summary

Over cocktails one night, Tom marvels at Susan’s ability to retain her composure while taking on the emotional troubles of her patients. Susan tells Tom maintaining a professional distance retains her objectivity and best helps her patients. According to Tom, it is very difficult for him to stay objective when someone he knows is in distress. For instance, when he was a coach, he violently beat up the physically abusive father of Sue Ellen, one of his students. However, the actions did not rescue Sue Ellen, who was later shot dead by her father. Tom attributes his rash actions to his own unpleasant experience of domestic abuse.

The conversation between Tom and Susan turns flirtatious, and it is obvious they feel a mutual attraction. Susan reveals that Lila never mentions Luke to her. For Tom, this is unsurprising, given that Luke and his fate are a taboo topic in their family. Susan also tells Tom that Savannah has requested Tom not visit her for some time, as his visits compound her anxiety. Savannah’s painful condition reminds Tom of Tolitha’s terrible decline from Alzheimer’s disease in a nursing home. Though he visits Tolitha regularly, there isn’t much Tom can do to fix her pain. He recalls how Tolitha traveled the world after Papa John’s death in 1951, sensing the Wingos postcards and souvenirs from “Zanzibar, […] Singapore, Goa” (148). After her money ran out, Tolitha returned to Amos, her first husband.

Tolitha and Amos’s dysfunctional relationship contributed to Henry’s streak of violence. While Tolitha was a free spirit, Amos was an extremely religious and conservative Bible salesman. Tolitha and Amos were so caught up in their differences they never paid Henry much attention. However, because his grandparents are gentle people, Tom still cannot understand what makes Henry violent. He knows that childhood trauma affects one for life in strange ways like it did Savannah. He cannot undo his trauma or Savannah’s, but he can address it.

Chapter 7 Summary

In his second week in New York, Tom gets “the New York willies” (158), an urgent desire to better himself. He makes a to-do list of enriching activities, including reading great literature and working out religiously. The most important item on his list is to be more forthcoming to Susan about the Wingo family history. Tom brings up the subject of his rescinded visits at Bellevue to Savannah with Susan but notices that she seems disappointed by her husband, the celebrated violinist Herbert Woodruff, canceling dinner plans with her.

When Susan expresses surprise that Tom reads Savannah’s poems, Tom feels she is patronizing him because of his southern heritage. Susan tells Tom her surprise is because she feels Savannah’s poems are meant primarily for women. Tom finds the view reductive. On Susan’s query if he hates women, Tom answers that he hates both women and men since he was raised by a woman and a man. Susan and Tom call it a truce, and she reveals her first name—Susan—on Tom’s insistence. Tom begins to call her Lowenstein. Susan requests Tom to coach her son Bernard in football.

Tom continues the story of his childhood. Four other children were born to Lila and Henry, all stillborn and buried on Melrose Island. After Henry’s return from Germany, the family all convert to Catholicism, becoming a religious minority in the South. Thus, all the stillborn babies are baptized before burial. Henry keeps the last baby, baptized Rose-Aster, in the freezer, so Lila doesn’t have to see its body till the funeral. Later that night, Savannah brings Rose-Aster’s body into her bed, hugging it. When Tom confronts Savannah over the disturbing incident, Savannah denies it. Later, Savannah admits to Tom that she probably did bring Rose-Aster into her bed because it is wet. Savannah cannot recall the specifics of the incident and confesses to Tom that she often loses chunks of her memory. She tells him she will start keeping a journal to record her days. Lila burns the journal when she discovers Savannah uses it to note family quarrels. Later that night, Tom finds Savannah on the beach, smiling and writing on the sand as if that were her new notebook.

Meanwhile, the loss of the babies traumatizes Lila, already fragile from her husband’s abuse. Lila now uses her children to compensate for the emotional vacuum in her life. One night, she calls Tom into her bed, hugging him, kissing him inappropriately, and telling him that she loves him the best of all her children. Tom is both flattered and disturbed by the intimacy. Later, he learns Lila said something similar to Luke and Savannah, making each child feel they were her chosen one, separating them from each other.

Tom also tells Susan about his breakdown, which occurred because of an overwhelmingly sad incident in his life. It can be deduced that this incident has something to do with Luke, who never appears in person in the present-day sections of the narrative. During his period of sadness, Tom tries to lose himself in his work but wanders off on a beach the night of an important game. As a consequence, he is fired from his job. He sinks into depression after being laid off.

