59 pages • 1 hour read
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Content Warning: This guide contains discussions of graphic violence, extreme violence to women, sexual assault, child abuse and trauma caused by child abuse, child molestation, and death by suicide. The novel also contains depictions of mass shootings and references to terrorism and serial murderers. The novel contains depictions of mental health conditions and sometimes engages in stereotypes about them.
The story begins with Odd Thomas introducing his unconventional life. He’s not seeking fame but is convinced to write a memoir by Little Ozzie. Odd assures the reader that despite the dark events he describes, it won’t be overly gloomy due to Ozzie’s insistence on keeping the tone light. He shares his peculiar experiences, like his recurring dreams of dead bowling alley employees, and describes his simple morning routine. This includes showering with peach soap given to him by Stormy Llewellyn, his soul mate and girlfriend.
Penny Kallisto, a 12-year-old girl from his neighborhood, gives Odd a shell. Instead of hearing the sea, he hears disturbing noises coming inside. As Odd waits for something to happen, Harlo Landerson, an old classmate, arrives in his car. Odd realizes Harlo murdered Penny and that Penny is a ghost and confronts him about the crime. Harlo flees, and Odd chases after him.
The chase leads them to a backyard, where Harlo threatens a young woman. Odd intervenes, and they end up in a pool, triggering Odd’s discomfort with water due to past trauma. Odd is temporarily incapacitated when Harlo strikes him in the throat, but he manages to chase Harlo out of the pool. The chase continues indoors when Harlo smashes through a sliding glass door and confronts a woman in the kitchen beyond. Odd apologizes and continues the pursuit. Upstairs, Harlo attempts to use the woman’s child as a hostage but is stopped by Odd. After a tense standoff, and as sirens from the police draw closer, Harlo finds himself cornered.
Odd explains his ability to see and interact with the dead but explains the dead cannot speak. Harlo is taken into custody, and photos of Penny are found in his wallet, one with her alive and one with her dead. Odd contemplates the nature of the afterlife. He thinks about how Stormy believes life is a boot camp to prepare souls for the next world and those who fail cease to exist. Odd reflects on their differing outlooks and the potential consequences of delaying gratification.
While he waits in the boy’s room, Penny offers him comfort, then leaves when Chief Wyatt Porter enters. Chief Porter acknowledges the complications of Odd’s abilities, and they discuss the possible legal consequences of his involvement. Chief Porter says Odd should think about a career change, hinting he should join the police force, but Odd isn’t interested. He leaves the house and returns home, ready to properly start his day.
Odd explains he has a proactive approach to helping the deceased, which is sometimes messy. He changes clothes and visits Mrs. Sanchez, his landlady. He apologizes for being late, citing his strange morning. She expresses her concern about becoming invisible. The fear stems from her inability to deal with the deaths of her loved ones, who she believes might return. Odd comforts her and encourages her to focus on the present.
As Odd walks to work, he encounters shadowy entities called “bodachs.” They are not ghosts but dark spirits that signal impending trouble. The chapter ends with Odd arriving at the Pico Mundo Grille, determined to focus on his cooking despite the unsettling presence of the bodachs.
While working as a short-order cook at the Pico Mundo Grille, Odd notices a peculiar customer he calls “Fungus Man.” The man has an unsettling smile and an eerie demeanor. Odd’s suspicion is amplified by the bodachs that gather around the man. Odd notes that ordinary deaths don’t draw them, but acts of extreme violence do. Fungus Man finishes his meal and leaves the diner, followed by the bodachs. Odd notes their growing numbers, which hints something terrible is approaching.
Odd describes Terri, his Elvis-obsessed employer and surrogate mother figure. He attributes her fascination with the deceased singer to her latent medium abilities. Terri’s obsession with Elvis stems from her belief that his music represented a more innocent era in pop culture. After Odd’s shift concludes, they eat lunch and play an Elvis trivia game. One of the waitresses, Viola, tells Odd she dreamed of being dead. Terri encourages Odd to help Viola by using his abilities, but he is reluctant. He also mentions his concerns about Fungus Man. Terri lends Odd her car to help in his investigations and jokingly warns him not to transport any dead people in her car.
Odd drives to Green Moon Mall. Odd sometimes visits Tire World, the tire store in the mall’s parking lot, due to his interest in tires, but he doesn’t plan to leave his job as a cook. While walking around the store, he is unsettled by a ghost trying to be funny with him and leaves to go to the mall.
There, he meets up with Stormy, who works at an ice cream parlor at the mall. They sit by the mall’s koi pond and discuss their plans for the future along with Odd’s search for Fungus Man. While they talk, Fungus Man appears and walks in their direction, which unsettles Odd.
