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58 pages 1 hour read

Linda Hogan

People of the Whale

Fiction | Novel | Adult | Published in 2008

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Part 2, Chapters 10-13Chapter Summaries & Analyses

Part 2, Chapter 10 Summary: “He Builds the Fence”

Thomas, dealing with the grief of Marco’s death and his own traumatic past, begins constructing a tall fence. His aim is to block the view of the ocean from Witka’s old gray house, where he now lives. As he works, Thomas reflects on the whale hunt, feeling remorse for his part in it and recalling how Marco, similar to his great-grandfather Witka, had a deep connection with the whale. Thomas laments how the whale was killed, the disrespectful slaughter contrasting with the reverence his ancestors held for these creatures.

Ruth visits Thomas, bringing food. On noticing the fence, she questions why he would block out the beauty of the ocean, suggesting that he has lost more than just a view. Ruth tries to remind Thomas of their shared past and the beauty of life, but Thomas is consumed by his inner turmoil.

As Thomas reflects on his life, he is visited by the parents of a fellow soldier, Murphy, who had served with him. The parents seek closure about their son’s death, but the visit only deepens Thomas’s sense of guilt and loss. He tells them that Murphy didn’t suffer, but Thomas is lying. Thomas’s memories of war and the violent actions he witnessed continue to haunt him.

Part 2, Chapter 11 Summary: “The Rain Priest”

The A’atsika people of Dark River face a severe drought following the controversial whale hunt. The ocean recedes, and the tides stop. Ruth, still mourning the loss of Marco, recalls the prophecy of an old man predicting the drought. The community struggles with the drying landscape, and fishermen like Dimitri find their catches dwindling.

Ruth, anticipating a prolonged drought, prepares by storing water and supplies. The ocean retreats further, prompting some community members to leave for fear of a tsunami. Old Wilma speculates about a crack in the ocean floor, fearing a disastrous wave. Ruth, seeking a solution, visits the elders in the black houses, proposing to find the Rain Priest, a mythical figure capable of calling rain. The elders, acknowledging the possibility of his existence, agree to help, but at a significant cost to Ruth—the sacrifice of her fishing boat, the Marco Polo.

Meanwhile, Thomas is still living in Witka’s old house, grappling with his past actions and their repercussions for the community. He decides to make his own sacrifice, planning to tell the truth about his war experiences and to search for his daughter in Vietnam.

As these events unfold, a mysterious man arrives in town, exhibiting a calm and unusual demeanor. His presence sparks curiosity and speculation among the locals. Following the man’s departure, the drought ends abruptly, with rain returning to Dark River. The community wonders about his role in ending the drought, with some believing he might be the Rain Priest.

In the aftermath, revelations about corrupt actions by certain community members come to light, further unsettling the town. The rain uncovers historical artifacts, including shell buildings from ancient times, reconnecting the community with its past. The community reflects on the events and the mysterious man, pondering the possibility of his supernatural abilities. The rain, while initially bringing relief, also brings new challenges and a deeper understanding of their history and current predicament.

Part 2, Chapter 12 Summary: “After the Rain”

Vince, a fisherman, enters a café in his fishing clothes, bringing with him the familiar smell of the sea. He has exciting news for Ruth, telling her, “Ruth, I’ll be damned, but I found your old Trophy. Way out there. Way out” (155). Ruth, who had believed her boat, the Marco Polo, was lost far to the north, is skeptical yet hopeful. Vince offers to take her to the boat, adding an eerie detail about his discovery: “I saw an octopus climbing down out of it as I approached” (155).

As they travel to the location of the boat, Vince is still unnerved by the octopus sighting: “It was the eeriest thing” (156). On reaching the Marco Polo, Ruth finds the boat well maintained and tidy, contrary to how she had left it; the effect is ghostly, evoking a sense of timelessness. While Vince seeks signs of the octopus, Ruth feels a deep connection to her father’s boat, now returned to her.

Ruth ponders the strange circumstances, including the presence of the octopus and the boat’s unexpected return. She prepares to resume her life and ready the boat for the upcoming salmon season. That night, she finds a pearl on her pillow, a memento that once belonged to Thomas’s mother, who, according to the local story, left it in the cave the octopus crawled into when Thomas was born.

Ruth continues to worry about Thomas, who appears to be making a significant change in his life. He is cleaner and more alert, packing for an unknown destination. Ruth senses that he has made a crucial decision but doesn’t ask where he is going, understanding the importance of his choice.

