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Donald HallA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“Ox Cart Man” portrays the actions of a rural New Hampshire farmer as he prepares to go to market and sell his wares. Hall’s original occasion for composing this poem was a story his cousin Paul heard from an old man who likewise had heard it from another old man when he was a child. Hall saw the cyclical story as parallel to the poet’s role: “I was always conscious that the Ox-Cart Man […] implied the annual round for poet as well as for farmer. I suppose I already knew that the round must eventually stop. Of course, I am fortunate that so far for me, it has continued its motion” (Dueben, Alex. “At Eagle Pond.” Poetry Foundation). The man and the poet must each continually return to the same minutiae of craft and processing. Their products—potatoes, birch brooms, or a poems—do not magically appear for the maker; each requires diligence, persistence, and hard work.
In an essay about the origins of the poem and the children’s book that he wrote several years later, Hall described dreaming of his grandfather “who divested himself of everything he could gather, in his stewardship carrying all the past through winter darkness into present light. I understand: this duty is my duty also” (Winant, Johanna. “Rereading Donald Hall's Beautiful Children's Book in a Time of Turmoil.” Slate Magazine, Slate, 5 July 2018). Hall sees the work that the ox cart man does as far reaching, able to produce something inherently valuable. In a similar way, Hall sees his writing work as a duty that requires the same cycles of labor and results in the same kind of reward.
Many poets set their work in the particular, evocative places where they live, describing their home landscapes with rich imagery and emotional resonance. William Wordsworth, a 19th century English poet, famously did so in “Tintern Abbey”; other poets, including James Wright and Naomi Shihab Nye, have centered poems in specific locations, as they celebrate and examine the complexities of their homes.
Hall’s poetry, especially work from the 1970s and 80s, is deeply rooted in his New Hampshire home and surroundings. In an interview from 2006, he said:
When I came back, I decided I’d been writing about New Hampshire from a distance so much—now that I was back in New Hampshire, I wouldn’t write about it anymore. Quite the reverse. I went to everything. I wrote about all the old farm animals, I wrote about the hills, everything about it stimulated me (“Donald Hall, 89, Saw Poetry as 'School for Feeling'.”
Poetry Foundation, Poetry Foundation). “Ox Cart Man” embodies this desire, taking time to examine the intricate details of one man’s simple, New Hampshire life. Hall explicitly chooses to signal the man’s home state, identifying the market he walks to as Portsmouth Market, and thus cementing both the man and the reader in the region.