Fungus Man enters the ice cream parlor. Stormy asks if the bodachs are with him. When Odd says they are, Stormy says their negativity is bad for business. She returns to the store to see what Fungus Man wants while Odd waits outside. After he leaves once again, Odd follows him out of the mall. As he does, he realizes the bodachs are no longer following Fungus Man. Odd notes this is unusual since they usually accompany those who will cause harm until the act is committed. Despite his new doubts about Fungus Man’s nature, he continues the pursuit.
Odd follows Fungus Man to Camp’s End, an underserved neighborhood in Pico Mundo. The man enters a dilapidated casita. Odd parks in front of an empty lot across the street to wait. After almost an hour, Fungus Man leaves. Rather than following him again, Odd enters the casita. Inside, he finds the house in disorder. Odd enters Fungus Man’s bedroom, which is cold despite the air conditioning not running and has a foul smell. His curiosity leads him to another door. On the other side, he finds a black and soundless void.
Despite his fear, Odd enters the black room, which he describes as the darkest place he ever encountered. The room is cold, dark, and eerily silent, though Odd can still feel his heartbeat. As he moves further into the room, Odd spots a red light that disturbs him. He tries to walk toward it, but it never gets any closer. When he looks back, a figure stands in the doorway. Rather than Fungus Man, Odd sees himself. He believes it isn’t a reflection but a different version. He tests this by waving, a gesture the other Odd doesn’t return. When the other Odd enters the black room, Odd is transported back to the casita’s living room. He checks his watch to find he went a few minutes back in time. After considering the ramifications of the time paradox, he follows the second version of himself back into the black room.
On his second visit to the black room, Odd is more determined to reach the red light. Once again, he is ejected from the room a few minutes into the future and outside the casita. Odd is puzzled by what happened and contemplates Fungus Man’s true identity and intentions and the nature of the room itself. When Odd reenters the house, he finds the strange silence and cold fading. As he prepares to explore further, he senses danger and hides behind the kitchen door. Soon after, bodachs swarm into the living room.
The bodachs swarm from the black room in numbers higher than Odd ever encountered. One of the bodachs separates from the group and stands in the center of the living room. Odd remains hidden, afraid to do anything that might attract its attention as it scans the room. Despite its featureless appearance, it senses Odd’s presence. However, it eventually loses interest and rejoins the swarm as they leave the house. Odd regains his composure after they depart. He checks outside but sees no sign of the bodachs in the neighborhood. The chill and foul odor in the house vanish. Odd returns to the black room, but finds it gone.
Odd explores the place that used to be the black room: Fungus Man’s Study. It is neat, contrasting with the state of the rest of the casita. Three large black-and-white photographs hang on the wall. They depict Charles Manson, Timothy McVeigh, and Mohammed Atta. When he searches the room, Odd finds files on serial killers and mass murderers. He also discovers bank statements addressed to “Bob Robertson,” Fungus Man’s real name. The statements, along with Robertson’s checkbook, reveal his substantial wealth. His choice to live in a casita in Camp’s End puzzles Odd. Finally, he finds a file with Robertson’s name, which contains only a calendar page for August 15th, the following day.
Odd explores Robertson’s yard but finds no signs of any recent digging that might suggest foul play. He theorizes that if Robertson were a serial killer burying his victims, he would have maintained the soil to make digging easier. The date in the file suggested he would instead start the following day. Odd notices a crow on the roof, which he believes might be an omen. He says in the narration its connection to Edgar Allan Poe’s “The Raven” is significant and that his failure to understand its meaning results in damage to Pico Mundo. Odd is joined by Elvis’s ghost, and they drive to a poolside gathering Chief Porter is hosting at his home. There, Odd expresses his concerns about Robertson to Chief Porter. With the help of a new officer, Bern Eckles, the chief checks Robertson’s background but finds no criminal record. However, he does decide to keep an eye on him.
The first 14 chapters are crucial in establishing the story’s foundation. They introduce most of the major characters, define Odd’s abilities, and set up the imminent danger coming to Pico Mundo that is tied to Bob Robertson, or “Fungus Man.” This setup is essential in creating a strong narrative structure, building tension, and engaging the reader as the novel progresses.
