50 pages • 1 hour read
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Frankie recalls attending a liberal-arts college after high school, where she ultimately uses her Nancy Drew-like novel for an independent study with an eccentric professor upon discovering he has also written a quirky novel. He provides line edits for her book, and connects Frankie to a New York literary agent. Frankie goes on to write and publish three more novels featuring the same girl detective. These prove successful, but the adult novel that follows does not. As her adult life unfolds, she still thinks about the poster and frequently feels “weighed down” (192) by the secret of it.
One evening, Frankie arranges for a babysitter to take Junie to see a movie so that she can talk to Aaron about the poster. Aaron is worried that something is wrong, and Frankie slowly reveals that a reporter wishes to interview her about the Coalfield Panic, which she is responsible for causing. Aaron initially does not believe Frankie is telling the truth, but quickly grows upset that she never shared the secret with him. He fears legal action could be taken against Frankie and worries about the news harming Frankie’s writing career. They argue, Aaron upset not only because Frankie never told him the truth but also because she has allowed the poster to continue to consume her into adulthood. He asks Frankie if there are more details concerning the poster that he should know, and Frankie, thinking of Zeke’s involvement, admits that there are but that she wants to tell him the full truth gradually. First, she feels she must tell her mother the secret in person. They agree that they will not speak of the poster to Junie, who returns from the movie soon after.
Frankie visits her mother in Coalfield and quickly explains the Mazzy Brower situation, informing her mother that she created the poster in 1996. Frankie’s mother says she has known for quite some time that Frankie created it, having “figured it out” (204) at some point during the panic. She explains her awareness of Frankie’s unusual behavior that summer and admits to noticing the supply of copier paper dwindling as the panic unfolded. Frankie is surprised to learn that her mother had discovered her secret. Her mother assures Frankie that she will not be bothered by the news of the authorship becoming public, dismissing Frankie’s insistence that she is to blame for the deaths of fellow teenagers during the panic. Frankie also tells her of Mr. Avery’s knowledge, and her mother dissuades Frankie from seeking out her backpack, which ended up with Mr. Avery’s sister. She tells her mother that she wants to inform Zeke about Mazzy Brower’s article before it is written.
Frankie searches for information about Zeke, which she hasn’t done since college. He has never had any online presence, and Frankie is uncertain what name he might go by. She spends the night sleeping in her childhood bedroom, and resumes her online search the next day. She searches for five hours and comes up with three locations where Zeke may potentially be living. After talking on the phone with Junie, Frankie calls some of the numbers turned up by her search, none of which lead to Zeke. Finally, Frankie looks up Zeke’s mother’s married name—Cydney Brown—finds a Memphis phone number, and calls it. When a man answers the phone, she knows it is Zeke. Zeke, too, recognizes Frankie’s voice and demands to know why she is calling. He hangs up before Frankie can say much. Frankie spends the rest of the evening thinking about Zeke until she falls asleep. She awakens in the middle of the night, deciding she will drive to Zeke’s home in Memphis to speak with him.
After driving for two hours, Frankie gets a call from her mother, who found the note Frankie left for her. She tries to convince Frankie to allow her to accompany her to Zeke’s home, but Frankie refuses. She stops at a gas station for snacks and hangs up one of the posters.
She arrives at Zeke’s home—the same one his father lived in in 1996. As Frankie pulls in, Zeke himself appears outside of the door. They greet one another, and Zeke says he now goes by Ben. Zeke’s mother appears, followed by his father, who walks with a cane. Frankie is shocked to find them still married after all. She greets his parents awkwardly and learns that his father has experienced a stroke. Zeke agrees to talk to Frankie, and the group goes inside.
His parents hesitate to leave Zeke alone with Frankie but finally agree. Alone, Zeke tells Frankie he has read her books and knows she is married with a child. He says he currently has a girlfriend, and he goes on to explain that, after his summer with Frankie, he was diagnosed with bipolar disorder. He tells her that obtaining an accurate diagnosis was difficult, and then speaks of his parents—who ultimately remained married—and his job as a comic-book artist. He apologizes for hurting Frankie that summer—both physically, because of her broken arm, and emotionally, as he terminated their relationship.
Frankie then tells him about Mazzy Brower and the article. Zeke is scared that the repercussions could be negative, requesting that Frankie not reveal his involvement to Mazzy Brower. Frankie feels she should be truthful about their shared role in the poster’s creation but finally agrees to say she created it alone. Frankie wishes that Zeke would repeat the poster’s phrase but knows she cannot request this of him. Zeke leaves the room to get muffins for each of them, and they talk about his work as a comic artist as they eat. Before leaving, however, Frankie asks if Zeke will teach her to draw the images from the poster, anticipating she will need to prove her complete authorship to Mazzy Brower.
