53 pages • 1 hour read
Blake CrouchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The opening epigraph features quotes from Time magazine and Joseph Heller’s Catch 22. The Time quote concerns the unpredictability of evolution. The Catch 22 quote captures the novel’s unique take on paranoia: “Just because you’re paranoid doesn’t mean they aren’t after you” (vii).
A man wakes with a crushing headache and aching ribs, his left eye swollen shut. He is lying next to a river, across from which a large cliff looms, pine trees running along the top. He stands to find he is in a field adjacent to a small town nestled in a valley, surrounded by mountains. Checking the pockets of his black suit, he finds no identification, keys, or phone, just a Swiss army knife.
The man doesn’t know who he is, and as he walks into town, he wonders if one of the houses is his. The houses all feature unnaturally vivid, lush gardens. He keeps walking, in search of a hospital—beyond the enormous bruise on his left side, his injuries seem superficial, indicating he’s been in an accident of some kind. He decides to wait before going to the police, wondering if he’s committed a crime.
On seeing a mailbox that reads “Mackenzie,” the man realizes that the first syllable evokes a deep fear. He is drawn next to the smell of brewing coffee. Whatever else he doesn’t remember about himself, he loves coffee.
Inside the coffee shop, the barista flinches when she sees him; when he sees his injured reflection in the mirror behind her, he understands why. The man asks if he’s been there before. The barista, surprised, says no. She tells him he is in Wayward Pines, Idaho, and gives directions to the hospital, the mention of which elicits that same dread again. On his way out the door, the man notices that a boy and his mother seem to recognize him.
Finding a listing for a Mack Skozie in the phone book, the man decides to visit him for answers. The older man who answers the door confirms that he is Mack, but he doesn’t know the man. At this news, the man’s vision fades, and he falls off the porch; as he faints, an image of a truck grille, emblazoned with Mack, flashes across his mind. He slips into a memory of being in a car with another man named Stallings just as a Mack truck slams into them.
The man wakes to a beautiful nurse leaning over him, calling him Mr. Burke. Her nametag says “Pam,” and he thinks he remembers her. She confirms his memory of a truck crashing into his car, and his memory begins to fill in the gaps. He asks after Agent Stallings and learns that the other man has died. Now realizing that his own name is Ethan Burke, he asks for his phone.
After waiting all day to see the doctor, Ethan calls Pam into his room and asks again for his phone and briefcase, telling her that he is a Secret Service agent. Deciding to leave, Ethan puts his suit back on and is comforted to find his Swiss army knife in the pocket. He feels the impulse to sneak out. Although he doesn’t know why, Ethan leaves without attracting attention and heads to the sheriff’s office.
As Ethan walks to the office, he takes in his seemingly perfect surroundings. Again, he reflects that something darker must be underneath; otherwise, a federal agent like him wouldn’t be here. The sheriff’s office is closed, and as the sun falls behind the mountains, the temperature drops. Ethan walks to the local hotel and convinces the desk clerk to give him a room, despite the fact that he doesn’t have money or identification. He leaves to find food and stumbles on a pub, where he convinces the bartender, Beverly, to feed him.
When Beverly asks why he is in town, Ethan explains that he’s investigating the disappearance of two other agents—one of them, Kate Hewson, is his former partner. Before he leaves, Beverly gives him her address in case he needs help. Ethan returns to the hotel. He wants to call home, but he can’t remember the phone number of his wife, Theresa. Tomorrow, he decides, he’ll call her, get his possessions from the sheriff, and get in touch with his supervisor, SAC Hassler.
The next day, the desk clerk kicks Ethan out of the hotel, no longer believing his story. Ethan’s splitting headache worsens as he returns to the sheriff’s office, so he stops at a pharmacy along the way. The pharmacist, however, refuses to give him an aspirin. In his pocket, Ethan finds Beverly’s address; he decides to go to her house for aspirin.
As he walks by a playground, the children pause their play to stare at him. He arrives at Beverly’s address but finds the house is long abandoned. He climbs the decrepit porch steps, finding nothing inside but moldy furniture and cobwebs. He follows a strange smell to the back of the house. A rotting corpse is handcuffed to a rusty bedframe. Ethan realizes that it is Agent Evans, one of the two federal agents he is tasked to find.
Outside, Ethan gulps fresh air. His clothes stink from being in the room with the body. He walks to the sheriff’s office and, leaving his jacket and shirt outside, goes in. The receptionist’s eyes widen at his injuries and lack of shirt. Ethan introduces himself as a Secret Service agent and asks to see the sheriff, Arnold Pope.
Sheriff Pope exemplifies a cowboy sheriff, kicked back in his chair with his boots on the desk. He is reluctant to shake Ethan’s hand. The sheriff reports that witnesses saw a tow truck hit Ethan’s car, but nobody has found the truck or the driver. As they talk, Ethan suddenly remembers Theresa’s phone number and quickly writes it down.
Pope doesn’t have Ethan’s possessions; he claims that the EMTs must have them. When Ethan asks to use the phone, the sheriff says he’s already called Theresa, becoming confrontational, wanting to know why he wasn’t made aware of a federal investigation in his town. Ethan tells him the investigation revolves around a reclusive billionaire named David Pilcher; while Pope recognizes the name, he doesn’t understand the connection to Wayward Pines.
When Ethan tells Pope about Agent Evans, Pope’s attitude changes. He apologizes for Ethan’s treatment and offers the use of his phone. However, Ethan’s calls to Theresa and Hassler go unanswered. Pope leaves to check the body in the abandoned house, telling Ethan to visit him the next afternoon, at which point they’ll get his car.
