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59 pages 1 hour read

Ken Kesey

One Flew Over the Cuckoo's Nest

Fiction | Novel | Adult | Published in 1962

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Character Analysis

Chief Bromden

As the novel’s narrator, Bromden offers a unique perspective on its events. A tall, half-Native American man who is cowed into silence and submission by the powers that be, Bromden slowly emerges from his shell to become a powerful agent. His narrative is filled with hallucinations that add poetic insight to his story, including fog and omnipresent machinery that serve the Combine’s causes. Rather than obscuring the truth, these hallucinations accurately convey the interconnections between the larger social forces at play in Bromden’s life.

Following a youth disrupted by racism and war, Bromden is admitted to Ratched’s ward at the mental hospital, where he spends a stagnant decade before McMurphy’s arrival. Over the course of the novel, Bromden becomes a close friend of McMurphy. He maintains a largely passive role as an observer until, under McMurphy’s influence, he takes a series of steps toward self-actualization, including voting, talking, fighting, and escaping. Bromden’s decision to kill McMurphy, which he makes independently, shows that he can now think and act for himself, even as McMurphy’s influence lives on. 

Randle Patrick “Mack” McMurphy

Randle Patrick McMurphy is the main protagonist of the novel, an anti-hero who sparks a rebellion against Ratched. A redheaded, working-class veteran fond of fighting, gambling, and women, McMurphy is notable for his seeming imperviousness to the manipulation and control of the Combine, including Ratched, and his disruptive presence throws the otherwise stable ward environment off balance. McMurphy’s most powerful asset is his charisma, which earns him the respect of the other patients. Temporarily threatened, his leadership is reinforced as he progressively gives more of himself to the patients’ cause, up to and including his life. His elevation to near-mythical status is confirmed both by the trouble Bromden takes to tell his story and the Christian imagery that permeates the account.

Nurse Ratched

Also known as the “Big Nurse,” Nurse Ratched is the novel’s antagonist. The only character who has been on the ward longer than Bromden, Ratched fine-tunes her methods of manipulation and control over the years. Despite possessing a large bosom, Ratched carries herself as if she’s removed from “everything […] that’s weak and of the flesh” (138). Above all else, Ratched prizes cleanliness, order, and social adjustment. Ratched’s goals align so closely with those of the Combine that Bromden sees her as a kind of robotic doll.

When McMurphy threatens her control over the ward, the ensuing struggle between the two of them forms the novel’s central conflict. Whereas McMurphy presses his advantage quickly and often, Ratched is content to let time pass, knowing that she can break him down over an extended time, as she controls his timeline for release. At the novel’s climax, McMurphy’s attempts to break down the power of Ratched’s persona by exposing her breasts; his attack also takes away her voice, a form of poetic justice after she effectively silenced so many of her patients.

William “Billy” Bibbit

As a 30-something-year-old virgin with a mother who still treats him like a child, Billy falls prey to the Combine’s infantilizing influence. Billy struggles to assert himself, particularly in relation to the women in his life, including his mother and Ratched, who are good friends. Similarly, his attempt to propose marriage to a woman he loves falls short when he struggles to pronounce the word “marry.” Ratched’s therapeutic interventions, including a meeting to delve into his insecurities, just worsen his condition. Only when, with McMurphy’s help, Billy has a romantic encounter with Candy does his stutter temporarily abate. His death by suicide shortly thereafter demonstrates the difficulty of fully escaping the Combine’s influence.

Dale Harding

An intellectual man with expressive hands, Harding is a foil character to McMurphy, who acts on instinct. Articulate and inquisitive, Harding offers running commentary on virtually everything that happens, as when he describes McMurphy’s nighttime party as a surreal blend of “Kafka and Mark Twain and Martini” (261). While McMurphy excels at action, Harding has the superior gift for analyzing and explaining, and he offers key insights about the nature of the struggle against Ratched’s matriarchy and the forces that keep the patients subdued.

Though Harding is attracted to other men, he is married to a woman with sexy, movie-star looks. When McMurphy invites Harding to leave the hospital with him, Harding declines, saying that he wants to follow the official process “with all the traditional red tape and complications” to show that he can do so—and he does, as his wife picks him up from the hospital (265). While Harding’s apparent willingness to play by the rules may seem like a victory for Ratched, it serves as a way for Harding to assert himself within the system in defiance of its soul-crushing power.

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