The protagonist, Odd Thomas, is introduced as a young man with extraordinary abilities, primarily the power to see the lingering dead. He is portrayed as someone who balances a normal life with the supernatural aspects of his gift. The opening chapters establish Odd’s compassionate nature, intelligence, and witty first-person voice. He begins the story by addressing the reader directly. He is the author of the novel within its fiction. The setup at the beginning of the first chapter provides insight into the personal motivations behind writing the book, which comes from the need to grapple with an overwhelming loss he’s struggling with. He also hints at being an unreliable narrator, hinting that he is concealing a significant truth from the reader. This is kept a secret until the novel’s conclusion. The meta-fictional element of this novel, Odd being the one to narrate and tell the story while also being the one to live it, speaks to The Interconnectedness of Destiny and Free Will. Odd both knows his own story, telling it himself, and has to live it. This speaks to later ideas in the work about destiny and people’s ability to choose their own path within a general destined framework. Odd even has trouble controlling the narrative he is telling, as he often has to stop himself from becoming too dark in the telling of it and references Little Ozzie and his instructions on telling the narrative. He is on a set path, however, and the story has already been decided, even if his way of telling it alters throughout the unfolding.
Stormy is introduced as Odd’s girlfriend and confidante, and their relationship is a focal point throughout the story, which ties into the theme of Earthly Sacrifice in the Name of Love. She is vital as she provides emotional support and insight into Odd’s experiences. Her presence adds depth to Odd’s character, and her well-being is a source of motivation for him throughout the story. Chief Porter is another significant character representing authority and mentorship in Odd’s life. He and Odd keep each other informed regarding updates in the building case regarding the danger coming to Pico Mundo. Porter also actively supports Odd in maintaining the secrecy of his gift and goes to great lengths to shield him from public exposure. Finally, Bob Robertson, or “Fungus Man,” is introduced as a mysterious and possibly menacing figure. While his establishment as the primary antagonist is later revealed to be a red herring to throw the reader off the trail of the real culprits, his presence introduces an element of tension, casting shadows on the narrative’s otherwise light tone and hinting at impending darkness as the story unfolds. Odd’s further investigation into Robertson’s life reveals his wealth and a disturbing fascination with serial and spree killers, further corroborating his suspicions. As the tension becomes greater, however, and Odd continues to deal with it to help others despite his fears, it becomes clearer that Odd is sacrificing for his love of Stormy. He is on a quest to do the right thing so that he will be able to spend the afterlife with Stormy, as is revealed at the novel’s conclusion.
These chapters also establish the novel’s supernatural elements. Not only does Odd’s ability to see the lingering dead influence how he solves the mystery at the novel’s core, but it also provides the reader with an understanding of his unique perspective on the world. Despite his bravery, Odd frequently doubts being considered a hero. He approaches each situation with caution and reluctance, although he is always compelled to intervene by a strong sense of morality. The novel gives an example of this with his encounter with the murdered Pico Mundo girl, Penny Kallisto. Although Penny cannot speak, she manages to communicate her killer’s identity to Odd, and she implores him to bring the perpetrator to justice, which he does. He confronts the murderer, Harlo Landerson, alone, putting himself in physical danger to help Penny and the bystanders that Harlo threatens. This establishes Odd’s commitment to helping everyone in need that he encounters, whether they are living or dead. This also speaks to the theme of Good and Evil as Connected to Humanity, as the evil in the world is portrayed as being directly linked to human actions and decisions. The supernatural element of the story is always in relation to the human characters; spirits are ghosts of those who died in real life. The supernatural threats are explicitly the threats of human beings, and so too is good here portrayed as being directly linked to human actions and Odd’s choices. He can fix the supernatural evil, the spirits, through his human actions and prevention of human misdeeds.
In addition to seeing the ghosts of the deceased, Odd can see the dark spirits he calls bodachs. They are first introduced early in the story at the Pico Mundo Grille. Here, Dean Koontz emphasizes the connection between the bodachs and impending disasters or tragedies. This creates an atmosphere of foreboding and establishes them to foreshadow evil and the danger Odd will face as he becomes more entangled with these sinister beings. Their introduction also ties into that of Robertson. This connection between them leads Odd to begin his investigation, which leads him to break into the casita in Camp’s End. While this act is one of Odd’s ethical dilemmas, he deems understanding the bodachs’ interest with Robertson as a crucial enough justification. Finally, Odd also mentions his recurring dream of the gruesome murder of bowling alley employees. He believes the dream might foretell a future event. Given his history of prophetic dreams coming to pass, this dream introduces an element of foreshadowing, hinting at events that will later unfold.
These chapters continue to establish the central theme of Good and Evil as Connected to Humanity. While the introduction of the bodachs tonally introduces the scale of the evil that will arrive at the novel’s conclusion, how Koontz portrays evil is best exemplified in this section by Harlo. His murder of Penny Kallisto and the violence of his attempted escape from Odd show the human evil in the world and the enduring impact of such malevolence. Harlo is depicted as just as evil as any malevolent spirit encountered in the work. It is his aura, as well as the aura of other humans who commit crimes, that haunts the narrative.
By Dean Koontz