Ethan returns to the bar and asks for Beverly, only to be told that she doesn’t work there. He is caught off guard by another wave of pain in his head. When he comes to, he is outside the bar, bent double, with vomit at his feet. Night is falling, and Ethan is confused and frightened. The hotel won’t take him back, so Ethan returns to the hospital. On the way, he grows too weak to continue, and a woman helps him. Though he can’t see her face through the pain, her voice sounds familiar.
The two epigraphs that open the novel frame and foreshadow the story to come. The Time quote highlights the unpredictability of evolution. In a literal sense, this quote foreshadows Ethan’s discovery that the “abbies,” the apex predator species that surpasses human abilities, actually have human origins; they evolved to survive the climate change environment. The Catch 22 quote helps set the tone for the novel, addressing Ethan’s certainty that, despite what everyone is telling him, there is something wrong with Wayward Pines.
The opening chapter, which hides the protagonist’s identity, immediately ties into the novel’s exploration of reality, truth, and identity. Blake Crouch doesn’t identify the anonymous man as Ethan Burke or even as the protagonist until Chapter 2. Ethan’s anonymity in this first chapter emphasizes his disorientation and vulnerability, giving the reader little to trust but Ethan’s unidentified dread. Despite the reader’s insight into Ethan’s thoughts, which will continue in future chapters, the anonymity keeps a certain distance between Ethan and the reader. The effect evokes more of a bird’s eye view of Ethan’s predicament, as if the reader were watching from above, which further fosters a sense of Ethan being at the mercy of manipulative forces beyond his control.
In a more practical sense, this aerial perspective is also useful because it offers the opportunity for Crouch to develop the setting. The author describes the environment, the town’s surroundings, and the physical layout of the town itself, from the playground and river to the downtown, orienting the reader in the compact setting. By offering this overview of the town now, early in the novel and before the action begins, Crouch familiarizes the reader with the landscape. As the plot’s action escalates, this familiarity proves helpful. In addition, this description establishes the personality of the setting. The town is slightly surreal, with striking points of perfection: “In almost every backyard, [Ethan] saw a vibrant garden, bursting not only with flowers but vegetables and fruit. All the colors so pure and vivid” (5). Ethan’s disorientation and the surreal nature of the landscape establish, early on, the sense that there is something more at work under the superficial perfection of the town.
These early chapters immediately establish the theme of The Need to Know, with Ethan’s circumstances and innate desire to understand the town necessitating that he seek answers. Despite his painful injuries, Ethan seizes on what scraps of his memory return, looking up and limping to Mack Skozie’s house in search for answers. This determination is a consistent character trait for Ethan, one that continues to drive him to extremes throughout the novel. By establishing that trait early on, Crouch makes clear that Ethan’s search for the truth will drive the action and plot of the novel.
Crouch also makes several direct references to Twin Peaks, which he cites in the Afterword as the inspiration for his novel. Ethan’s black suit and tie, as well as his status as a federal agent arriving in a small town in the forest, are reminiscent of Dale Cooper, the FBI agent protagonist of the television series. Ethan’s love of coffee is also a fundamental aspect of Cooper’s identity; although Ethan doesn’t even know his name at first, “it dawned on him that he loved good coffee. Craved it. Another tiny piece of the puzzle that constituted his identity” (7). In addition, like Wayward Pines, the town of Twin Peaks is nestled in a pine forest that holds secrets and mystery. The premise of Twin Peaks rests on the idea that, beneath perfect surfaces, dark secrets lurk; this premise applies to the characters as much as to the town itself. Wayward Pines is much the same, including Ethan, who is clearly a man with a darker side under his seemingly perfect life. Notably, these aspects all tie into the theme of The Malleability of Identity. One’s perspective and understanding of reality may change, even to extraordinary degrees, but when it comes to identity, these are ultimately surface-level factors. Other aspects of identity, those at one’s core, are immutable—in Ethan’s case, for example, a drive to learn the truth, a wish to serve justice, and a love of coffee.
Ethan’s darker side, or rather his complicated history, emerges with the mention, in Chapter 2, of his scarred legs. The mere sight of those scars shakes him, threatening to “pull him eight years back to a brown-walled room whose stench of death would never leave him” (25). In another sign of a complex backstory, one which not even Ethan himself knows, he has the impulse to sneak out of the hospital. This intuitive sense, with regard to the hospital, reflects an unconscious understanding that something is amiss. The compulsion even hints at a trauma that Ethan has forgotten entirely, forcing him to rely on his instincts as an agent. These two hidden narratives, which these chapters hint are related, highlight The Destabilizing Power of Trauma.
These ominous hints build the impression that Wayward Pines is a sinister place, an impression confirmed in Chapter 3 with Ethan’s discovery of Evans’s body. The circumstances in which Ethan finds Evans are brutal: “Part of his skull […] caved in. Teeth broken out. One of his eyes MIA” (52). Accordingly, Ethan comes to believe that the agent was tortured before his death. His suspicions about Wayward Pines confirmed, Ethan must also accept that Evans’s demise indicates that Ethan himself, as a fellow federal agent, might be in similar danger. As night falls and Ethan is still unable to contact anyone outside town, his inability to find his wallet, phone, gun, or badge seems like more than just a series of misunderstandings, and the ominous tone shifts toward malevolence.
By Blake Crouch