Chapter 8 Summary

Tom’s memories of Tolitha are warm and happy, even when his grandmother acted strangely. He recalls how Tolitha took him, Luke, and Savannah to pick out her coffin from Mr. Winthrop Ogletree, Colleton’s most established undertaker. A Romani woman has recently predicted Tolitha’s death in the next few years, so Tolitha wants to save her children the trouble of choosing a coffin. Amos has shot down Tolitha’s preference for a funeral: being left naked on Stone Mountain to be picked apart by vultures.

On the way to Mr. Ogletree’s, the family waves to Reese Newbury, Colleton’s richest man. Tom suggests Reese has a sinister and great role to play in their lives and their misfortune. At the undertaker’s, Tolitha demands to see a fancy coffin. She lays down in the casket and has the children take pictures of her to know how she will look at her funeral. She makes sure her makeup looks right because she doesn’t want the usual garish make-up Ogletree applies on his deceased clients. When Ruby Blankenship, an acquaintance, enters the parlor, Tolitha lies still in the casket, playing dead. As the children run out laughing, Tolitha suddenly sits up straight, frightening Ruby. Outside the mortician’s, she urinates in the azalea bushes, much to Luke’s amusement and delight. Meanwhile, Susan tells Tom she thinks Monique, the beautiful woman he saw crying in her office, is having an affair with Herbert.

Chapter 9 Summary

When he was a child, Tom tracked the seasons through the flowers Lila wore in her hair. Spring gardenias were followed by summer roses. To Tom, Lila was the epitome of beauty and femininity. However, Lila is acutely conscious of other people’s opinions of her. Once, when she overhears Isabel Newbury, the wife of Reese, criticizing her habit of wearing flowers in her long hair, Lila stops the practice immediately. This makes Tom hate the manicured and perfumed Isabel. Wingos either forgive, in the fashion of Amos, or hold a grudge forever, like Henry. Tom is sure he takes after his father.

As a child, Tom is often torn between his thirst for vengeance, which Henry encourages, and his mother’s pressure on him to be the model child. When Todd Newbury, the son of Reese and Isabel, humiliates Tom by calling the Wingos “the lowest form of white man on the face of this earth” (222), Tom beats him up. Lila is livid at Tom’s perceived lack of civility and thrashes him. Lila takes Tom to the Newbury house to make him apologize to the family. While Isabel treats the Wingos coldly, Reese invites Lila and Tom into his lavish home. Lila is impressed by the grandeur of the house. Reese excuses himself from Lila’s company, taking Todd and Tom inside to settle matters between the boys. Reese shocks Tom by slapping him for what he says is “your own good” (235). Tom feels betrayed by Lila and doesn’t tell her about the incident.

Susan thinks Tom is rambling because the story has nothing to do with Savannah’s past. However, Tom informs her that the story is relevant to the history of the Wingos. As an explanation, he asks her to look at the return address on his mother’s letter kept in Susan’s files. The doctor is shocked to see that the name on the address is Lila Newbury, indicating that Lila went on to marry Reese. Tom’s revelation also sheds light on his estrangement from his mother.

Chapters 5-9 Analysis

This section charts Tom’s evolving relationship with himself, Susan, and New York. At the start of the book, Tom is resigned to his dormant career and his failing marriage. In Chapter 1, Sallie observes that Tom has cut her out of his life completely. Tom wallows in self-pity and has trouble controlling the violent, misogynist streak he has inherited from his father. But as he dives further into Savannah’s past and the city of New York, he begins to analyze his actions and expresses a desire for self-improvement. Getting the “New York Willies” (158) in Chapter 7 is a symbol of Tom’s changing relationship with himself and the world around him. Now the city that he so despised earlier offers him freedom and space to take stock of his life. In Chapter 5, the “silence of early mornings” (99) of New York begins to please Tom. Further, Tom discovers himself by recounting Savannah’s story to Susan, which builds the book’s prominent motif of the twin-bond and kinship.