Zeke agrees and, in his bedroom, draws and redraws the images while Frankie copies him. After they are finished, Zeke makes a new sketch of a forest, which he offers to Frankie to keep. They part, Zeke indicating that he may wish to see her again in the future, depending on what results from the article. Then he speaks the lines from the poster before Frankie drives away.
Frankie arrives home and is greeted by Junie and Aaron. She knows she will tell Mazzy Brower “a version of the story that will become the truth” (239). She assures Aaron that everything is okay.
That night, as Frankie puts Junie to bed, Junie asks where she has been. Frankie tells Junie about the poster in a vague way, explaining that she made something when she was a teenager but kept it a secret. She tells Junie that she is about to reveal the secret for the first time and that this is what her trip to Junie’s grandmother’s home entailed. Junie asks Frankie to share the secret with her, and when Frankie recites the words from the poster, Junie joins in. She insists that Frankie spoke them to her when she was a baby, and Frankie recalls reciting them. Junie says that the two are fugitives, and Frankie concurs, telling Junie that it can be good to be a fugitive. Junie falls asleep, and Frankie stays in her room a while longer, thinking of the phrase, certain it will never change.
The pull of the past continues to dominate Frankie. This is evident in large ways, such as her continuing to hang the poster in public, wearing a T-shirt that features the poster, and frequently reciting the lines from the poster to herself (and to Junie in her infancy). Even the gas-station snack—Pop-Tarts and Mountain Dew—she chooses on her way to Zeke’s parents’ home is reminiscent of the summer of 1996.
Setting, too, plays a role in this section. Zeke’s bedroom conjures Frankie’s bedroom all those years ago, where the two secretly made art. Importantly, it is Zeke’s home where this occurs now, not Frankie’s, suggesting that Zeke is allowing her into his private world once again. Similarly, Frankie appears surprised to find Zeke living in his parents’ home in Memphis—the same house where the altercation between Zeke and his father occurred in 1996. Ironically, then, finding Zeke should have been easy, as he points out to Frankie.
Seeking out Zeke allows Frankie to finally resolve much unfinished business and put behind her a momentous part of her past. Zeke’s absence from the internet seems intentional, another type of secret, as he wants to remain private. The poster has not impacted his adulthood in the way it has Frankie’s. Unlike Frankie, he is not tormented by the past. He does not obsess over reciting the lines, nor is he plagued with guilt over the harm that resulted from the poster. Again, he is a foil to Frankie’s character. Importantly, though Zeke is aware of how Frankie’s adulthood has unfolded—having read her published novels and learned a bit of her family life through her author information—he has never felt compelled to contact her. His insistence that Frankie not reveal his role in the poster’s creation demonstrates his desire to maintain his privacy and compliance with social norms. He still feels, as he did as a teenager in 1996, that this knowledge surfacing will be to his detriment. This contrasts with Frankie, who has come to terms with the truth of the poster coming to light and is prepared to claim ownership of it. Frankie feels it is important that Zeke’s artistic contribution be acknowledged and feels disingenuous in claiming complete authorship of the poster. Yet she agrees to abide by his request, and doing so is evidence of her respect and care for him. By not telling the entire truth, Frankie also still gets to keep some of the secret for herself, which allows her to maintain a private level of control over her art.
The characterization of Frankie’s mother is solidified in this section. Her knowledge of Frankie’s creation of the poster was itself a secret. She recognizes the emotional difficulty of that summer for Frankie and sought to protect Frankie by not confronting her about the poster. Her insistence to Frankie that the poster is “beautiful” (205) certainly reassures Frankie that her mother does not stand in judgment of her past actions.
Perhaps the most important secret is revealed to Frankie herself when she learns of Zeke’s mental illness. In retrospect, the diagnosis explains some of Zeke’s behavior during the summer of 1996, namely his attack on his father and the incident of aggression toward Frankie afterward. The reason for Zeke’s behavior was a mystery to himself at the time, and his keeping his mental struggle from Frankie when they were teenagers could be explained in many ways. His condition likely contributed to his feeling of being weird and different from their peers; on the other hand, it arguably contributes to making Zeke the person he is and thus is a tool in his artmaking. That Zeke now seems at peace with his struggles is important, as he models for Frankie the kind of contentment she can achieve with herself in the future.
In the end, Frankie does find peace with the poster. The words she has created remain powerful and meaningful, and she takes comfort in the certainty that they will continue to be. That Junie knows the phrase—and finds it as lovely and magical as Frankie does—suggests that she will carry it with her as she ages. In this way, Frankie has created an art that will last.