Part 2, Chapter 13 Summary: “He Goes Beneath”

Thomas embarks on nightly excursions to the sea, reminiscent of his childhood dreams of disappearing into the ocean. He recalls the promises of his childhood friends: “Someday we’ll hide in the ocean. We’ll swim out and hold our breaths like old Witka and disappear” (158). Thomas’s solitary ventures occur under the cover of darkness, with Thomas secretly followed by Ruth, who observes his actions with a mix of concern and detachment.

Thomas, wrapped in a wool army blanket, immerses himself in the Pacific waters, initially struggling but gradually becoming more adept at staying submerged. Ruth, who has a deeper understanding of the ocean’s mysteries and dangers, watches him closely. She recognizes the allure of the underwater world for Thomas, where “the sea is full with life barely seen” (158).

As Thomas spends more time underwater, he begins to appreciate the ocean’s beauty and life. Ruth perceives his actions as an attempt to reconnect with the past and his heritage. She recalls their shared childhood experiences exploring tide pools and marveling at marine life.

Despite the apparent distance in their relationship, Ruth’s vigilance over Thomas during his nocturnal swims suggests lingering emotional ties. Ruth’s mother discourages Ruth’s concern: “You need your sleep,” her mother says. “It’s dangerous work you do. You can’t afford to follow him around at night or take him food” (161). “He’s still my husband” (161), Ruth responds, highlighting her enduring connection to Thomas.

Thomas’s forays into the water trigger introspection. When he surfaces each night, he is unburdened, if not yet able to escape his life’s weight. Ruth, understanding Thomas’s struggles and transformations, remains a silent, protective presence.

Part 2, Chapters 10-13 Analysis

These chapters continue to explore reconnection with nature, the quest for redemption, and the impact of communal and personal actions on the environment and community. In exploring these issues, Hogan demonstrates further the intertwined relationship between the characters’ inner transformations and the larger ecological and cultural milieu. As the community confronts and responds to ecological and cultural crises, the story advocates for a holistic approach to healing—one that combines personal introspection with a communal return to ancestral wisdom and practices. This approach is not just about reverting to past traditions; it’s about adapting and integrating these values into the present context to address contemporary challenges.

Hogan’s use of symbolism and metaphor assists the author’s exploration of Individual and Communal Healing as Thomas undergoes a transformation after the whale hunt. Thomas’s act of building a fence to block out the ocean symbolizes his deep-seated desire to isolate himself from the painful reminders of his past, particularly his role in the whale hunt and the loss of his son, Marco. This physical barrier reflects his emotional and spiritual disconnection. In building the fence, Thomas seeks isolation, a barrier between himself and the world, including the ocean—despite the ocean representing much of what makes Thomas who he is. As Thomas begins to heal, he naturally returns to the ocean, deepening his connection with it. His nocturnal swims in the ocean in Chapter 13 suggest a yearning to reconnect with nature and his cultural roots. These solitary immersions in the sea, which signify a journey toward self-discovery and reconciliation with his heritage, mark the convergence of individual and communal healing. Individual healing cannot occur in disconnection from the community. Ruth, as a protective figure who visits Thomas and, unknown to him, watches over his forays into the water, hints at the presence of community even in apparent isolation.

The severe drought in Chapter 11, as a metaphor for the community’s discord and loss of harmony with nature following the whale hunt, weaves together the themes of Environmental Stewardship and Responsibility and The Significance of Mythology and Spirituality. The search for the Rain Priest, a mythological figure with the power to bring rain, represents a longing for two interwoven forces: ecological balance and a reawakening to traditional wisdom. This narrative arc resonates with Indigenous perspectives on the interconnectedness of human actions, nature, and spiritual realms. The drought and its resolution highlight the consequences of straying from cultural and environmental stewardship. In many Indigenous cultures, rain is not only a physical necessity for survival but also a significant spiritual and symbolic event.

Broadly speaking, rain dances and ceremonies are common in various Native American cultures. In addition to being rituals to invoke rain, they serve as a means to maintain harmony with the natural world. The dances and ceremonies often involve elaborate rituals, songs, prayers, and sometimes the use of sacred objects. These practices are grounded in the belief that humans can communicate with and influence natural forces and that such interactions are crucial for the balance and well-being of both nature and the community. The Rain Priest, in turn, is a figure embodying the wisdom and spiritual authority to mediate between the community and the natural world. Such a figure would be deeply knowledgeable about traditional rituals and practices and respected for their ability to connect with spiritual realms.

The Indigenous perspective of human beings as an integral part of the natural world is present throughout these chapters as well, with an emphasis on humans’ responsibility to live in harmony with it. The narrative in People of the Whale reflects a broader call for respecting and learning from Indigenous knowledge and practices. Building such an understanding, Hogan suggests, can offer pathways for addressing ecological crises and fostering a more sustainable relationship with the earth.

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