During his first meeting with Susan, Tom presumes she is the enemy because of her wealth, upbringing, and education. Tom is prickly about his southern background, assuming Susan patronizes him for his supposedly traditional attitudes. As the narrative progresses, Tom sees that Susan is a richer and more complex person than he had assumed. Mirroring the shift in Tom’s attitude, the narrative begins to pick up speed, and stories pour out of Tom. The many stories, told almost in a rush in this section, give Tom’s narration the quality of a confession and enhance the Biblical themes of the novel introduced in Chapter 2 with the birth of the Wingo twins. The religious imagery continues in Chapters 5-9, with descriptions of Amos, the Bible salesman and devout grandfather of the Wingo children. In Chapter 6, Amos quits work to become a preacher in the wild, foreshadowing the fate of Luke. Significantly, Amos, Henry, and Luke are often associated with Christian imagery in the text. Savannah, too, is associated with the visions of mutilated angels. The imagery shows religion is a significant part of the life of the Wingos. Tom does not judge the religiosity but presents it as a fact of his childhood.

Another prominent theme that emerges here is toxic masculinity and male violence, especially in Chapter 5. In the form of Henry, this violence is within the domestic sphere and directed toward women and children. Violence begets violence: as in Chapter 5, when after the picnic incident, Tom says he climbs Stone Mountain—the picnic site—often. Climbing Stone Mountain is a metaphor for the trauma Henry’s abrupt violence against the six-year-old Tom has left behind. After the incident, Tom begins to dream of violence against his father. Dreaming of Henry’s death gives the child Tom temporary power against his violent, autocratic father but sows a streak of toxicity in the future Tom.

The second incident of male violence in Chapter 5 is the emergence of Otis from the Callanwolde woods. Unlike with Henry, the threat of violence against women and children is now from the outside world and appears more dangerous. Otis is described as a terrifying gigantic ghoul, his “flesh […] morbidly pale” (130) and his exposed penis “the color of pig flesh” (131). Otis represents sexual menace, the threat of the outside world encroaching upon the idyllic world of the children and their mother. Once Miller appears on the scene, the threat represented by Henry fades, with Tom now wishing that his father would return from North Korea soon to save his mother. Yet, the safety represented by Henry is a mere illusion. Significantly, both Stone Mountain and Callanwolde occur in the same chapter: this shows that both aspects of male violence against women and children are destructive in their own ways. Further, Henry’s presence cannot save his family from trauma and abuse, as the text will later explore. In fact, Lila doesn’t even disclose the horrifying sequence of Miller’s attacks to Henry because Henry often says that “no woman was raped who had not asked for it” (137). The text establishes that Lila and the children will have to be their own saviors; Henry cannot help because of his toxic, patriarchal attitudes.

Patriarchy and its pressures on the family also create the need for secrets and deception to ruinous effects. Tom calls Tolitha’s house the house of intrigue, with Tolitha too keeping many secrets from Papa John. Although Tom judges Tolitha and Lila for their deception, he subtly acknowledges that revealing the truth may land the women in trouble. To escape the worst of patriarchy, women have no option but to be upwardly socially mobile. That’s why Lila appeases the Newburys in Chapter 9. However, the habit of deception still has a devastating lifelong effect on Lila’s children, as the text will further unravel.

Another aspect of his parents' abusive marriage that Tom sharply captures is that abuse is not a constant. There are lull, halcyon periods in the cycle of domestic violence. That is why abused partners often stay in relationships: things are not always bad. This becomes obvious to Tom through the romantic chemistry between his parents. The young Tom cannot reconcile Lila’s passion for Henry with his abuse of her, which further complicates his view of women and interpersonal relationships. The theme of religiosity continues in this section, with Lila and Henry described as extremely earnest converts to Catholicism. It is suggested that they find solace in the structure and rituals of the Catholic religion because their lives are filled with chaos, drama, and violence. The chaos of the life of the Wingos is captured well in the description of Lila’s stillbirths. Though the stillbirths are sad, Tom notes that Henry does not mourn his dead babies; instead, he baptizes them under tap water and stores them in the freezer like dead shrimp. Henry’s robotic, unfeeling actions deny not just his pain but that of the children as well. Savannah, in particular, is deeply disturbed by the lack of ceremony around the stillborn children. That is why she unconsciously brings Rose Aster into her bed at night, an act for which her siblings mock her. The events highlight how denial and erasure can contribute to mental health issues, as in the case of Savannah.

blurred text
blurred text
blurred text
blurred text